Music, Pop Culture, The Beatles

The Quiet Ronette and the Quiet Beatle.

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Original publish date:  February 14, 2019

Ten years ago, the dead body of a 67-year old woman was discovered in Engkewood, New Jersey. Her death came sometime that week and, for the most part, her passing went unnoticed. It remains so a decade later. But, in the weeks and months before the British invasion hit our shores, she was the hottest third of a fairy-tale girl group featured on magazine covers, 45 sleeves and album covers all over the world. She dated George Harrison, Mick Jagger, George Hamilton and Johnny Mathis. Her name was Estelle Bennett and together with her sister Veronica and cousin Nedra Talley, they were known the world over as The Ronettes.

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The Ronettes. L.to R. Nedra, Ronnie and Estelle

One of the most popular groups (male or female) from the 1960s, they charted nine songs on the Billboard Hot 100, five of which became Top 40 hits. The trio came from Washington Heights in New York City, and took their name from lead singer Veronica; better known as Ronnie Spector. The Ronettes’ most famous songs were “Be My Baby”, “Baby, I Love You”, “(The Best Part of) Breakin’ Up”, and “Walking in the Rain”. The later won a Grammy Award in 1965, and “Be My Baby” was inducted into the Grammy Hall of Fame in 1999. The Ronettes were inducted into the Rock and Roll Hall of Fame in 2007, just a couple years before Estelle’s death, officially from colon cancer, but those who knew her said she died of a broken heart.
The girls had been singing together since they were teenagers in Spanish Harlem. In 1959, they entered a talent show at the Apollo Theater and won as “The Darling Sisters.” Ronnie was then 16, Estelle 17, and Nedra 13. Soon they were appearing at local sock hops and charity shows. By 1961 they were dancing and singing at New York’s Peppermint Lounge during the Chubby Checker “twist” dance-craze. They were featured in “Twist-A-Rama” shows and toured with Joey Dee and the Starlighters, whose song “Peppermint Twist” was a standard of the era. In time, they were discovered by New York city’s famous disc jockey “Murray the K,” who had them appear in his “rock ‘n roll revues” held at the Brooklyn Fox Theater. In March of 1963, they moved to Phil Spector’s Philles Records and changed their name to “The Ronettes”.

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Estelle

The Ronettes were an exotic contradiction, singing songs in flirting tones about puppy love like edgy big apple street sirens while still looking somehow lonesome and vulnerable. Their heavy mascara framed Cleopatra eyes, their tight slit skirts exposed shapely legs and their tall, jet-black beehive hairdos screamed sex appeal… and danger. All three girls were of mixed-race decent and all three were undeniable young beauties. Ronnie and Estelle had a white father and a mother of African-American and Cherokee descent. Nedra Talley was black, Indian and Puerto Rican. Despite their vampish appearance, the girls were kept off the street by their parents and led tame, sheltered lives. Sometimes at school, they were bullied for their mixed-race looks. Hard to imagine from the girls who Darlene Love (He’s a Rebel) described as “the bad girls of the ’60s.”
Estelle Bennett (July 22, 1941 – February 11, 2009) was the quieter of the two Bennett sisters. When they were in school, Estelle concentrated on her homework and brought home good grades. Ronnie, more of an extrovert, spent her time singing and cultivating her “look”. Estelle was thr fashionista of the two, always reading Glamour, Vogue, and other fashion magazines. Estelle was valedictorian of her class at George Washington High School in Manhattan and went on to study at Manhattan’s Fashion Institute of Technology. Estelle worked at Macy’s durig the day, attended fashion school at night, and sang with The Ronettes on the weekends. And above all, Estelle loved singing and the recognition that came with it. She was the “pretty” Ronette, the one whose dance card was always the fullest. Although content to remain in the shadow of her younger sister, Estelle always soaked up her fair share of the spotlight. Those who knew Estelle described her as gentle and intelligent, and the driving force behind the Ronettes’ style. As cousin Nedra recalled: “She was not pretentious at all, but she carried herself with a sophistication that a lot of guys thought was really sexy. And she had a very, very good heart.”
z 61GlwzA3WkLBy the time the girls signed with Phil Spector in 1963, thanks mostly to Estelle, the Ronettes had their look precisely calibrated. In August of 1963 “Be My Baby” was released and by October, it had shot to No. 2 on the Billboard pop chart, making the Ronettes instant stars. The girls embarked on a tour of Britain in December of 1963 into early 1964. The Ronettes were the only girl group to tour with the Beatles. The Rolling Stiones were their opening act. When they toured, the Ronettes always traveled with at least one family member. In late 1964, the group released their only studio album, Presenting the Fabulous Ronettes Featuring Veronica, which entered the Billboard charts at number 96.

 

 

It was during that tour of ’63-’64 when The Beatles George Harrison, the “quiet Beatle”, began dating Estelle Bennett. The two hit it off immediately. According to Estelle, “We kept running into each other at parties and gatherings and always found our eyes meeting no matter how many other people were in the room. George and I talked whenever we’d see each other. We found we liked the same things, long walks while wearing comfortable clothes and being with sincere people who liked us for ourselves and not because we were in show business. I think I was the happiest when I was talking with George. There was something about him that made me open up and spill out anything that was on my mind. I think he felt the same way, for he’d often call late in the evening and talk on the phone for hours.”

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Estelle Bennett and Paul McCartney

z EstThe duo were inseperable for the remainder of the English tour until The Beatles left for Paris. When The Beatles came to America, the Ronettes met them at their hotel in New York City. The Ronettes, in fact, were on hand February 8, 1964 to welcome the Beatles as they arrived in New York for their first U.S. visit and Ed Sullivan Show appearance. But the relationship fizzled out, Estelle saying, “We saw each other many times. I was with him at the party after their concert and on other evenings when we just sat around the hotel with the rest of the group. But somehow things weren’t the same. We couldn’t recreate the same relationship we had when I was in London…Over there he’s at his best, he’s relaxed, he’s George Harrison, Englishman and not George Harrison, Beatle.”
During that same tour, Estelle was also romantically linked with Mick Jagger.

 

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The Rolling Stones and The Ronettes.

z esIn Keith Richards autobiography “Life” he admitted that he was dating Ronnie when the Stones toured with the Ronettes in 1963. He recalled there that Mick Jagger got with Estelle because she was less “chaperoned” than Ronnie. The pairings were viewed as controversial for a couple of reasons. One was that management, particularly The Beatles’ Brian Epstein, wanted “the boys” to remain single for fans’ sake. And two, interracial pairings were taboo back in those days. Frowned upon in the U.K. and nearly suicidal in parts of the U.S.A.
z 1012_large_1In 1965, the Ronettes continued to record and tour while making a few appearances on television, including a CBS special and the NBC pop music show, Hullabaloo. However by this time, Phil Spector was busy with other artists. The 1965 song “You’ve Lost That Lovin’ Feelin’,” produced and co-written by Spector for The Righteous Brothers, became a No. 1 hit. And by early 1966, he was preoccupied with Ike & Tina Turner. By now, The Ronettes were being moved to the back burner by Spector and some of their songs, such as “I Wish I Never Saw the Sunshine”, and two songs co-written by Harry Nilsson, “Paradise” and “Here I Sit,” were held back for decades. They had one last hurrah in August 1966 when the Ronettes (minus Ronnie) joined the Beatles on their 14-city U.S./Canada tour as one of the opening acts. As for the Rolling Stones, during one visit they made to New York in the 1960s, Ronnie’s mother ended up cooking for them at her Gotham City home.

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John Lennon and Estelle Bennett

In late 1966, after several singles failed to make the charts, Phil Spector stopped releasing new records, the Philles label shut down and the Ronettes disbanded. Nedra Talley married New York radio station programming director Scott Ross. Estelle Bennett married road manager Joe Dong and the couple had a daughter, Toyin. After the Ronettes’ break-up, Estelle took it hard. Her cousin, Nedra said “Estelle did not want the Ronettes to end.” Estelle recorded one single for Laurie Records, “The Year 2000/The Naked Boy.” It didn’t do well and she quit the music business. After she left music, her life began a descent into another world.
By 1968, Estelle seemed to lose her moorings. At one point, she was hospitalized with anorexia. Not long after her grip on reality began to loosen considerably. Estelle was often seen wandering the streets of New York, telling people she would be performing with the Ronettes at a particular jazz nightclub. Estelle’s daughter Toyin explained she had never really known who her mother was. “From the time I was born she suffered with mental illness. I never really got to know Estelle in a good mental state.” Cousin Nedra Talley Ross, reported that Estelle had led a hard life, struggling with schizophrenia and anorexia.
z 5001334_wenn1183096Fellow 1960s singer Darlene Love, who once described The Ronettes as Rock’s tough girls, said the last time she saw Estelle, “She didn’t remember me.” By the early 2000s, Estelle Bennett was homeless. In 2007, The Ronettes were inducted into the Rock and Roll Hall of Fame. Love recalled seeing Estelle at the induction ceremony. “They cleaned her up and made her look as well as possible…She looked the best she could for somebody who lived on the street. It broke my heart.” It was decided that she was too fragile to perform. A back-up singer with Ronnie Specter’s new group stood in for an encore performance of “Be My Baby”.

