Weekly Column, Pop Culture, Medicine, Homosexuality

The life and death of Alan Turing. Parts I & II.

Original publish date June 19, 2014

https://weeklyview.net/2014/06/19/the-life-and-death-of-alan-turing-part-1

I often write articles about anniversaries, some sad, some happy and some just downright confounding. This story falls within the bounds of the latter. In statistics, a confounding variable is defined as “an extraneous variable in a statistical model that correlates (directly or inversely) with both the dependent variable and the independent variable.” Sixty years ago this month, one of the most brilliant variables to ever draw breath removed himself from the equation. His name was Alan Turing and if you’ve never heard of him before, prepare to be amazed.


Rather than solely focusing on the date of his death, let’s start with his birth, June 12, 1912, 102 years ago this week. Alan Mathison Turing was a British mathematician, logician, cryptanalyst, computer scientist and most unlikely war hero. Many consider him to be the father of computer science and artificial intelligence. He was the first to marry the concepts of “algorithm” and “computation” together in his “Turing machine,” which is considered to be the first practical model of a general purpose computer.

The Turing Machine.


During World War II, Turing worked for the Government Code and Cypher School (GC&CS) at Bletchley Park, Britain’s code breaking center. For a time he was head of “Hut 8,” the section responsible for German naval cryptanalysis. In short, he was England’s master code breaker. He devised a number of techniques for breaking German ciphers, including the method of the “bombe,” an electromechanical machine that could find settings for the formidable Enigma machine, the cypher used by Nazi Germany to secure its military communications. His code breaking prowess enabled the Allies to defeat the Italians in the Mediterranean, beat back the Germans in Africa and evade devastating enemy submarines in the Atlantic.

Government Code and Cypher School (GC&CS) at Bletchley Park.


While at Bletchley Park, Turing gained a reputation for eccentricity. His colleagues called him “Prof” and his treatise on the Enigma machine was known as “The Prof’s Book.” Like clockwork, every June 1st, Turing would get a severe attack of hay fever. As a result, he rode a bike to the office every day wearing a bulky military gas mask to keep the pollen off. To add to the strange spectacle, the bike’s chain would come off at regular intervals. Instead of having the bike fixed, Alan would count the number of times the pedals went round, jumping off just in time to adjust the chain by hand. Once safely in the office, Turing chained his coffee mug to the radiator pipes to prevent it from being stolen.
While working at Bletchley, Turing, a talented long-distance runner, occasionally ran the 40 mile route to London when he was needed for high-level meetings. His recorded times would place him among the world-class marathon runners of today. Turing’s eccentricities were overlooked because his “mad” code breaking skills helped the Allies outfox the Nazis, his “rad” theories laid the foundation for the computer age, and his “bad” work on artificial intelligence fueled the debate over whether machines can think independently to this very day. Even before the war, Turing was formulating ideas that would define modern computing. These ideas would mature into a fascination with artificial intelligence and the notion that machines could someday outperform the minds of man. At war’s end, Turing went to work programming some of the world’s first computers.

Interior of Government Code and Cypher School (GC&CS) at Bletchley Park.


On February 19, 1946 Turing presented a paper to the NPL Executive Committee, detailing the first reasonably complete design of a stored-program computer. However, because of the strict and long-lasting secrecy surrounding his wartime work, he was prohibited from explaining that his ideas could be implemented in an electronic device. Others, not bound by the same rules of secrecy but aware of Turing’s work, were quick to put forth Turing’s theories and claim them as their own. Seems that intrigue, accusations and the supposed misappropriation of intellectual property in the world of computers can be traced back to its earliest days.

The birth of the modern computer.


At the invitation of John R. Womersley, superintendent of the Mathematics Division, Turing went to work at Britain’s National Physical Laboratory. While there from 1945 to 1947, he designed the Automatic Computing Engine (ACE), one of the first stored-program computers.  Turing’s technical design, known as the “Proposed Electronic Calculator,” was the product of his 1936 theoretical paper “On Computable Numbers” combined with his wartime experience with the Colossus computers that had broken the German military codes.

John Lewis Womersley (1909 –1990)


Turing described his idea as a “universal computing machine,” but it is now known as the Universal Turing machine. The Turing machine outlined the idea that it could outperform the tasks of any other computation machine, man-made or organic. In plain speak, the Turing machine was provably capable of computing anything that is computable. For the first time ever, Alan Turing proved that a machine could be programed to think independently.


In 1948 Turing was appointed “Reader” in the Mathematics Department at the University of Manchester, where he was instrumental in the development of the Manchester computers. It was in that year that Turing forever cemented his place in the hearts and minds of modern day gamers by writing the world’s first game program for a computer. The program was so advanced that a computer to play it on did not yet exist. Did I mention that he was way ahead of his time? The “Turbochamp” was a program designed to play a game of chess between a human and a machine. It did not work very well, but it did work. In his spare time, Alan became interested in mathematical biology. It was during this period that Turing designed the software for the world’s first stored-program computer — the Manchester Mark 1.

