Original Publish Date May 20, 2021.
In the John Lennon film “Above Us Only Sky” (a segment from the larger film “Imagine”) there’s a scene from a 1971 encounter with a young man who shows up at Lennon’s house in England. Lennon talks with him and eventually invites him in to eat some food. In the clip, Lennon’s Mini Cooper car (parked outside the house) has a WIFE Good Guys radio sticker in the back window. How in the world did a sticker from a local Indianapolis radio station end up on a car in John Lennon’s driveway in England? The mystery was uncovered by Irvingtonian Bill Price in part I of this article and solved by Irvingtonian Stephen Bruce Smith in part II. Part III reveals another Irvington connection.
When the Beatles played two shows at the Indiana State Fair in September of 1964, Radio station WIFE 1310 sponsored the show in the Coliseum, and WIBC sponsored the show in the grandstand. In 1963, WIFE-310 AM signed on the air with a rock-heavy playlist. And by the time The Beatles arrived, the station had rapidly surged to the top of the ratings race, bringing an end to radio station WIBC-1070 AM’s reign as the champion of Indianapolis’ airwaves. In 1964, programming on WIFE largely focused on top 40 hits and bubblegum rock including The Beatles.
The Beatles concerts have been detailed by this writer in past columns and the specifics of those shows are well-known to all Circle City Beatles fans. Stephen Bruce Smith added more details to that story and revealed that Lennon “got the bumper sticker in 1964 at the station when The Beatles awarded tickets to a lucky high school girl who won a contest. I knew her brother at Howe High School. John got that sticker at the station from either Jay Reynolds or Jack Sunday (Jerry Baker).”
Turns out Smith, who knows everybody, rediscovered that lucky ticket-winning girl too. Did I mention Stephen Bruce Smith knows EVERYBODY? Her name is Elaine Conly and she is a Howe graduate, class of 1966. She was Elaine May when she won that contest back in 1964. Elaine’s mother, Virginia Casey May, who passed in 2002, was active in the Irvington Women’s Club as past chairwoman and past president of the Irvington Music Study Group. She was also a pioneer member of the neighborhood CrimeWatch program and Human Rights Commission, retiring from the Indianapolis Mayor’s office in 1977. Virginia was also a former chairwoman for the Junior Civic Theatre and scriptwriter for the “Time for Timothy (Churchmouse)” program. So Elaine, who performed in some of those productions for her mother’s Civic Theatre, knew a thing or two about the entertainment business.
15-year-old Elaine entered a 50-word or less summertime essay contest by the Indianapolis News titled “I want to meet the Beatles because…” Elaine entered (without telling her parents) and her 47-word essay was selected as the winner from more than 3000 entries. Her winning entry read: “I want to meet the Beatles because they have a special magic. When they perform, the oppressing world crisis and other problems can be temporarily forgotten. They sing happy, swinging songs. I’d love to meet the four young men who can make everything seem a little brighter.” Just like in the movie Bye-Bye Birdie, Elaine supplants Ann-Margret who likewise wins a contest to meet her Elvis-like hero, Conrad Birdie.
“I had to keep it a secret though, that was hard to do,” Elaine says. When her picture appeared on the front page of the newspaper announcing her victory, “The phone rang off the hook, it was pandemonium.” Elaine, the daughter of Harry A. May, grew up at 1134 N. Butler Ave., “Butler Avenue North of 10th, Two blocks from the Steer Inn,” she states.
“I was worried that they (The Beatles) would not want to meet a teen-aged kid and that they might poke fun at me. I expected to get a cold reception.” Elaine recalls, “But they were perfect gentlemen and very nice to me. I shook all of their hands and when I entered the room, John stood up an offered me his seat.” Which was a good thing because John Lennon was her chosen Beatle. “He had written a book of poetry and he was my favorite. They were all very nice and gentlemanly but John was the nicest of the four.” Elaine recalls. “I went out and bought a special black crepe dress because I heard that John liked black.”
The whole encounter, which took place in the communications building at the State Fairgrounds across from the Coliseum, took less than five minutes. Elaine reveals, “I wore the class rings of four of my classmates to the meeting. They belonged to my friends. They all wanted their ring to touch a Beatle.” When I asked if she got any souvenirs or autographs, she responds, “No, I was told (by the Indy News) that I couldn’t ask for autographs or take photographs of my own. I wish I would have because I probably could have paid for my college tuition with that money now.”
Elaine states that the newspapers followed up on Elaine’s story every few years. As for the Fab Four, “They were very funny but very polite.” she recalled. Part of Elaine’s duties that day, aside from the obvious photo op for the news, was to deliver an original editorial cartoon from the News to the Lads from Liverpool. “Then I just stood to the side for the rest of the Press Conference”, Elaine says. When she left the building, she was bombarded with questions from local reporters.
Part of her prize package included tickets to the show. When asked what memories she had of the concert, Elaine says, “Security was very tight. It was very dark and very hard to hear them. But it was great to look at them, they were so handsome.” Her tickets? “Oh, they were very close, first 10 rows or so.” Did anyone recognize her as the contest winner? “Yes, a few people picked me out right away, but then the Beatles came out and that was that.” Elaine is still saddened by the death of her favorite Beatle. “I was watching Monday Night Football (December 8, 1980) when they broke in to announce that John Lennon had been shot. I cried. I cried a lot.”
And what about that little black dress, the only physical souvenir she has left from that encounter? “That dress was good luck.” she says, “I was wearing that dress a year later when I walked a friend to the bus station. A friend of a friend, University of Cincinnati architecture student Michael Conly, was on the bus and kept asking, “Who’s that girl in the black dress?” Long story short, Elaine and Michael Conly have been married for 51 years. And her engagement ring? Michael purchased it for her in Beatles Country: England, where he was studying in Europe.