 

“Be My Baby” sold millions of copies, both in the 1960s and since then, having been used in the opening segments of films such as Martin Scorsese’s 1973 film Mean Streets and 1987’s Dirty Dancing. In 2004, Rolling Stone ranked the song at No. 22 on their list of “The 500 Greatest Songs of All Time”. Brian Wilson of the Beach Boys has called “Be My Baby” one of the greatest pop records ever made and is his “all-time favorite song.” Wilson was in his car when he first heard the tune on the radio, and being the composer and arranger that he was, stopped the car to give the song a closer listen. “I had to pull off the road,” he said. “I couldn’t believe it. The choruses blew me away.” Wilson, in fact, wrote a famous Beach Boys song, “Don’t Worry Baby,” initially as a follow-up intended for the Ronettes, but it was turned down for that purpose.

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Estelle Bennett of The Ronettes with daughter Toyin March 2007

When Estelle was found dead in her apartment by police, after relatives had been unable to contact her, Kevin Dilworth, a friend and former Newark, New Jersey Star-Ledger newspaper reporter said, “I think she really just died of a broken heart. After the Ronettes disbanded in 1966, I don’t think she was ever right again…” Dillworth added that the only time he really saw her come to life was at the Rock and Roll Hall of Fame of March 2007: “When they came out of the main ceremony… when she walked down the hallway, and the paparazzi … all the flashing cameras, and the people asking for autographs … her eyes just lit up. She was so excited, and she was back on top of the world again. But she went right back to anonymity.”
z 33775602_130379126909Posthumously, all agreed that growing up, Estelle had been a force in creating the Ronettes’ style and act – and that she had a heart of gold. “Estelle had such an extraordinary life,” said her cousin, Nedra. “To have the fame, and all that she had at an early age, and for it all to come to an end abruptly. Not everybody can let that go and then go on with life.” “Not a bad bone in her body,” said her sister Ronnie in a press statement. “Just kindness.” At that 2007 Hall of Fame ceremony, Estelle spoke only two sentences during her acceptance speech, “I would just like to say, thank you very much for giving us this award. I’m Estelle of the Ronettes, thank you.” No, Estelle, we thank you.

 