Morphogenesis. “Collected Works of A.M. Turing”


Turing worked from 1952 until his death in 1954 on mathematical biology, specifically morphogenesis. Morphogenesis is defined as “the biological process that causes an organism to develop its shape.” Turing’s interest in the field was number based and deeply rooted in statistical logic. He published one paper on the subject in 1952, putting forth the Turing hypothesis of pattern formation. He used “reaction-diffusion equations which are central to the field of pattern formation.” Think “Computer meets paint-by-number” and you’ve pretty much got it. Turing’s later papers went unpublished until 1992 when the “Collected Works of A.M. Turing” was published — a volume that quickly became known as the Bible in this field.


So, aside from his applied genius to the earliest days of the computer field, why is Alan Turing so revered by young historians today? Alan Turing was gay, and 1950s Britain punished the mathematician’s sexuality with a criminal conviction, intrusive surveillance and hormone treatment meant to extinguish his sex drive. Because of all this, on June 8, 1954, six decades ago this month, Alan Turing slipped quietly into bed and took one final bite of the apple — an apple laced with cyanide. The partially eaten fruit was found inches away from his dead body the next day by his cleaning lady. And what was the eccentric Turing’s favorite movie? Walt Disney’s 1937 classic, Snow White and the Seven Dwarfs. Furthermore, what is the symbol representing one of the most popular brands of computers today? An apple….with a bite taken out of it.

Part 2: “The life and death of Alan Turing.”

Original publish date June 26, 2014

Alan Turing was a man way ahead of his time. That term is often misused, but without a doubt, it applies to him. Turing was largely responsible for the code breaking that defeated the Axis Powers in World War II, credited with creating the first practical computer and his work with artificial intelligence and code mapping is still considered the standard by which all others are measured. He was a genius, an eccentric and Alan Turing was gay.

Alan Turing.


Turing made no secret of his sexuality, despite the fact that being gay could easily lead to criminal prosecution in post-war Britain. In 1952, Turing was convicted of “gross indecency” over his relationship with another man. He was stripped of his security clearance, subjected to monitoring by British authorities, and forced to take estrogen to neutralize his sex drive — a process akin to chemical castration. He agreed to these “treatments” in lieu of going to prison.

Alan Turing Portrait.


In January 1952, Turing started a relationship with a 19-year-old unemployed man named Arnold Murray. Turing met Murray just before Christmas outside the Regal Cinema. The two men bumped into each other while walking down Manchester’s Oxford Road. Turing struck up a friendly conversation with the handsome young man and invited him to lunch. This lunch led to a rather short, but torrid, love affair between the unlikely duo. On January 23 Turing’s house was robbed. Murray admitted that the burglar was an acquaintance of his, and Turing reported the minor crime to the police.

Alan Turing.


During routine questioning about the break-in, Turing inexplicably told police that  Murray was not a roommate, but a sexual partner. Homosexual acts had been officially outlawed in the United Kingdom since the Victorian Era, and police immediately arrested both men, charging them with gross indecency under Section 11 of the Criminal Law Amendment Act of 1885.

Section 11 of the Criminal Law Amendment Act of 1885.
Alan Turing.


Trial proceedings began on February 27, where Turing’s solicitor “reserved his defense.” Later, although he felt no personal remorse or guilt for having committed acts of homosexuality, on the advice of his brother, Turing entered a plea of “guilty”. The case, Regina v. Turing and Murray, came to trial on March 31, 1952. Turing was convicted and given a choice between imprisonment or probation. However, the probation was conditional on his agreement to undergo hormonal treatment designed to reduce libido. He accepted the option of one year’s treatment through injections of stilboestrol, a synthetic estrogen. The treatment rendered Turing impotent, caused weight gain, loss of body hair and gynaecomastia (an enlargement of the breasts), fulfilling Turing’s prediction that “no doubt I shall emerge from it all a different man, but quite who I’ve not found out.” Oddly, co-defendant Murray was given a conditional discharge.

Alan Turing.


Turing’s conviction led to the removal of his security clearance and barred him from continuing with his cryptographic consultancy for the Government Communications Headquarters (GCHQ). Although his passport was never revoked, he was denied entry into the United States due to his conviction. Although he was viewed by some as a security risk, Turing was free to visit other European countries. At that time, during the height of the Cold War, there was acute public anxiety about homosexual entrapment of spies by Soviet agents for use as KGB double agents. Turing was never accused of espionage but the prejudice against homosexuals somehow accentuated the possibility with Alan.


No doubt, the bombardment of one of Britain’s greatest minds with invading hormones caused Turing unceasing discomfort, depression and confusion towards a perceived “problem” he was powerless to prevent. Depressed and angry, Turing obsessed over an incident from his school days. While a young student, Alan had formed an important friendship with fellow pupil Christopher Morcom. However, that friendship was cut short by Morcom’s premature death in February 1930 from complications of bovine tuberculosis contracted after drinking infected cow’s milk years earlier. That event shattered Turing’s religious faith. He became an atheist and adopted the conviction that all phenomena, including the workings of the human brain, must be materialistic and he believed in life after death.