Several years ago, Michael had a special print of his wife’s brush with the Beatles enlarged and the poster-sized photo hangs on the couple’s wall inside their Fishers home. “That’s my claim to fame I guess. Over the years it (the photo) was a big hit with our babysitters who would gasp and ask me about the encounter. I was always amazed because most of them were not even born when that meeting took place. The Beatles still have that power though, after all these years.”
Almost immediately conspiratorialists saw the Abbey Road album cover as a funeral procession. Leading the procession is John dressed in white, symbolizing the clergy. Next comes Ringo, dressed in black like an undertaker. Paul, the presumed corpse, is third in line and walks out of step with the other Beatles, he is barefoot and his eyes are closed. George brings up the rear, dressed in work clothes the supposed gravedigger. Also, Paul is smoking a cigarette, also known as a “coffin nail”. The fact that he is holding the cigarette in his right hand, even though the “real” Paul McCartney was left handed, only added to the belief that this was an impostor posing as the dead bassist. 
The death clues were not confined to the image of the lads in the crosswalk however. For behind the Beatles on the left side of the street is a Volkswagen Beetle with a license plate reading “LMW 28IF”, suggesting that Paul would have been 28 if he were still alive. Actually Paul would have been 27 when Abbey Road was released. This seeming miscalculation was explained away by the rumorists with the fact that Paul studied mysticism in the Near East. Most mystics believe we are all one year old at birth (counting the nine months of pregnancy) confirming that Paul would have been 28 IF he had lived!.” The first three letters on the license place, “LMW,” were interpreted as “Linda McCartney Weeps”. On the right side of the road is a police van, seen as a reference to the cover up of Paul’s death by police.
Perhaps as expected, the clues are not only confined to the front cover, for devoted clueseekers, many hidden secrets can be found on the back cover as well. To the left of the tiles spelling out “Beatles” are eight dots, which when connected form the number “3”, so the back cover actually reads “3 Beatles”. Also, there is a crack in the “S” at the end of “Beatles”. Some say that to the right of the tiles is an odd shadow that looks like a skull.
Finally, on the “Let It Be” cover, the album cover is black. Said to symbolize the end, or death, of the Beatles. Or maybe it was to symbolize the death of a Beatle? The background squares of John, George, and Ringo’s photos are all adorned in white. While Paul’s square is depicted with a blood red background. Also, Paul is shown facing forward rather than in three-quarter profile. Another indication of Paul’s death is seen by the fact that he grew a beard, seen by some religions as a sign of death and mourning. The rest of The Beatles’ beards are clues as well, as they all indicate that the three surviving members are in mourning for their lost bandmate.
Cole, a Florida salesman, was on vacation with his wife, who wanted to go see “yet another museum.” Mr. Cole decided to wait outside on the north London thoroughfare. Cole watched as photographer Iain McMillan stood on a stepladder in the middle of the street, photographing the four Beatles as they walked, single-file, across Abbey Road. The entire shoot lasted 10 minutes. “I just happened to look up, and I saw those guys walking across the street like a line of ducks,” Cole remembered. “A bunch of kooks, I called them, because they were rather radical-looking at that time. You didn’t walk around in London barefoot.”
The stark snow white album cover was seen as an obvious reference to the white light of heaven, where Paul was supposed to be at its release. But it was the poster issued inside the white album (a collage featuring a number of random images of the Fab Four) that came under the scrutiny of those looking for “Paul is Dead” clues. In the lower right hand corner of the poster (page 7 of the CD booklet) is a grainy B&W photo of Paul dancing. Upon close examination, a pair of ghostly hands can be seen reaching toward Paul from behind.
The song “Glass Onion” makes a number of references to Beatle songs and events. John mentions “The Fool on the Hill” and states, “I tell you man he living there still” thought by some to symbolize heaven. However, perhaps the most intriguing line in the song is “Well here’s another clue for you all…The walrus was Paul.” Seen as a final bow to his fallen bandmate and co-songwriter. Some sources have suggested that the phrase “goo goo g’joob” is from Finnegans Wake by James Joyce (Alas, the phrase “googoo goosth” is the closest Joyce gets in th book.) Never fear, the “Paul is Dead” rumorists claim that “goo goo g’joob” are the last words uttered by Humpty Dumpty before his fall. A fall that cracked his head open, much like Paul’s supposed fatal car accident.
Revolution 9 was an innovative sound collage that, quite frankly, soared over most listener‘s heads. Later transcripts of the dialog heard early in the song reveals two men who can be heard saying “I know all about it George. I’m sorry. Will you forgive me? Yes.” Theorists claimed that this was John talking with George Martin about the secret placement of clues on Beatles records. However, the biggest clue to Paul’s death on the track is the title itself, whose repeated phrase “Number 9” is said to sound like “turn me on, dead man” when played backwards. A dark recall to the line “I’d love to turn you on” from “A Day in the Life”.
Ardent believers believed that other “Backwards” clues could be found on the track “I’m so tired / Blackbird” when some random mumbling is heard that they believe sounds like John and Yoko right after the abrupt ending of “I’m So Tired” and before the beginning of the next song, “Blackbird“. This passage makes no sense when played forwards. However, when played backwards, they believe that you can hear John say, “Paul is a dead man. Miss him. Miss him. MISS HIM!” John Lennon was said to be expressing his grief over Paul’s death in this line of the song followed by the very next line on the record, sung by Paul, “Blackbird singing in the dead of night”, that mentions death.
Alan E. Hunter 