Pop Culture, Music, John F. Kennedy, Auctions

American Pie and the Day the Music Died. Part II

American Pie part II

Original publish date:  February 7, 2019

Sixty years ago, February 3, 1959, three of Rock ‘n Roll’s biggest stars- Buddy Holly, Ritchie Valens and J.P. Richardson, known as the Big Bopper- were killed in a plane crash near Clear Lake, Iowa. The day became known as, “The Day the Music Died.” 13-year-old Don McLean was folding newspapers for his paper route in the early morning hours of February 4, 1959 when he got the news. Ten years later, McLean recorded an album in Berkeley, California called “Tapestry” in 1969. After being rejected 72 times by multiple labels, the album was picked up and released by Mediarts, a label that had not existed when he first started looking. It attracted good reviews but little notice outside the folk community. McLean’s major break came when Mediarts was bought by United Artists, paving the way for his second album, “American Pie”.
z 10713201_1The album launched two number one hits in the title song and “Vincent”. American Pie’s success made McLean an international star. The title track went on to become an anthem for late stage baby boomers. Decyphering the song’s lyrics became a national pasttime, sparking rumors that persist to this day. “American Pie” was the number-one US hit for four weeks in 1972. The song was listed as the No. 5 song on the RIAA project Songs of the Century and was selected for preservation in the National Recording Registry by the Library of Congress.
z 74282792McLean has really never divulged the song lyrics meanings. He has said: “They’re beyond analysis. They’re poetry.” His silence has simply added fuel to the speculation. In 2009, on the 50th anniversary of the crash, he stated that writing the first verse of the song exorcised his long-running grief over Holly’s death and that he considers the song to be “a big song … that summed up the world known as America”. It should be noted that McLean dedicated his album to Holly. Every line of the 8 1/2 minute song has been carefully culled over and, rightly or wrongly, “explained” by fans and pundits alike ever since. Some of them are simple, others, not so much.
z don-mclean-american-pie-part-one-1972“A long, long time ago.”: American Pie was written in 1971 but talks about the 1950’s. “I can still remember how that music used to make me smile.”: McLean’s favorite music were the golden oldies of the 50’s. “And I knew if I had my chance, that I could make those people dance, and maybe they’d be happy for a while…”: Fifities music was primarily made for school dances and sock hops and McLean was waxing nostalgic about creating the same atmosphere with his music. “But February made me shiver.”: His idol, Buddy Holly died in a February plane crash in Iowa. “With every paper I’d deliver.”: He was a newspaper delivery boy in New Rochelle, New York. “Bad news on the doorstep, I couldn’t take one more step.”: Denotes the day he got the news of the plane crash. “I can’t remember if I cried, when I read about his widowed bride.”: Buddy Holly’s wife was pregnant when the accident occurred and soon after had a miscarriage. “But something touched me deep inside, the day the music died.”: Holly, Richie Valens and the Big Bopper died together on the same day and fans felt that these three were that only major artists left. Elvis got drafted, Little Richard turned gospel, Bill Haley was forgotten, Jerry Lee Lewis was scandalous and Chuck Berry was a convicted criminal.
z monotones-book-of-love-56a96b6d3df78cf772a6cf2a“Did you write the book of love?”:”The Book of Love” was a hit in 1968 by the Monotones. “And do you have faith in God above, if the Bible tells you so?”: Don Cornell’s book “The Bible Tells Me So” (1955) and the Sunday School song “Jesus Loves Me,” with the line “For the Bible tells me so.” were presumed memories from McLean’s childhood. “Now do you believe in rock & roll?”: McLean was a former folk singer, a medium supplanted by Rock n’ Roll. “Can music save your mortal soul?”: Music may be the only thing that can save the listener from the social upheaval of the sixties. “And, can you teach me how to dance real slow?”: another perceived reference to the innocence of the 1950s. “Now I know that you’re in love with him, ’cause I saw you dancing in the gym.”: Buddy’s widow Maria Elena remarried. “You both kicked off your shoes.”: 1950s sock hop reference. “Man, I dig those rhythm and blues.”: Buddy Holly was living in Greenwich Village at the time of his death and frequenting the Jazz bars with his young wife. “I was a lonely teenage broncin’ buck with a pink carnation and a pickup truck.”: likely a tip of the cap to Marty Robbins 1957 song A White sport Coat (And a Pink Carnation). “But I knew I was out of luck, the day the music died.”: Holly’s death presaged an end of innocence.
z R-9587200-1483213325-5153“Now for ten years we’ve been on our own.”: It was a decade after Holly’s death when McLean put out his first album in 1969. “And moss grows fat on a rolling stone.”: Bob Dylan’s song “Like a Rolling Stone” signified (to many) the death of folk music. “but that’s not how it used to be.”: Again referring to Dylan’s musical changes. “When the jester sang for the king and queen.”: A veiled reference to Dylan as the jester. The king was Peter Seger and the queen Joan Baez. The two biggest names in folk music in the ’60’s. “In a coat he borrowed from James Dean.”: Although some see this as reference of Dylan’s “Freewheelin'” album cover where he is wearing a red windbreaker, it has also been explained as the movie idol’s death coming so close to Holly’s. “And a voice that came from you and me.”: again a reference to Dylan being the voice of his generation. “Oh, and while the king was looking down the jester stole his thorny crown.”: When Elvis “The King” left for the Army, Dylan stepped up to take his place. “The courtroom was adjourned, no verdict was returned.”: Dylan left the folk scene and went electric, then had his motorcycle wreck and disappeared for awhile. “And while Lennon read a book of Marx.”: Like Dylan, John Lennon and The Beatles switched genres from a pop band to serious musicians with an even more serious message. “The quartet practiced in the park and we sang dirges in the dark, the day the music died.”: The Beatles performed their last live concert at Candlestick Park and were broken up by the time this song became well known. There are many music aficionados out there who will argue that this verse is not about Bob Dylan at all but rather about the Kennedys. In that case, the lyrics should be pretty self explanatory.
z manson01_300x300“Helter Skelter in a summer swelter.”: In the summer of 1968, Charles Manson massacred an entire family spurred on by the Beatles song “Helter Skelter” from the white album. “The Byrd flew off with to a fallout shelter.”: The Byrd’s were a popular folk-rock group who had a hit with Dylan’s “Mr. Tambourine Man,” in 1965. Dylan’s “Mr. Tambourine Man” appeared on his “Bringing It All Back Home” record, which features the image of a fallout shelter sign in the lower left corner. “Eight miles high and falling fast then landed in the foul grass.”: Eight Miles High was the first ever psychedelic song by the Byrds and tall grass refers to marijuana. “The players tried for a forward pass with the jester, on the sidelines in a cast.” Bob Dylan’s 1966 motorcycle wreck sidelined him and led to the success (out of necessity) of his back-up band, “The Band” whose 1968 and 1969 albums are considered classics. “Now the half time air was sweet perfume while sergeants played a marching tune.” Perceived reference to Dylan’s time off and the 1967 Beatles album Sgt. Pepper. “We all got up to dance, but we never got the chance.”: reference to the protests at the 1968 Chicago DNC and Kent State massacre of 1970. “Cause the players tried to take the field.”: The National Guard at Kent State University. “The marching band refused to yield.”: resulting in the deaths of of four students and wounding of nine others. “Do you recall what was revealed, the day the music died.”: Kent State University in Kent, Ohio.
z woodstock_a-G-5129968-0“And then we were all in one place.”: The Woodstock Festival took place in August 1969. 400,000 of McLean’s generation were there. “A generation lost in space.”: with the Apollo 11 moonlanding, the kids who grew up watching Lost in Space were coming of age. “With no time left to start again.”: The deaths of Buddy Holly and James Dean were harbingers for assassinations of the 1960s that could not be undone. “So come on Jack be nimble, Jack be quick, Jack flash sat on a candlestick.”: Reference to the Rolling Stones song Jumpin’ Jack Flash. “cause fire is the devil’s only friend.”: The Rolling Stones 1968 album Sympathy for the devil. “Oh, and as I watched him on the stage.”: In December of 1969, the Stones attempted another Woodstock at Altamont Speedway. A free concert with the Hell’s Angel’s handling the security. The Stones paid them with beer and handfuls of acid and during the performance of “Sympathy for the Devil,” a black man was beaten and stabbed to death by the Hell’s Angels. “My hands were clenched in fists of rage no angel born in hell could brake that Satan’s spell.”: The Hell’s Angels. “As the flames climbed high into the night, to light the sacrificial rite.”: The stones were helicoptered out after the murder and mayhem ensued. “I saw Satan laughing with delight, the day the music died.”: Historians point to the Stones at Altamont as the death of the sixties and good no longer triumphed over evil.
“I met a girl who sang the blues and I asked her for some happy news, but she just smiled and turned away.”: Considered as a reference to Janis Joplin’s death by an accidental heroin overdose on October 4, 1970. “I went down to the sacred store.”: Nostalgic return to a once safe place. “Where I heard the music years before, but the man said the music wouldn’t play.”: pining for the forgotten golden oldies of the good old days. “And in the streets the children screamed.”: Race riots, political protests and militant groups now ruled the streets. “The lovers cried and the poets dreamed.”: The political assassinations of the sixties had destroyed the promise of the future. “But not a word was spoken. The church bells all were broken.”: The age of Nixon-Agnew & Reagan was now usurping religion as their mantra fueled by the so-called silent majority. “And the three men I admire most, the Father, Son and Holy Ghost.”: McLean is Catholic and this is a tribute to the Holy Trinity. “They caught the last train for the coast.”: The April 8, 1966 Time magazine cover had asked the question “Is God Dead?” and The Beatles John Lennon had echoed the sentiment the same year. “The day the music died. And we were singing.”: McLean’s shock and despair at Holly’s death seemed insurmountable but it in fact led to his own birth as a musician and after all, music soothes the savage beast.
z 079402b9031ff1066dbb65cdf00c801aThis song’s refrain may be the hardest part of the song to explain. “So bye, bye Miss American Pie. Drove my Chevy to the levee but the levee was dry. And them good old boys were drinking whiskey and rye singing This will be the day that I die, this will be the day that I die.” The rumor was that American Pie was the name of the doomed plane carrying Holly, Valens and Richardson. Not true. It was also suggested that McLean was dating a Miss America contestant while writing the song. Also not true. Years later, McLean stated that Miss American Pie is as “American as apple pie, so the saying goes.” When taken on the face of it, I believe the refrain came together as a chorus simply because it was catchy. All hidden meanings aside, that may also be true about the entire song. Practically speaking “Chevy” rhymes with “levee”, it’s that simple. Still, theorists propose that the song’s refrain comes from Buddy Holly’s “That’ll be the day,” that eventually says “that I die.”
To further confuse the issue, an internet site notes that the Levee was a bar in Purchase, NY near McLean’s hometown and that there is also a town named Levee located about 15 minutes from his old school. According to local lore, McLean first wrote the lyrics on paper napkins in a bar in between gigs at Caffe Lena coffeehouse. A plaque on the wall of the Tin & Lint bar reads: “American Pie written by Don McLean, summer 1970.” McLean denies that story and in 2011 he told a local newspaper reporter that he wrote the song with the famous line “Bye, bye Miss American Pie” in Philadelphia. McLean himself said the chorus came to him suddenly while out shopping in a pharmacy in Cold Spring, New York. “I drove as fast as I could back home-I didn’t have a pencil and paper with me-and scribbled that down and put it in the tape recorder.”
McLean bristled when asked about the meaning of the song; “Over the years I’ve dealt with all these stupid questions of ‘Who’s that?’ and ‘Who’s that?’ These are things I never had in my head for a second when I wrote the song. I was trying to capture something very ephemeral and I did, but it took a long time. You will find many interpretations of my lyrics but none of them by me… Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence.”
z Don-McLean-American-Pie-Handwritten-Lyrics-52711In February 2015, McLean announced that Christies Auction House in New York City would sell his original lyrics for the iconic song. McLean explained his reasoning in Rolling Stone magazine: “I’m going to be 70 this year. I have two children and a wife, and none of them seem to have the mercantile instinct. I want to get the best deal that I can for them. It’s time.” The lyrics are 18 pages and contain 237 lines of manuscript and 26 lines of typed text and includes lines that didn’t make the final version as well as extensive notes. Christie’s described the lot as “Comprising: 4 pages manuscript in pencil on four sheets of blue paper stock, 11 pages manuscript on 10 sheets in pencil and ink on ruled spiral paper (including one a half sheet), 2 pages manuscript in pencil on two sheets of yellow paper stock, and one page typed manuscript on blue paper (with four lines holograph notes on verso in purple ink and pencil). Together 18 pages of manuscript on 17 sheets. ” The lot sold on April 7, 2015 for $1.2 million ($1.57 million with buyer’s premium).
After the auction when asked what “American Pie” meant, McLean jokingly replied, “It means I don’t ever have to work again if I don’t want to.” McLean said he would reveal the meaning of the song’s lyrics after the original manuscript was auctioned off. In the auction catalog, McLean revealed: “Basically in American Pie things are heading in the wrong direction. … It [life] is becoming less idyllic. I don’t know whether you consider that wrong or right but it is a morality song in a sense.” The catalog confirmed some of the better known references in the song’s lyrics, including Elvis Presley (“the king”) and Bob Dylan (“the jester”), and confirmed that the song culminates with a near-verbatim description of the death of Meredith Hunter at the Altamont Free Concert, ten years after the plane crash that killed Holly, Valens, and Richardson.
After the sale, McLean said that he would be selling off more from his music collection adding that he had just embarked on a program to lighten the load and get rid of things. “I hadn’t thought about the lyrics much. They were upstairs in a box of lyrics probably a foot thick with all kinds of songs I’d written that people know. But, of course there’s no song like that song and so I decided to sell them and see what happens. I know that people feel like that song belongs to the public so I thought a public auction would be the best thing to do.” McLean added that the Rock ‘n’ Roll Hall of Fame wanted his lyrics but he refused because “they didn’t want me. I’ve never been in the rock n roll Hall of Fame, I’m an outsider. I’ve been very famous all my life. Many people have been inducted into the Hall of Fame but I haven’t because I’m a contrarian. The wanted my lyrics but I said to them ‘well, you don’t want me in the Hall of Fame so to hell with you’.” Fits in well with American Pie’s loss of innocence, don’t you think?

Music, Pop Culture

American Pie and the Day the Music Died. Part I

Bye Bye American Pie Part I

Original publish date:  January 31, 2019

60 years ago this Sunday was the day the music died. On February 3, 1959, Buddy Holly, Ritchie Valens, and J. P. “The Big Bopper” Richardson were killed along with pilot Roger Peterson in a plane crash near Clear Lake, Iowa. The event was immortalized by Don McLean in his 1971 song “American Pie”. Sixty years of rumors, innuendo and urban legends have followed since that frozen Tuesday morning. The facts get twisted, the accusations become tangled and conspiracy theories are contorted to fit a new narrative. One thing that never changes are the facts.