On June 8, 1954, Turing’s cleaning lady found him dead. When his body was discovered, a half-eaten apple lay nearby his bed. The condition of the body indicated that he had died the previous day. The autopsy established the cause of death as cyanide poisoning. Although the apple itself was never tested for cyanide, it was speculated that this was the delivery system for that fatal dose of poison.


Along with finding a bottle of cyanide crystals in Turing’s home, authorities also discovered a glass jar filled with liquid cyanide solution. The autopsy report shows that Turing’s stomach “contained four ounces of fluid which smelled very strongly of bitter almonds, as does a solution of cyanide.” This detail is significant because it points strongly to a scenario where Turing consumed the cyanide orally. It is speculated that the half-eaten apple, rather than being the remains of the delivery vehicle, was eaten to mask the flavor of the cyanide. Turing’s body was found lying prone in bed, a position that suggests he had made a choice to end his own life.


It was widely known among Turing’s circle of close friends and colleagues that he had been haunted by the story of the poisoned apple in the fairy tale of Snow White and the Seven Dwarfs. He was obsessed with the Walt Disney produced movie, especially the scene where the Wicked Queen immerses the apple in her poisonous brew, watching it over and over since it’s initial release in 1937. To many, it seemed perfectly reasonable that Alan would resort to the same desperate measure to end the persecution he was suffering as a result of his homosexuality. But in recent years, researchers have determined that it was just as likely that Turing’s death may well have been an accident.


After all, it was Turing’s ordinary habit to eat an apple before bedtime, and moreover, not to finish it. Therefore, the half-eaten remains of that untested apple should not be viewed as the strict indication of a deliberate act. The inquest determined that he had committed suicide, and he was cremated at Woking Crematorium on June 12, 1954 and his ashes scattered there. These days, a coroner would demand evidence of premeditation before announcing a verdict of suicide, yet nothing in the accounts of Turing’s last days suggest he was in anything but a cheerful mood. Close friends challenged the coroner’s conclusion by claiming Turing was handling his legal setbacks and hormone treatment “with good humour,” showing no sign of despondency prior to his death.


Turing died on a Tuesday, but that previous Friday as was his habit, Alan had left a “to-do” note on his office desk to remind himself of things to be done after the bank holiday (the day after his death). Modern day researchers offer the alternative explanation of “accidental inhalation of cyanide fumes from an apparatus for gold electroplating spoons with potassium cyanide to dissolve the gold,” which Turing had set up in an adjoining un-ventilated closet sized spare room he referred to as the “nightmare room.“ Although brilliant, Turing was careless, literally an absent minded professor. Astonishingly, his electrolysis experiment was wired into the ceiling light socket which had resulted in more than a few severe electric shocks.


And Turing was known for tasting chemicals to identify them. It has been suggested, perhaps, that he accidentally put his apple into a puddle of cyanide. It is far more likely to suppose that Alan accidentally inhaled cyanide vapors from the bubbling liquid. Advocates of this theory believe the autopsy findings were more consistent with “inhalation rather than ingestion” of the poison based on the distribution of cyanide in Turing’s organs. Yet, despite protestations from caring, concerned friends and relatives, the coroner recorded a verdict of suicide “while the balance of his mind was disturbed.” Regardless, we are left to simply shrug our shoulders in wonderment and focus on Turing’s life and extraordinary work.

Alan Turning Memorial. Sackville Park, Manchester UK.

Now, 60 years after the war hero’s death, the pendulum has finally swung in Turing’s direction. Queen Elizabeth II  granted him a pardon, his likeness has appeared on postage stamps, memorial plaques adorn his former residences and statues of the tragic genius can be found all over the U.K. There are bridges and highways named after him in his native Manchester. In a prepared statement, the British Monarch declared “Turing was an exceptional man with a brilliant mind who deserves to be remembered and recognized for his fantastic contribution to the war effort and his legacy to science.”


In short, when viewed through six decades of hazy hindsight, Alan Turing has become a cultural icon. His most enduring contribution, at least in pop culture terms, is just as mysterious as his death. For years, computer aficianados point to the logo used by Apple computers as an homage to Alan Turing and his untimely death. Since 1976, the image of the apple with a bite taken out of it has been identified with cutting edge innovations in the field of computer science. The apple has long been a symbol of forbidden knowledge, the object that banished Adam and Eve from the Garden of Eden, inspired Isaac Newton’s theory of gravitation, the usurpation of good by the power of evil by Disney’s wicked queen and finally as the assumed means of  Alan Turing’s death.

A blue plaque commemorating Alan Turing’s work at the University of Manchester from 1948 to 1954.