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Richie Valens, Buddy Holly & The Big Bopper

Three months before the crash Buddy Holly terminated his association with the Crickets. For his prophetic “Winter Dance Party” tour of 24 Midwestern cities in 24 days, he assembled a new band consisting of Waylon Jennings on bass, Tommy Allsup on guitar, and Carl Bunch on drums. The tour also featured Ritchie Valens, J. P. “The Big Bopper” Richardson and Dion DiMucci and his band The Belmonts. To save room (and money) Holly’s group was utilized as the backing band for all of the acts. The tour began in Milwaukee, Wisconsin, on January 23, 1959. The rigorous travel schedule soon became a logistical problem; instead of hopping from town-to-town in a logical pattern, the tour zig-zagged chaotically, sometimes with distances between cities over 400 miles.

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All of the musicians traveled together in a series of reconditioned school buses prone to breaking down and poorly heated inside. Five separate buses were used in the first eleven days of the tour. The bands had no “roadies” back then, so the artists themselves were responsible for loading and unloading equipment at each stop. Because the tour was scheduled in winter, the travel route consisted of waist-deep snow and the weather featured temperatures from the 20s to as low as −36 °F. Shortly after the tour began, Richardson and Valens began experiencing flu-like symptoms. A bus breakdown in the middle of the highway near Ironwood, Michigan in subzero temperatures resulted in drummer Bunch being hospitalized for severely frostbitten feet. While Bunch recovered in the hospital, Carlo Mastrangelo of The Belmonts took over the drumming duties for Buddy Holly. When Dion and The Belmonts were performing, either Valens or Holly manned the drums. On Monday, February 2, Dion DiMucci took over the drums for the performance in Green Bay, Wisconsin and, after driving 350 miles, again took over the drum stool for that final concert in Clear Lake, Iowa.z surfballroom99
Clear Lake had not been a scheduled stop, but the tour promoters, hoping to fill an open date, called the manager of the local Surf Ballroom and offered to do the show. When Holly arrived at the venue that evening, he was visibly angry with the ongoing problems with the bus. The next gig was 365-miles north / northwest to Moorhead, Minnesota, which took them directly back through two towns they had already played within the last week. To make matters worse, the following day, they were scheduled to travel back directly south to Sioux City, Iowa, a 325-mile trip. Holly decided to charter a plane to take himself and his band to the Fargo, North Dakota airport, a 2 1/2 mile drive to Moorhead.
A 1947 single-engine, V-tailed Beechcraft 35 Bonanza airplane was chartered from the Dwyer Flying Service of Mason City, Iowa to fly Holly and his band to Hector Airport in Fargo. Tickets were $36 per passenger on the single-engine plane that could seat three passengers plus the pilot. One of the urban legends that sprang up years later was that the plane was called American Pie. In fact, the plane had no name other than its NAA code of N3794N.

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Waylon Jennings & Buddy Holly

Richardson was still battling the flu and asked Waylon Jennings for his seat on the plane. When Holly learned that Jennings was taking the bus, he teased the future country legend by joking, “Well, Hoss, I hope your ol’ bus freezes up.” Jennings responded: “Well, then I hope your ol’ plane crashes.” Jennings, who would be known by the nickname “Hoss” given him by Holly, was haunted by that bad joke for the rest of his life. Richie Valens, who was also struggling with the flu, asked Allsup for his seat on the plane even though he had an admitted fear of flying. Valens had witnessed a plane crash that took the life of his best friend on January 13, 1957. The two agreed to toss a coin to decide. Valens won the seat but lost his life.
Dion later said that Holly approached him along with Valens and Richardson to join the flight (the plane had 6 seats). In a 2009 interview, Dion claimed that Holly called him, Valens, and Richardson into a vacant dressing room and said “I’ve chartered a plane, we’re the guys making the money [we should be the ones flying ahead]…the only problem is there are only two available seats.” According to Dion, the coin toss for the seat was between Dion and Valens. Dion said that he won the toss, but ultimately balked at the $36 fare ($310 in today’s money) which equaled the monthly rent his parents paid for his childhood apartment, he could not justify the expense and opted for the bus instead. One report claimed that Buddy Holly wanted to charter the plane so that he could do his laundry. Reportedly, Holly was tired of traveling in cold uncomfortable buses and rattling through the Midwest wearing dirty clothes. Some witnesses claim that he chartered the plane in part so that he could arrive early and find a washing machine.
Holly, Valens, and Richardson departed from the Mason City Municipal Airport. The weather at the time of departure was reported as light snow, a ceiling of 3,000 feet AMSL (above mean sea level) with sky obscured, visibility 6 miles, and winds from 20 to 30 mph. And it was going to get worse. The plane took off normally from runway 17 (today’s runway 18) at 12:55 am CST. A witness watching the take-off from a platform outside the control tower was able to see clearly the aircraft’s tail light for most of the brief flight, which started with an initial left turn onto a northwesterly heading and a climb to 800 ft. The tail light was then observed gradually descending until it disappeared out of view. Eight hours later, with no news from the pilot or sign of the passengers, airport owner Hubert Jerry Dwyer retraced the doomed planes route in another airplane. At around 9:35 am, he spotted the wreckage less than 6 miles northwest of the airport. The sheriff’s office dispatched Deputy Bill McGill, who drove to the crash site, a cornfield belonging to Albert Juhl.
z 21885S17-Buddy-Crash 1 jpgThe Bonanza had banked steeply to the right and entered a nose-down death spiral before it augured in at around 170 mph. The right wing tip hit the ground first, sending the aircraft cartwheeling across the frozen field for 540 feet before coming to rest against a wire fence at the edge of Juhl’s property. The bodies of Holly and Valens had been ejected from the torn fuselage and lay near the plane’s wreckage. Richardson’s body had been thrown over the fence and into the cornfield of Juhl’s neighbor Oscar Moffett, while Peterson’s body was entangled in the wreckage. The County coroner certified that all four victims died instantly, citing the cause of death as “gross trauma to brain” for the three artists and “brain damage” for the pilot.
The official investigation was carried out by the Civil Aeronautics Board (CAB, precursor to the NTSB) later concluded that the accident was due to “the pilot’s unwise decision to embark on a flight” that required instrument flying skills he had not proved to have. A contributing factor was the “seriously inadequate” weather briefing provided to Peterson, which “failed to even mention adverse flying condition which should have been highlighted”.
z 453458f69e2f0ed48916ea5c5d248be1The charter plane’s wreckage was strewn across nearly 300 yards of snow-covered cornfields. The death certificate issued by the Cerro Gordo County Coroner noted the clothing Holly was wearing, the presence of a leather suitcase near his body and the following personal effects: Cash $193.00 less $11.65 coroner’s fees – $181.35, 2 Cuff links: silver 1/2 in. balls having jeweled band, Top portion of ball point pen. Notably missing from the list were Holly’s signature eyeglasses.
z f4b5dca9f34d4a6b2865eae4b3285230On February 29, 1980, a pair of glasses were found in a filing cabinet of the Cerro Gordo County Sheriff’s office in Mason City, Iowa. The glasses were found in a manila envelope marked simply, “Charles Hardin Holley received April 7, 1959”. Along with the glasses, four dice, a cigarette lighter and a watch belonging to one Jiles Perry Richardson were also in the envelope. The lenses of the glasses were missing but the watch still ran pretty well. The relics had been resting unrecognized for nearly twenty-one years. They had been found at the scene of the February 3, 1959 plane crash, placed in storage as evidence and forgotten.
The wristwatch and cigarette lighter belonged to the Big Bopper and the horn rimmed glasses belonged to Buddy Holly. It is widely believed that the envelope had remained undiscovered because nobody recognized the innocuous plain sounding name Charles Hardin Holley written on the outside. The envelope was found while some records were being moved. Officials speculated that the leftover items had been found by a farmer two months later after the snow melted. The coroner’s office collected (and then misplaced) them in the process of moving to a new county courthouse. Buddy’s glasses had been thrown clear of the plane wreckage and buried in the snow. Those glasses were special, they were Buddy Holly’s trademark. The focal point of a carefully crafted look. They became the single item most remembered by his fans.
The Big Bopper’s watch was inscribed on back for a 1957 disc-a-thon, representing an important milestone in his life. In May 1957, at the Jefferson Theater in Beaumont Texas broadcasting from radio station KTRM, the Big Bopper beat the record for continuous broadcasting. His record was marked at 122 hours and 8 minutes (a little over 5 days) during which the Big Bopper stayed on air and awake the entire time. The dice were unattributed but played into an urban legend that circulated claiming that the crash happened after a game of chance went bad and one of the performers shot another (usually told as Holly and Richardson) which, like most urban legends, has no basis in fact whatsoever.
Another urban legend claimed that the plane crash was caused by some mysterious in-flight gunplay. The rumor claimed that Richardson’s death was the result of an accidental firearm discharge on board the aircraft that caused the crash. The rumor began two months after the crash when a farmer found a .22 pistol known to have belonged to Holly at the crash site. The rumor further claimed that Richardson survived the initial impact and froze to death while crawling out of the aircraft in search of help. The fact that his body was found farther from the wreckage than the other three was offered as proof of that theory.

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THE BIG BOPPER

On March 6, 2007, at the direction of the musician’s son Jay Perry, Richardson’s body was exhumed from it’s Lone Star grave for reburial in a more fitting part of Beaumont, Texas’s Forest Lawn cemetery. According to the autopsy report, when the casket lid was raised, it revealed a fairly well-preserved corpse dressed in a black suit with a blue & gray striped tie. The Bopper wore socks, but no shoes. The mottled, bluish face was slightly moldy and misshapen, no doubt owing to the shifting of mortician’s putty used to reconstruct the crushed skull. The fingers had “mummified into curled, dark brown talons.” X-rays of Richardson’s body concluded that the musician had indeed died instantly from extensive, non-survivable fractures to almost all of his bones; no traces of lead were found from any bullet. The report further stated that Richardson had probably died quickly from massive head injuries suffered in the plane crash. Putting any unsavory internet rumors to rest forever.
z Photo-of-JP-The-Big-Bopper-Richardson-casket-from-1959Remarkably, The Bopper’s thick brown hair was “still perfectly coiffed in his familiar, 1950s flat-top.” Strangely, the Bopper’s son Jay was present during the entire autopsy. On the subject of the Bopper’s still perfect flattop, his son stated, “It was awesome.” and went on to say, “I talked to him. I got to know my dad a little better.” Jay, showing signs that he inherited his father’s droll humor, joked that the Big Bopper would never have chosen to be buried in such a tie. The Bopper was re-interred in a replacement casket donated by the Batesville Casket Co. of Batesville, Indiana in March of 2007.
The toll was incalculable: The singers of “Peggy Sue” and “Come On Let’s Go” and “Donna” and “La Bamba” were all dead. Holly was just 22 and Valens only 17. Rock and roll would never be the same. Holly’s pregnant wife, María Elena, learned of his death by watching television. A widow after only six months of marriage, she suffered a miscarriage shortly after, reportedly due to “psychological trauma”. Holly’s mother, at home in Lubbock, Texas, heard the news on the radio before she screamed and fainted. Following these inexcusable death notification circumstances, a policy was adopted by authorities not to disclose victims’ names until after their families have been informed. That policy remains in affect today. Holly’s widow did not attend the funeral and has never visited the gravesite. Holly and Richardson were buried in Texas, Valens in California, and Peterson in Iowa.
Photo of Buddy HOLLYAnd whatever happened to those glasses? When that envelope was discovered, Holly’s parents claimed the glasses, as did his widow, and on March 20, 1981, a judge awarded the eyeglasses to María Elena in the same Mason City courthouse where they were discovered. Maria kept them until October 1998, when she sold them to Civic Lubbock, the nonprofit cultural organization that created the Buddy Holly Center. The price was $80,000. Today the glasses, visibly scarred from the plane crash, are on exhibit at the center, in a case near Holly’s Fender Strato-caster guitar. Other pieces in the collection include Buddy’s stage clothing, letters, photos, and a book containing handwritten song lyrics.
Thirteen years after the crash, Don McLean wrote a song about the tragedy: “American Pie,” an 8½-minute epic with an iconic lyric about “the day the music died.” Next week, in part II of this story, we’ll take a look at that song.

John F. Kennedy, Politics, Pop Culture, Presidents, Sports

Do You Remember January 22, 1973?

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Original publish date:  January 22, 2019

Were you alive on January 22, 1973? If so, consider this a reminder, if not, let me show what a typical day was like for a late-stage Baby Boomer like me. January 22, 1973 was a Monday in the Age of Aquarius. All in the Family was # 1 on television and The Poseidon Adventure was tops at the box office. Carly Simon was riding the top of the charts with her hit song “You’re so vain.” A song that has kept people guessing who she’s singing about to this day. Is it Warren Beatty? Mick Jagger? David Cassidy? Cat Stevens? David Bowie? James Taylor? All of whom have been accused. Carly has never fessed up, although she once admitted that the subject’s name contains the letters A, E, and R.

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The month of January 1973 had started on a somber note with memorial services in Washington D.C. for President Harry S Truman on the 5th (he died the day after Christmas 1972). Then, Judge John Sirica began the Nixon impeachment proceedings on the 8th with the trial of seven men accused of committing a ” third rate burglary” of the Democratic Party headquarters at the Watergate. Next came the Inauguration of Richard Nixon (his second) on the 20th. Historians pinpoint Nixon’s speech that day as the end of the “Now Generation” and the beginning of the “Me Generation.” Gone was JFK’s promise of a “New Frontier,” lost was the compassionate feeling of the Civil Rights movement and LBJ’s dream of a “Great Society.” The self-help of the 1960s quickly morphed into the self-gratification of the 1970s, which ultimately devolved into the selfishness of the 1980s.

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The line between want and need became hopelessly blurred and remains so to this day.
Twelve years before, John F. Kennedy decreed, “Ask not what your country can do for you, ask what you can do for your country.” On January 20th, 1973, Richard Nixon, purposely twisted JFK’s inaugural line by declaring , “In our own lives, let each of us ask—not just what will government do for me, but what can I do for myself?” At that moment, the idealism of the sixties gave way to narcissistic self-interest, distrust and cynicism in government of the seventies. Although it had been coming for years, when change finally arrived, it happened so fast that most of us never even noticed.
January 22nd was warm and rainy. It was the first Monday of Nixon’s second term and it would be one for the books. That day, Nixon announced that the war in Vietnam was over. The day before, his National Security Adviser Henry Kissinger and North Vietnamese politburo member Lê Đức Thọ signed off on a treaty that effectively ended the war; on paper that is. The settlement included a cease-fire throughout Vietnam. It addition, the United States agreed to the withdrawal of all U.S. troops and advisers (totaling about 23,700) and the dismantling of all U.S. bases within 60 days. In return, the North Vietnamese agreed to release all U.S. and other prisoners of war. It was agreed that the DMZ at the 17th Parallel would remain a provisional dividing line, with eventual reunification of the country “through peaceful means.”
That same day, the United States Supreme Court issued their landmark decision 410 U.S. 113 (1973). Better known as Roe v. Wade. Instantly, the laws of 46 states making abortion illegal were rendered unconstitutional. In a 7-2 decision, the U.S. Supreme Court ruled that a woman’s right to privacy extended to her right to make her own medical decisions, including having an abortion. The decision legalized abortion by specifically ordering that the states make no laws forbidding it. Rove V. Wade came the same day as the lesser known ruling, Doe v. Bolton, 410 U.S. 179 (1973), which overturned the abortion law of Georgia.

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The Georgia law in question permitted abortion only in “cases of rape, severe fetal deformity, or the possibility of severe or fatal injury to the mother.” Other restrictions included the requirement that the procedure be “approved in writing by three physicians and by a three-member special committee that either continued pregnancy would endanger the pregnant woman’s life or “seriously and permanently” injure her health; the fetus would “very likely be born with a grave, permanent and irremediable mental or physical defect”; or the pregnancy resulted from rape or incest.” Only Georgia residents could receive abortions under this statutory scheme: non-residents could not have an abortion in Georgia under any circumstances. The plaintiff, a pregnant woman known as “Mary Doe” in court papers, sued Arthur K. Bolton, then the Attorney General of Georgia, as the official responsible for enforcing the law. The same 7-2 majority that struck down a Texas abortion law in Roe v. Wade, invalidated the Georgia abortion law.
The Roe v. Wade case, filed by “Jane Roe,” challenged a Texas statute that made it a crime to perform an abortion unless a woman’s life was in danger. Roe’s life was not at stake, but she wanted to safely end her pregnancy. The court sided with Roe, saying a woman’s right to privacy “is broad enough to encompass a woman’s decision whether or not to terminate her pregnancy.” Dozens of cases have challenged the decision in Roe v. Wade in the 46 years since the landmark ruling and the echoes of challenge are heard to this day.

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And what did Nixon think about that day’s ruling? The same Oval Office taping system that would bring about his downfall in the Watergate Scandal recorded his thoughts on Roe V. Wade for posterity. “I know there are times when abortions are necessary,” he told aide Chuck Colson, “I know that – when you have a black and a white, or a rape. I just say that matter-of-factly, you know what I mean? There are times… Abortions encourage permissiveness. A girl gets knocked up, she doesn’t have to worry about the pill anymore, she goes down to the doctor, wants to get an abortion for five dollars or whatever.” Yep, that was the President of the United States talking. And his day wasn’t even over yet.
At 3:39 p.m. Central Time, former President Lyndon B. Johnson placed a call to his Secret Service agents on the LBJ ranch in Johnson City, Texas. He had just suffered a massive heart attack. The agents rushed into LBJ’s bedroom where they found Johnson lying on the floor still clutching the telephone receiver in his hand. The President was unconscious and not breathing. Johnson was airlifted in one of his own airplanes to Brooke Army General hospital in San Antonio where he was pronounced dead on arrival. Johnson was 64 years old. Shortly after LBJ’s death, his press secretary telephoned Walter Cronkite at CBS who was in the middle of a report on the Vietnam War during his CBS Evening News broadcast. Cronkite abruptly cut his report short and broke the news to the American public.