In 1999, Time Magazine named Turing as one of the 100 Most Important People of the 20th century and stated: “The fact remains that everyone who taps at a keyboard, opening a spreadsheet or a word-processing program, is working on an incarnation of a Turing machine.” The London 2012 Olympic Torch flame was passed on in front of Turing’s statue in Manchester on his 100th birthday. So if I have now sparked an interest within you for the godfather of all modern computers, fear not, for a movie about his life called “The Imitation Game” is set for a November 2014 release. Then perhaps you can make up your own mind about the life and death of Alan Turing.

Statue of Turing holding an Enigma machine by Stephen Kettle at Bletchley Park, commissioned by Sidney Frank, built from half a million pieces of Welsh slate.
Auctions, Hollywood, Homosexuality, John F. Kennedy, Museums, Pop Culture, Television, Travel, Weekly Column

The Curse of Bewitched Parts I & II.

Original publish date September 11, 2014.

https://weeklyview.net/2014/09/11/the-curse-of-bewitched

Okay, I’m on a tangent. Over the past two weeks I’ve shared the story of “The Curse of Family Affair” about the strange circumstances and tragedies surrounding the popular 1960s TV show, particularly those involving West Lafayette born actress Anissa Jones, who played Buffy on the show. I thought, what better way to kick off the Halloween season than to explore another classic TV show from the same era also judged to be “cursed”? Here is the story of the curse of Bewitched.

Before I assume that everyone remembers the show, here’s the back story. Bewitched was a sitcom that ran for eight seasons on ABC from 1964 to 1972. It starred actress Elizabeth Montgomery as the witch Samantha, Dick York (1964–1969) & Dick Sargent (1969–1972) as the mortal husband Darrin Stephens and Agnes Moorehead as the disapproving witch of a mother-in-law, Endora. The show is about an ordinary mortal man who marries a witch who then tries to assimilate to the life of a typical suburban housewife. The show finished as the number two show in America during its debut season, and became the longest-running supernatural-themed sitcom of the 1960s–1970s. The show was in the Nielsen top 10 for its first three seasons, top 25 for the next three seasons and fell out of the top 30 during it last two seasons. The show remains popular in syndication and is a top seller on DVD. In 2002, Bewitched was ranked # 50 on “TV Guide’s 50 Greatest TV Shows of All Time”.

Elizabeth Montgomery.

The plot: Samantha pledges to forsake her powers and become a typical suburban housewife but her magical family disapproves of the mixed marriage and frequently interferes in the couple’s lives. Episodes often begin with Darrin becoming the victim of a spell cast by his wife’s mystical family or a miscast spell by Samantha. The effects of these spells wreak havoc with mortals, particularly Darrin’s boss, clients, parents, and neighbors. By show’s end, Darrin and Samantha overcome the devious elements that failed to separate them with episodes most often ending with a kiss and a hug.

Elizabeth Montgomery and her father Robert Montgomery.

Although the plots were often well thought out and history based, what made the show a screaming success was the enchantingly beautiful Elizabeth Montgomery. Elizabeth was the daughter of Hollywood heartthrob leading man Robert Montgomery, who played the on screen love interests of Greta Garbo, Carole Lombard and Norma Shearer during his career and who was nominated for an Academy Award in 1948. She was on her way to becoming a movie star in her own right. After narrowly missing out on the co-starring role alongside Marlon Brando in “On the Waterfront” in 1954, she turned her attention to television.

The Stephens’ house at 1164 Morning Glory Circle.

The main setting for most scenes is the Stephens’ house at 1164 Morning Glory Circle (in either Westport, Connecticut or Patterson, New York depending on who you believe). Many scenes also take place at the Madison Avenue advertising agency “McMann and Tate” where Darrin works.  Samantha’s mother, Endora (Agnes Moorehead), is Darrin’s chief antagonist. Endora loathes mortals and disapproves of Darrin, as do most of Samantha’s relatives. Endora refuses to speak Darrin’s name, alternatively calling him “Durwood”, “What’s-his-name”, “Darwin”, “Dum-Dum”, etc., all much to his annoyance. She refers to him as “Darrin” only eight times during the entire series, an average of once per year. Endora’s ploys to provoke a breakup always fail as Samantha and Darrin’s love overcomes every obstacle.

Agnes Moorehead (center) with her TV Family.
McMann & Tate Advertising Agency Office 1965. Larry Tate (David White) Center.

Darrin works as an executive at the McMann and Tate advertising agency under his profit-obsessed boss Larry Tate (David White). Tate’s opinions turn on a dime to appease any client in an attempt to land a deal. Across the street from Darrin and Samantha lives a retired couple, the nosy and tactless Gladys Kravitz (played by Alice Pearce & Sandra Gould) and her husband Abner (George Tobias). Gladys’ snooping often results in her witnessing witchcraft or its strange side effects. She frequently tries to prove Samantha is a witch, only to fail and be branded delusional by Abner. Samantha’s father, Maurice Evans, is an over-the-top thespian who often embellishes his entrances and exits with strained Shakespearean verse.