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His death meant that for the first time since 1933, when Calvin Coolidge died during Herbert Hoover’s final months in office, that there were no former Presidents still living; Johnson had been the sole living ex-President Harry S. Truman’s recent death. Johnson had suffered three major heart attacks and, with his heart condition recently diagnosed as terminal, he returned to his ranch to die. He had grown his previously close-cut gray hair down past the back of his neck, his silver curls nearly touching his shoulders. Prophetically, LBJ often told friends that Johnson men died before reaching 65 years old, and he was 64. Had Johnson chosen to run in 1968 (and had he won) his death would have came 2 days after his term ended. As of this 2019 writing, Johnson remains the last former Democratic President to die.

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Nixon mentioned all of these events (and more) on his famous tapes. All the President’s men are there to be heard. Along with Colson, Nixon talks with H.R. Haldeman, John Ehrlichman (whom ha calls a “softhead” that day), Bebe Rebozo, Ron Ziegler, and Alexander Haig. Haldeman is the first to inform Nixon of LBJ’s death in “Conversation 036-051” by stating “He’s dead alright.” For his part, Nixon states in “Conversation 036-061” that it makes the “first time in 40 years that there hasn’t been a former President. Hoover lived through all of 40 years” and then refers to the recent peace treaty, “In any event It’ll make him (LBJ) look better in the end than he would have looked otherwise, so… The irony that he died before we got something down there. The strange twists and turns that life takes.”

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Another event took place that night to round out the day, but unlike the others, you won’t find mention of it on the Nixon tapes. In Jamaica, a matchup of two undefeated heavyweight legends took place. Undisputed world heavyweight champion Smokin’ Joe Frazier (29-0) took on the number one ranked heavyweight challenger George Foreman (37-0) in Jamaica’s National Stadium. Foreman dominated Frazier by scoring six knockdowns in less than two rounds. Foreman scored a technical knockout at 1:35 of the second round to dethrone Frazier and become the new undisputed heavyweight champion (the third-youngest in history after Floyd Patterson and Cassius Clay). This was the fight where ABC’s television broadcaster Howard Cosell made the legendary exclamation, “Down goes Frazier! Down goes Frazier! Down goes Frazier!”
“This is a peace that lasts, and a peace that heals.” Nixon announced to the American people the next day. The announcement came exactly 11 years, one month and one day after the first American death in the Vietnam conflict: 25-year-old Army Specialist 4th Class James Thomas Davis of Livingston, Tenn., who had been killed in an ambush by the Viet Cong outside of Saigon on Dec. 22, 1961. For you budding numerologists out there, that translates to 11-1-1. It was all downhill from there. LBJ’s death precipitated the cancellation of several Inauguration events and a week later, on January 30, former Nixon aides G. Gordon Liddy, James W. McCord Jr. and five others were convicted of conspiracy, burglary and wiretapping in the Watergate incident. The dominoes were falling and eventually “Down goes Nixon! Down goes Nixon!”

Hollywood, Music, Pop Culture

God is Bigger than Elvis.

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Original publish date:  May 12, 2012               Reprinted January 17, 2019

In just a couple of months, it will be 55 years since Elvis Presley starred in his second film, a film called “Loving You.” The film was noteworthy for a few different reasons; it was Elvis’ first movie in color, it featured his mother and father as audience members and it was for this film that Elvis dyed his hair from a sandy blonde to jet black to honor the King’s movie idol, Tony Curtis. It premiered on July 10, 1957 in Memphis and was released nationally on July 30, 1957. Elvis did not attend the inaugural showing in his his hometown, choosing to watch the film with his parents, Gladys and Vernon, at a private midnight showing screening instead. At one point, Elvis and his parents appear on screen together in a concert scene. His mother would die a year later and Elvis refused to watch the film again because it would remind him too much of his dear departed mother.article-0-11e20996000005dc-516_233x528
The film was the first of many portraying Elvis as a rising young music star and how that sudden stardom affected the character and those around him. An ominous portent of things to come in the life of Elvis Presley to be sure. The film starred Elvis alongside Wendell Corey, Lizabeth Scott and a young starlet named Dolores Hart. Some believe the film was cursed, pointing to the sad end of Elvis Presley 20 years later at the young age of 42, the sudden retirement of popular baritone blonde Lizabeth Scott after filming concluded, the decline and alcohol induced death of Wendell Corey just over a decade later and the fact that Dolores Hart quit acting and became a nun. Yes, the same beautiful actress who made 10 films in 5 years alongside heart throbs like Montgomery Clift, Warren Beatty, George Hamilton, Robert Wagner and, of course, Elvis became, and still is today, a Roman Catholic nun.
Hart (born Dolores Hicks on October 20, 1938 in Chicago, Illinois) was the only child of Catholic parents who separated and ultimately divorced, when she was just 3-years-old. Dolores was not raised Catholic, but was converted to Catholicism at the age of 10. Her parents were both actors and Hart described herself as a “Hollywood Brat”, following her actor father, Bert Hicks, around the back studio lots of Tinseltown and deciding at a young age that she wanted to be in movies. Instead, her father sent the precocious young girl to Chicago to live with her grandparents where she attended parochial school and “Dodged streetcars.”
Although far from the bright lights of Hollywood, her movie theater projectionist grandfather imparted his love for films and encouraged her dream of pursuing an acting career. Dolores would accompany her grandfather to the theatre and sit all day in the projection booth watching the films (without sound so as not to disturb his naps in the booth) and only wake him when it was time to change the reel. She studied theatre at Marymount College and in 1956 was signed as a “fresh, new face” to play the love interest of Elvis Presley in “Loving You.” Dolores, attended Mass every morning as a young actress in Hollywood and prayed to get roles she wanted. Her prayers were answered when Hart appeared again with Presley in 1958’s King Creole. Elvis was well known for his many off-screen affairs with his female costars, but Hart has always denied succumbing to Presley’s charm. dolores-hart-2-240
When asked, “What is it like kissing Elvis?” Hart always chuckles and replies, “I think the limit for a screen kiss back then was something like 15 seconds. That one has lasted 40 years.” In 1960, Hart ironically starred in “Where the Boys Are”, a teenage comedy about college students on spring break which has become a cult classic for film buffs. In the film, Hart plays a co-ed who struggles with her newly-developed sexuality and the sudden attention from the opposite sex. It was during filming of “Francis of Assisi” the next year in 1961, in which she prophetically played a nun, that she met Pope John XXIII. As she met his holiness, she exclaimed, “I am Dolores Hart, the actress playing Clare.” To which the Pontiff replied, “No, you are Clare!” (“Tu sei Chiara” in Italian).
Dolores first visited Regina Laudis, after an exhausting run on Broadway. A friend suggested she recuperate for a few days in the quiet of the abbey, so she went, and continued to visit periodically. On one of those visits, Ms. Hart spoke to the then-abbess about becoming a nun. The abbess told her she was too young and that she should go back and continue acting. She went on to star in four more films and became engaged to architect Don Robinson, who set to work designing the couple’s Hollywood dream home. A lavish wedding was being planned, complete with a wedding gown designed by legendary Hollywood costume designer Edith Head. It was then that a fortuitous letter arrived from the convent suggesting that if she was still interested in joining the order, now was a good time to do so.
dolores-hart-feet-2227911In 1963, she broke off her engagement and the 25-year-old actress joined the Benedictine Abbey of Regina Laudis in Bethlehem, Connecticut as a Roman Catholic nun. She would ultimately become the Prioress of the Monastery. Legend claims that while on the final leg of a promotional tour for her last movie, “Come Fly with Me” starring Hugh O’Brian, Ms. Hart literally stepped out of a Hollywood limousine and into the abbey.
Sister Dolores took her final vows in 1970. She chants in Latin eight times a day. In 2006, she visited Hollywood again after 43 years in the convent to raise awareness for peripheral idiopathic neuropathy disorder, a neurological disorder that afflicts many Americans, including herself. At first, the condition, which affects a person’s ability to walk, went undiagnosed and left her wheelchair bound. For a time, Sister Dolores thought she was going to die. Finally a New York City doctor discovered a treatment that eased her symptoms and has helped restore her ability to walk. On April, 2006, she testified at a Washington congressional hearing on the need for research on the painful and crippling disease that affects the central nervous system. That suffering taught Mother Dolores an important lesson. She said, “You have to become dependent on the gift of human beings, and you discover that God is an incarnate reality. In the beginning, God was always a pie-in-the-sky reality. Now I had to realize that Jesus was there through the people who were assisting me, caring for me and doing the things that were bringing me through.”dolores-hart
Hart, whose pure beauty was often compared to Grace Kelly, used her movie fame to develop her Abbey of Regina Laudis’s expansion of its community connection through the arts. Paul Newman donated funds from his “Newman’s Own” food line to build a lighting grid and a better equipped stage for use in a year-round arts school at the Abbey. Another friend, Academy Award winning actress Patricia Neal also helped support the abbey’s theater.
Dolores Hart’s ultimate vision is the development and expansion of the Abbey’s open-air theater and arts program for the Bethlehem community. Every summer, the abbey’s 38 nuns on 400 acres of rural land, help the community stage a musical. Past performances have included West Side Story, Fiddler on the Roof, The Music Man and My Fair Lady. Although the Reverend Mother Dolores Hart has been Prioress of the Abbey since 2001 and has not appeared in a Hollywood movie for almost half-a-century, she remains a voting member of the Academy of Motion Picture Arts and Sciences. A designation that makes her the only nun to be an Oscar-voting member giving her a vote to help determine each year’s Oscar winners. She watches the movies on screener DVDs and invites her fellow nuns to see the good ones.
god-is-the-bigger-elvisIn 2012 Benedictine nun Mother Prioress Dolores made a rare foray from her isolated life at the Abbey of Regina Laudis and traveled from her Connecticut home to Hollywood to celebrate an Oscar-nominated HBO documentary film titled, “God Is Bigger Than Elvis”. The film chronicles her life as an actress and a nun, including her close friendship with spurned fiancé, Don Robinson, who never married and who has visited Sister Dolores at the Connecticut monastery faithfully. One of the most touching moments in the film features Robinson and Prioress Dolores casually talking, Robinson referring to Hart as “Mother” while looking, and acting, like a typical elderly married couple. The scene takes on added significance when you realize that Don Robinson died shortly after the film was made, ending a platonic love affair that lasted a half a century.motherdoloreshart

Indianapolis, Indy 500, Pop Culture, Sports

Henry T. Hearsey Indianapolis Bicycle Pioneer.

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Original publish date:  November 25, 2008  Updated/Republished December 6,2018

As Christmas morning creeps ever-closer, parents all over the Hoosier state are making their lists and checking them twice. No doubt, at least a few of those lists will include a bicycle. I’m not sure if the bike retains the same lofty perch it did a half a century ago. I’m equally unsure if moms and dads still spend the hours after midnight busting knuckles, pinching fingers and squinting hopelessly at indecipherable directions written in more than one language.
The bicycle has become almost an afterthought in today’s world. But once, it truly was the eighth wonder of the world. The bicycle introduced a radical new invention known as the “pneumatic tire”. In addition to air-filled rubber tires, we can thank the bicycle for giving us ball bearings, devised to reduce friction in the bicycle’s axle and steering column, for wire spokes, and for differential gears that allow connected wheels to spin at different speeds.
And where would our airplanes, golf clubs, tent poles and lawn furniture be without the metal tubing used in bicycle frames to lighten the vehicle without compromising its strength? Bicycles also gave birth to our national highway system, as cyclists and cycling clubs outside major cities across the country tired of rutted mud paths and began lobbying for the construction of paved roads. What’s more, many of the bicycle repair shops were the breeding grounds for a number of pioneers in the transportation industry, including carmakers Henry Ford and Charles Duryea and aviation pioneers Orville and Wilbur Wright. All of these men started out as bicycle mechanics. And did you know that Indianapolis was on the cutting edge of the bicycle industry from the very beginning?
dont-laughAlthough the first documented appearance of a bicycle in Indianapolis can be traced to a demonstration of the high-wheeled bike called the “Ordinary” in 1869, these old fashioned contraptions (known back then as “Velocipedes”) would be almost unrecognizable to the riders of today. With their huge front tires and seats that seemed to require a ladder to climb up to, these early bikes were awkward and unwieldy for use by all but the most hardy of daredevil souls (They didn’t call them “boneshakers” for nothing back then). It would take nearly 25 years after the close of the American Civil War before the bike began to resemble the form most familiar to riders of today. The development of the safety bike with it’s 2 equal-sized wheels in the 1880s made the new sport more acceptable as a hobby and pastime.
download (1)In 1887 bicycle mechanic and expert rider Henry T. Hearsey (1863-1939) opened the first bicycle showroom in Indianapolis. His store was located at the intersection of Delaware and New York Streets on the city’s near eastside. Hearsey introduced the first safety bike to Indianapolis, the English-made Rudge, which sold for the princely sum of $150 (roughly $4,000 in today’s money). Keep in mind that was about twice the price of a horse and buggy at the time. He would later open a larger shop at 116-118 North Pennsylvania Street. He is credited for introducing the 1st safety bicycle in the Capitol city in 1889. Hoosiers took to it immediately and within a few short years, the streets of Indy were so clogged with bicyclists that the City Council passed a bicycle licensing ordinance requiring a $ 1 license fee for every bicycle in the city.
Henry Hearsey had fallen in love with Indianapolis during an exhibition tour for the Cunningham-Heath bicycle company of Boston, Massachusetts in 1885. He not only sold the first new style bicycles in the Indy area, he also formed the first riding clubs in the city. These clubs, with colorful names like the “U.S. Military Wheelmen”, the “Zig-Zag Cycling Club” and the “Dragon Cycle Club”, would regularly host festive long distance bicycle trips known as “Century Rides” to towns like Greenfield and Bloomington. This period has been called the “Golden Age of Bicycling” by historians. Hearsey also had two famous names working for him at his bike shop: Carl Fisher and Major Taylor.

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Major Taylor

Legendary Indianapolis African American bicycle champion Marshall “Major” Taylor was hired by Henry Hearsey to perform bicycle stunts outside of his shop in 1892. 14-year-old Taylor’s job was as “head trainer” teaching local residents how to ride the new machines.Taylor performed his stunts while dressed in a military uniform and earned Major_Taylorthe nickname “Major”, which stuck with him the rest of his life. He has been widely acknowledged as the first American International superstar of bicycle racing. He was the first African American to achieve the level of world champion and the second black athlete to win a world championship in any sport. Carl Fisher was one of the founders of the Indianapolis Motor Speedway, developer of the city of Miami and the creator of the famous “Lincoln Highway” and the “Dixie Highway.”SafetyAd
His innovations included the installation of a revolutionary foot air bellows system that would be known for decades as the “town pump” for public use outside of his store. His shop became a popular hangout for the city’s bicyclists who liked to drop in and rub elbows with all of the greatest bike racers of the age. Indianapolis was a midwest mecca for pro-bicycling in the late 1800s and early 1900s. Hearsey would often use the massive Tomlinson Hall in Indy to unveil the newest model of bicycle in the 1890s. Tomlinson Hall was the largest public venue in the city and Hearsey would routinely fill the place to the rafters with excited Hoosier bicyclists, which would be like renting Lucas Oil Stadium to unveil a new bike today. Cycling in the Circle City was so popular that on April 28, 1895 the Indianapolis Journal ran an eight-page supplement called the “Bicycle Edition” entirely devoted to the cycling craze consuming the Hoosier State and the rest of the country.
NewbyRaceAdCycling was so popular in Indianapolis that the city constructed a racing track known as the “Newby Oval” located near 30th Street and Central Avenue in 1898. The track was designed by Shortridge graduate Herbert Foltz who also designed the Broadway Methodist Church, Irvington United Methodist Church and the Meridian Heights Presbyterian Church. Foltz would also design the new Shortridge High School at 34th and Meridian. The state of the art cycling facility could, and often did, seat 20,000 and hosted several national championships sponsored by the chief sanctioning body, “The League of American Wheelmen.” The American Wheelmen often got involved in local and national politics. Hoosier wheelmen raced into the William McKinley presidential campaign in 1896 and helped him win the election. With this new found political clout, riding clubs began to put pressure on politicians to improve urban streets and rural roads, exclaiming “We are a factor in politics, and demand that the great cause of Good Roads be given consideration.”Newby-Oval-pin
During this turn-of-the-century era, Indianapolis became one of the leading manufacturers of bicycles in the United States with companies like Waverly, Munger, Swift, Outing, Eclipse and the Ben-Hur offering some of the finest riding machines of the day. According to the Indiana Historical Bureau, from 1895-96, Indianapolis had nine bicycle factories employing nearly 1,500 men, women and boys. Not to mention a couple dozen repair shops, parts suppliers and specialty stores stocking bicycle attire like collapsible drinking cups, canteens, hats, goggles, shoes and clothing.

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The Newby Oval on Central Avenue and 13th Street.