Darrin’s Parents Frank (Robert F. Simon) & Phyllis Stephens (Mabel Albertson).

Darrin’s parents, the strait-laced Phyllis (Mabel Albertson) and laid-back Frank Stephens (Robert F. Simon & Roy Roberts), visit occasionally but never learn of Samantha’s supernatural powers. Phyllis makes inopportune surprise visits, and often complains of “a sick headache” after accidentally witnessing a spell in motion. Samantha’s Uncle Arthur (Paul Lynde), Endora’s prank-loving brother, makes several appearances. Undoubtedly, the most beloved supporting cast member was Samantha’s Aunt Clara (Marion Lorne). The bumbling, elderly, absent-minded-but-lovable Aunt Clara’s spells usually backfire, and her entrances and exits become her trademark: plopping down a chimney or colliding with a wall. She has a collection of over a thousand doorknobs (inspired by Lorne’s real-life collection).

Samantha and Aunt Clara (actress Marion Lorne).

In the second season, Samantha gives birth to a daughter, Tabitha and later in the series has a son, Adam. Both eventually prove to have supernatural powers. When illness befalls the family, Samantha seeks assistance from the warlock Dr. Bombay (Bernard Fox), a womanizer most often accompanied by a buxom assistant, and who constantly cracks bad jokes. He could be summoned by the phrase, “Dr. Bombay, calling Dr. Bombay. Emergency, come right away.” When Dr. Bombay proves ineffective, help is occasionally sought from the unnamed witches’ apothecary (Bernie Kopell of Loveboat fame), an amorous old warlock.

Bernard Fox as Dr. Bombay.

Bewitched not only led the league in improbable plot devices, the series itself seemed to defy reasonable logic. From 1969 to 1971, Samantha’s cousin Serena was also played by Elizabeth Montgomery, who in the credit roll is identified as “Pandora Spocks” (a spin on the phrase “Pandora’s box”). The producers made little attempt to disguise Serena. Aside from having coal black hair and a beauty mark on her cheek, Serena is identical to Samantha in everything except demeanor. She wears mini-skirts and openly flirts with Darrin’s boss Larry Tate just for sport.

Elizabeth Montgomery as Samantha’s Cousin Serena.

But the strangest pill for fans to swallow was the riddle of the “Two Darrin’s”. Right in the middle of the show, Dick York disappeared and was replaced by Dick Sargent. Like his costar Montgomery, York was on his way to movie stardom after his appearance in the 1960 Spencer Tracy film “Inherit the Wind” along with high profile episodes of The Twilight Zone, Gunsmoke, Wagon Train, I Dream of Jeannie, and Adam-12. York was so popular with his fans and peers that he was nominated for an Emmy for his portrayal of Darrin in 1968. Things seemed to be going great for both York and Bewitched.

Elizabeth Montgomery, Erin Murphy, Dick York.
Elizabeth Montgomery, Erin Murphy, Dick Sargent.

But Dick York had a secret he didn’t tell the show’s producers when he accepted the role back in 1964. In 1959 York appeared in a movie called “They Came to Cordura”. The western starred Gary Cooper, Rita Hayworth, Van Heflen, and Tab Hunter and during filming York severely injured his back. This injury caused constant excruciating pain and led to a daily ritual of drugs, pills, and painkillers. That ritual became an addiction. Eventually, everyone noticed and it became routine to have scenes and plots rewritten so Darrin could be filmed seated, lying down, or reclining (usually at his office desk, in bed or on the couch at home) as much as possible. But due to the physical slapstick comedy nature of the sitcom, situations often arose that made filming in such a manner an impossibility.

Elizabeth Montgomery, Maurice Evans, & Dick York.

In one such episode, York was hanging 15 feet in the air, alongside warlock father-in-law (Maurice Evans) on the show. It had been a bad day already for York; he was taking pills to sleep at night and receiving shots of Novocaine and cortisone in his back to keep working. While atop the elevated platform, York felt dizzy and weak in the knees and ask that the lift be lowered to the ground. Once down, the naturally shaky actor collapsed and was rushed to the hospital. The show’s producer, Bill Asher (Elizabeth Montgomery’s husband in real life) visited York in the hospital as he was recuperating. There he learned the details of York’s affliction and asked him point blank if he wanted to quit the show. York said yes. Dick Sargent was immediately hired to replace Dick York as “Darrin number 2.” Bewitched fans tuned in and were aghast at the change. To paraphrase Timothy Leary’s popular slogan of the day, the fans “Tuned in, were turned off and dropped out”. Unlike York before him, Sargent’s Darrin openly challenged his witchy in-laws, much to the disdain of viewers. The show’s dynamic changed and the ratings plummeted. In 1969, Dick York’s final season as Darrin, the show was a ratings hit at #11, but when Sargent took over, ratings dropped and the show sank to #24. Little did they know, the “Two Darrin’s” switch signaled the end of the series and the beginning of the curse of Bewitched.

PART II.

Original publish date September 18, 2014.

https://weeklyview.net/2014/09/18/the-curse-of-bewitched-part-2

Okay, if you read last week’s article on the Curse of Bewitched, you’re up to speed. If not, Google it and you’ll be just fine. The show ran for 8 seasons from 1964 to 1972 on ABC-TV. For decades after the sitcom ceased production, rumors of a curse attached to the show persisted; undoubtedly fueled by the supernatural nature of the show’s theme. Deaths, both during and after production, seemed to plague the show.

While the show was in production, Alice Pearce, who played nosey neighbor Gladys Kravitz died of ovarian cancer on March 3, 1966. Pearce had been diagnosed with terminal cancer before Bewitched began but kept her illness a secret. Her rapid weight loss was quite evident during the second season of the sitcom. She died at age 48 from ovarian cancer towards the end of the second year of Bewitched. Although Pearce absence was noted by fans, she was quickly replaced by Sandra Gould.

Alice Pearce (Gladys Kravitz) with Elizabeth Montgomery.
Sandra Gould (Gladys Kravitz) with TV husband George Tobias.
Aunt Clara and Endora.

The next death on Bewitched hit the fans much harder. On May 9, 1968 Marion Lorne, who played the beloved, bumbling Aunt Clara, died at age 82 of a heart attack in her Manhattan apartment, just prior to the start of production of the show’s fifth season. She had appeared in twenty-seven episodes of Bewitched. She received a posthumous Emmy Award for Outstanding Supporting Actress in a Comedy Series for her work on the show. The statue was accepted by Bewitched star Elizabeth Montgomery. The producers of Bewitched recognized that Aunt Clara could never be replaced by another actress so actress Alice Ghostley was cast as “Esmeralda”, a different type of befuddled witch whose magic spells often went astray.

Two years after the show ended but while the sitcom was still quite fresh in the hearts and minds of viewers, Agnes Moorehead, who played Samantha’s mother Endora died of uterine cancer on April 30th, 1974 at age 73. Moorehead had appeared in the 1956 movie “The Conqueror”, which was filmed in Utah-downwind from the Yucca Flat, Nevada, nuclear test site. She was one of over 90 (of 220) cast and crew members- including co-stars Susan Hayward, John Wayne, and Pedro Armendariz, as well as director-producer Dick Powell-who developed cancer; at least 46 died from the disease. No bombs were tested during the filming of The Conqueror, but eleven explosions occurred the year prior.  As she lay dying, she reportedly said: “I should never have taken that part.” Moorehead was nominated for an Oscar four times and played Orson Welles’ mother in the legendary Citizen Kane. She is buried at Dayton Memorial Park in Dayton, Ohio.

Roy Roberts as Frank Stephens.

After Moorehead’s death, Bewitched cast members started dropping like flies. Roy Roberts (Frank Stephens) died of a heart attack in May 1975 at age 75. George Tobias (Abner Kravitz): February 1980, age 78, bladder cancer. Paul Lynde (Uncle Arthur): January 1982, age 55, heart attack. Mabel Albertson (Phyllis Stephens): September 1982, age 81, Alzheimer’s disease. Maurice Evans (Maurice): March 1989, age 87, cancer. Robert F. Simon (Frank Stephens): November 1992, age 83, heart attack. Irene Vernon (Louise Tate): April 1998, age 76, unspecified illness. Sandra Gould (Gladys Kravitz): July 1999, age 82, complications following heart surgery. Kasey Rogers (Louise Tate): July 2006, age 80, stroke. Alice Ghostley (Esmeralda): September 2007, age 81, colon cancer and stroke. Looking over that list and at the ages of the deceased, it can be argued that nature was simply taking it’s natural course.

Kasey Rogers as Louise Tate.
Alice Ghostley as Esmerelda.

But conspiracy theorists point to the deaths of four other main cast members in the early 1990s as the driving force behind the curse of Bewitched. David White who played Darrin’s boss Larry Tate became a recluse in the last years of his life after his son, Jonathan, was killed in the 1988 Lockerbie bombing. By a tragic twist, the actor lost his wife, Mary Welch, as she was giving birth to Jonathan in 1958.  White continued to work in TV regularly after Bewitched in shows such as Columbo and The Rockford Files. Although he remarried after his first wife’s death, he disappeared from public life for a year after his son died. He died in November 1990 from a heart attack.

Jonathan Tate & father Larry Tate.

Dick York, the original Darrin, continued to battle his back pain induced addiction to prescription pain killers or ever came to grips with the loss of his career. After leaving Bewitched, Dick York’s career dried up and he faded into relative obscurity. Word of drug addiction spreads like wildfire in a town like Hollywood where time is money and schedules are tight. York’s career pretty much died on the vine. It didn’t help that Elizabeth Montgomery didn’t get along with him either. He remained on his back for a full year after leaving Bewitched and was nearly destitute soon after. Bad investments had left him broke, and his teeth rotted out (a common problem for drug abusers), so he and his wife were reduced to cleaning houses for a living. He appeared on several prime-time television series including Simon & Simon and Fantasy Island, but York remained a three-pack-a-day smoker. York died of complications at the age of 63 from emphysema in East Grand Rapids, Michigan, on February 20, 1992. He is buried in Plainfield Cemetery in Rockford, Michigan.