In the years before World War I, two entire city blocks around Pennsylvania Avenue became known as “bicycle alley”. Here bicycle enthusiasts congregated among the many manufacturers, outfitters and repair shops to talk shop, swap stories and plan routes. Some of the more popular spots to ride in the Circle City included 16th Street and Senate Avenue, Broad Ripple and the tow path along the Central Canal.
The gem of Indianapolis’ cycling community was the Newby Oval on Central Avenue and 13th Street. The $23,000, quarter-mile track featured a surface made of white pine boards, rough side up to keep wheels from slipping. Wire brushing removed splinters before the floorboards were dipped into a tank of wood preservative and nailed into place. The track featured a “whale-back” design of banked curves to increase safety and accommodate speed. The Newby Oval featured grandstand seating, two amphitheaters, and bleachers designed to hold more than 8,000 spectators.
The Newby Oval’s first race, sponsored by the League of American Wheelmen hosted its first bike race on July 4, 1898. The contest included ragtime, two-step, and patriotic tunes to serenade the riders and spectators alike. Every time a rider neared the finish line, spectators fired their pistols in the air in anticipation. For a time, the Newby Oval was considered to host the city’s first automobile race. The euphoria didn’t last long though. Because cars would need to run in separate heats at the Newby Oval, the event was moved to the State Fairgrounds, where multiple vehicles could compete at one time. The track’s building materials were put up for sale and by early 1903, the Newby Oval was dismantled. By the turn-of-the-century, interest in cars was outpacing bicycles. By 1908, the bicycle craze was over.
With the advent of the automobile and motorcycles in the early 1910s, interest in bicycling as a form of transportation waned. Henry T. Hearsey changed with the times and became Indianapolis’ first automobile dealer. Hearsey lived at 339 East Tippencanoe Street, just a stone’s throw away from the James Whitcomb Riley house in Lockerbee Square. Indianapolis, just as it had in the generation before with bicycles, soon become a pioneer in the manufacture of automobiles, second only to Detroit in fact. Most of the parties involved in the Indianapolis Motor Speedway were former colleagues of Henry Hearsey and members of his bicycle clubs.

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Carl Fisher-Indy 500 Founder

While images of the old fashioned high-wheeled “ordinary” bicycles and the winged tire logo of the Indianapolis Motor Speedway are instantly recognizable to sports fans all over the world, no-one remembers Henry T. Hearsey today. Hearsey not only introduced Indianapolis to the first commercially viable bicycle, opened the first Circle City bicycle shop, was the first to recognize the genius of Major Taylor and Carl Fisher and opened the first car dealership in the city. He was born during the Civil War, flourished during the Gilded Age / Industrial Age / Progressive Era / Roaring Twenties and survived the Great Depression. Henry T. Hearsey, the trailblazing businessman whose name is unknown to most Hoosiers, died in the summer of 1939. He lies buried in Crown Hill Cemetery among the many notable names from the pages of Indianapolis’ history, most of whom knew him personally and called him by his nickname. Happy holidays “Harry” Hearsey, the Circle City tips its collective cap to you.

Christmas, food, Indianapolis, Pop Culture

Roselyn Bakeries Rosie’s Gingerbread House.

Original publish date:  December 10, 2012

Roselyn
Painting by Dale Blaney.

For many Indianapolis residents, Christmas in the Circle City is defined by one thing: The World’s Largest Christmas Tree. Every year since 1962, the dedicated electrical workers of IBEW 481 have dutifully transformed the Soldiers and Sailors monument into a glistening, magical pyramid of lights that even the most skeptical Scrooge among us proudly calls the world’s largest Christmas tree. This year marks the 56th anniversary of that monumental Christmas tree.
Monument_Circle_ChristmasAlthough I never fail to take my annual trip around Monument Circle at Christmastime to gaze in wonder at the fantastic fir tree fantasy, my personal memories of Christmas on the Circle revolve around a little shack that used to rest at its base facing the Indiana Statehouse. You may think of the L.S. Ayres Cherub, Santa’s mailbox, the 26 larger-than-life toy soldiers and sailors surrounding the Circle, the 26 red & white striped peppermint sticks, the 52 garland strands or the 4,784 colored lights strung from the top of the Monument to its base, but I think of the Roselyn Bakery Christmas Hut.
For a quarter century beginning in 1974, every year on the night after Thanksgiving Indianapolis based Roselyn Bakeries set up a special “Christmas Hut” to celebrate the lighting of the “World’s Largest Christmas Tree” on Monument Circle. The best part? Many lucky visitors received free Christmas cookies made from a “secret” Roselyn recipe. Surely those cookies were made by Roselyn’s mascot “Rosie” herself inside that tiny little shed, right?
Rosi_Roselyn_logo_shdwDecorated with Gingerbread man shutters and candy cane pillars, coated in what looked like white icing, the Christmas hut was set up on the West side of the Circle where it remained for 25 years from 1974 to 1999. It was estimated that some 1.2 million Gingerbread man cookies were handed out from within that festive little house over those years. Just like the bakery itself, that little hut was an institution. 636389898040860440-roselyn-1
Roselyn Bakery was founded in 1943 with its first storefront located at 22nd and Meridian Streets. Within the decade Roselyn bakeries could be found all over the city. You might remember those old city buses with the early Roselyn Bakery cartoon chef logo known as “Mr. Henry.” By the Bicentennial celebration in 1976, there were over 30 Roselyn locations all over central Indiana. When they closed up shop in 1999, Roselyn had some 40 locations offering over 700 different items. I’m still amazed by the memory of those Grandmotherly looking counter ladies wrapping up those cookie and cake boxes with that menacing looking string-tie machine that made that frightening bullwhip sound: “Whoosh-snap!”
Roselyn cookbook coverFor me, Roselyn will always be identified for buttermilk jumbles, toffee cookies, alligator & sweetheart coffee cakes, yeast donuts and the darling little girl cartoon mascot known as “Rosie”. A blonde haired, blue eyed perpetually smiling little naive whose popularity forced the Roselyn Christmas Hut to undergo a name change to “Rosie’s Gingerbread House.” If memory serves, for a time there was even a living, breathing life-sized “Rosie” mascot dressed in a horribly oversized paper mache’ head and wearing a red velvet dress. Every so often, she would wobble awkwardly out of the Gingerbread hut to personally pass out cookies to the eager, but slightly befuddled, kiddies on the Circle. As I recall, she didn’t speak, but to a 12-year-old cartoon addicted boy like me, her skirt was short and her cookies were hot.
Today, nearly two decades after that Roselyn Christmas house disappeared, the lighting of the Circle is called the “Festival of Lights” attended by a crowd of over a 100,000 people with another 50,000 viewers watching the event live on TV from home. In 2011, Travelocity called the Circle of Lights one of the top five “must-see Christmas trees” in the country. To quote the old Virginia Slims cigarettes slogan from Rosie’s days, “You’ve come buttertoffeecookies-5a long way baby.”
The “Christmas in the round” idea was born in 1945 at the close of World War II and intended as a celebration of peace at a monument built to honor fallen soldiers. Renowned Indianapolis architect Edward D. Pierre (IPS schools # 7 & 78, Indiana State Library and Historic Bureau) first suggested decorating and lighting the Monument as a glowing symbol of peace. Until 1961, decor was confined to the lower parts of the Monument. The next year, the “World’s Largest Christmas Tree” was born. That simple program with a few speakers in 1962 has evolved into an intricate hour-long television show today. As for Roselyn, the cakes, donuts and cookies can be found in several of the grocery store chains around town. But its not quite the same. The bakery chain’s only remaining evidence on our streets are the many Roselyn Bakery “Frankensigns” that dot the city in front of those familiar low rise buildings that once sold Rosie’s sugar-coated sweets.
package-fallholidaypartytray-1-1-300x300Eight mayors and ten governors have served our city and state over the past 50 years. I can’t say that I miss any of them, but I do miss those Gingerbread cookies. If you do too, you can make them yourself. Here’s the recipe for Roselyn Bakeries famous Gingerbread Men cookies: 1 1/4 teaspoon allspice, 2 3/4 teaspoons baking soda, 5 teaspoons ground cinnamon, 1 teaspoon ground cloves, 1 teaspoon ground ginger, 2 1/2 teaspoons salt, 3/4 cup Crisco shortening, 3/4 cup granulated sugar, 6 tablespoons whole eggs, 1 1/4 cup extra fine coconut (Make sure that the coconut you use is very fine, almost like coarse sugar-you may have to grind store bought coconut flake down), 1 1/4 cup honey, 5 cups all-purpose flour. Preheat oven to 360 degrees F. Combine allspice, baking soda, cinnamon, cloves, ginger, salt, shortening, and sugar into a large mixing bowl. Cream together. Scrape down bowl. Add beaten eggs and mix thoroughly.Sweetheart Scrape down bowl. Add coconut and honey and mix well. Scrape down bowl. Add flour and mix well. On a lightly floured surface, with a floured rolling pin, roll dough 1/8 inch thick. With a 5 inch long cutter, cut out men. Re-roll trimmings and cut more cookies. With spatula, place 1/2 inch apart on cookie sheets. Bake at 360 degrees for 8 minutes or until browned, then, with spatula, remove cookies to racks to cool. Decorate as desired. Makes 3 dozen cookies. Now if I could only locate a slightly used Christmas shack.

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