The Two Darrins: Dick York & Dick Sargent.

Ironically, Dick Sargent, Darrin # 2 was next. Dick Sargent never really caught on with the show’s loyal viewers. Many blamed the show’s cancellation 3 years later on him. Fans didn’t realize that the similar-looking Sargent had originally been offered the part before York in 1964. Like York, Sargent had a secret. He was gay. Had the producers known this, it is highly unlikely he would have been offered the role in the first place. Hollywood was a very different place in the 1960s. Sargent was diagnosed with prostate cancer in 1989. In 1991, he came out of the closet and bravely became an early gay role model.  Sargent died on July 8, 1994 at age 64. His remains were cremated. Elizabeth Montgomery commented, “He was a great friend, and I will miss his love, his sense of humor and his remarkable courage.” Sadly, less than a year after making those comments, Montgomery was gone.

The premature passing of actress Elizabeth Montgomery appears to have been the catalyst that sparked rumors about a curse. Coming so close upon the heels of the deaths of two of her Bewitched co-stars it prompted whispers that a malevolent force was at work. Other than the children in the show, the trio of Samantha and the two Darrin’s were the youngest characters in Bewitched. Montgomery’s death caused those looking for the workings of dark forces to re-examine the deaths of the two actors who had played Darrin Stephens in the series. The modes of death of cast members (cancer, heart attack, stroke, emphysema, Alzheimer’s) were deemed by conspiratorialists as unnatural and untimely. It may be closer to the truth to say that fans just couldn’t deal with the death of their favorite TV witch, Elizabeth Montgomery.

Wriggling her witch’s nose, Elizabeth Montgomery was America’s sweetheart. Samantha Stephens’ trademark nose-twitch was a natural quirk of Montgomery’s; Elizabeth unconsciously twitched her nose when she was frustrated. Her TV character could get anything she desired with just a magical twitch of her nose accompanied by a xylophone sound effect. But off-screen the blonde beauty struggled to find happiness, running through four tumultuous marriages and bewitching many of Hollywood’s leading men along the way. She cast a spell on stars as Elvis Presley, Dean Martin and Gary Cooper. Despite her privileged upbringing she was very down-to-earth. Perhaps that’s why she bewitched so many of the men in her life. She shunned the Hollywood lifestyle and didn’t like the fakeness of Hollywood and its people. But the daughter of movie legend Robert Montgomery suffered from a “father complex”, often falling in love with older men and hopeless relationships.

A very young Elizabeth Montgomery in an ad for the Desert Inn Casino Las Vegas.

Elizabeth was a teen when her parents divorced which strained her relationship with her father even further. She was forever conflicted, trying to please her father but also rebelling against him. She wanted him to play her father on Bewitched but he refused. Allegedly because he resented the fact that his daughter had become a bigger star than he was. Later when she appeared in the TV movie “The Legend of Lizzie Borden”, about a woman accused of killing her parents with an axe, Robert Montgomery was horrified and scolded his daughter by telling her: “You would!” He took it as a personal affront-as if she secretly wanted to kill her own father. Robert Montgomery was a staunch Republican and Elizabeth became a fervent Democrat, fighting for social causes that antagonized her father.

Elizabeth Montgomery with her father, Robert Montgomery and mother, Elizabeth Bryan Allen.

Her first husband was rich New York socialite Frederick Gallatin Cammann, a decade older than Elizabeth, he wanted her to quit acting and be a stay-at-home wife but Elizabeth took off for California and a career and their marriage went south a year later.

20-year-old Elizabeth Montgomery and her first of four husbands, Frederick Gallatin Cammann, on their wedding day, March 1954.
Elizabeth Montgomery & Gig Young.

Her second husband was Oscar winning movie star Gig Young, 25 years her senior and at 48 almost her father’s age. Elizabeth was 22 and infatuated but Gig Young was an alcoholic and their marriage broke down after seven years. (Young later shot his fith wife to death and killed himself in a murder-suicide in 1978).

Elizabeth’s third husband was Bewitched producer Bill Asher another older man. That marriage ended in divorce in 1973.

Elizabeth Montgomery & John F. Kennedy.

She was a close friend of President John F Kennedy and considering JFK’s unquenchable thirst for beautiful women, it is not hard to suppose that there were encounters between them. But if anything happened Elizabeth never talked about it. Despite enjoying a popularity that bordered on mania, Montgomery never won an Emmy, although she was nominated for eight of them (and four Golden Globe awards). Elizabeth refused to play the Hollywood social game and never took out ads begging for award consideration. She wanted her work to speak for itself.

Elizabeth Montgomery & Dick York.

Bewitched was one of the Sixties’ biggest hit TV comedies but behind the scenes lay a turbulent drama. Elizabeth Montgomery didn’t get along with Dick York. Like every other man who ever encountered her, York was in love with her. York’s attraction made Elizabeth uncomfortable and when York’s addiction to painkillers caused him to repeatedly miss episodes, it became evident to everyone that he had to go. Agnes Moorehead was very fond of Dick York and didn’t want to see him go. She and Sargent had great on set battles , which reduced Sargent to tears on several occasions. Montgomery and Sargent became lifelong friends based largely on these squabbles.

Elizabeth Montgomery & Dick Sargent.

The caustic atmosphere of a divisive set caused Elizabeth to quit the show after the fifth season but ABC offered her so much money she couldn’t refuse. By the show’s final season Elizabeth began to appear in episodes bra-less as a nod to the women’s liberation, and if you watch the later shows, you can tell. Although the fans often blame Sargent for the show’s demise in 1972, the truth is that when her contract was up ABC offered her another fortune to stay but she turned it down. The show had been the highest rated series ever for the network and had been renewed for a ninth season to run from 1972 to 1973. But after eight seasons she’d had enough. She wanted to get as far away from Samantha Stephens as she could. She sought out challenging roles, playing a sexual assault victim in “A Case Of Rape” (1974). an axe killer in “The Legend Of Lizzie Borden” (1975) and a pioneer woman facing hardship in 1820s Ohio in the mini-series “The Awakening Land” (1978). She became known as the “Queen of the TV Movie.”

Elizabeth Montgomery in the Legend of Lizzie Borden 1975.

Montgomery lined a wall of her home with photos from all her movies – but none from Bewitched. Though she wearied of Bewitched Montgomery had the last laugh: she owned 20 percent of the show and made millions from residuals. During Bewitched’s run, she was a vocal critic of the Vietnam War. In the late 1980s and early 1990s she narrated a series of political documentaries, including “Coverup: Behind the Iran Contra Affair” (1988) and the Academy Award winning “The Panama Deception” (1992). She was one of the earliest stars to support Aids victims by actively campaigning for gay rights. In June 1992, Montgomery and Dick Sargent were Grand Marshals at the Los Angeles Gay Pride Parade. Montgomery was an outspoken champion of abortion, women’s rights and gay rights throughout her life.

Elizabeth Montgomery & Dick Sargent Grand Marshals of 1992 L.A. Gay Pride Festival.

Among her most tormented lovers was former ballet star Alexander Godunov turned actor (Witness and Die Hard). However, he was a hopeless alcoholic who was rumored to be abusive and self-destructive. In 1973, Elizabeth began her longest personal relationship when she met former Falcon Crest star Robert Foxworth, nine years her junior. They were a couple for 20 years before they finally wed in 1993-soon after she ended her affair with Alexander Godunov who descended into an alcohol fueled nose dive at the news.

Alexander Godunov.

In the spring of 1995, Montgomery was diagnosed with colorectal cancer only 18 months after the couple was wed. She experienced (and ignored) flu-like symptoms during the filming of the “Deadline for Murder” TV series, which wrapped in late March 1995. By the time the cancer was diagnosed, it was too late for medical intervention. With no hope of recovery and unwilling to die in a hospital, she chose to return to the home that she shared with Foxworth. Her death came quickly, only eight weeks after the diagnosis. She joked that she wanted pina colada in her IV drip and when the end came in her 26-room Beverly Hills mansion she sent her family away from her deathbed, wishing to die alone. Early on the morning of May 18, 1995, Montgomery died peacefully in her bed. Ironically Godunov died that same day. Elizabeth Montgomery was 62 and she was still gorgeous.

Elizabeth Montgomery & Robert Foxworth.

On June 18, 1995, a memorial service was held at the Canon Theatre in Beverly Hills. Herbie Hancock provided the music, and Dominick Dunne spoke about their early days as friends in New York City. Other speakers included her husband, Robert Foxworth, who read out sympathy cards from fans, friends and family. Her remains were cremated at Westwood Village Memorial Park Cemetery and scattered. Elizabeth Montgomery had a summer home in Patterson, New York. Following her death, the 800-acre estate became Wonder Lake State Park.

Wonder Lake State Park in New York.

On April 19, 1998, an auction and sale of Montgomery’s clothing was held by her family to benefit the AIDS Healthcare Foundation of Los Angeles. Erin Murphy, who played Tabitha on the series, modeled the clothing that was auctioned. In June 2005, a bronze statue of Montgomery as Samantha Stephens was erected in Salem, Massachusetts. Ironically, Elizabeth and Lizzie Borden were sixth cousins once removed, both descending from 17th-century Massachusetts resident John Luther. It is hard to escape the irony that America’s TV sweetheart, Elizabeth Montgomery, is associated with two of the Commonwealth of Massachusetts most popular, yet spooky, destinations: Salem and Fall River. Next week, I’ll take you on a tour of both.

Rhonda Hunter with the Elizabeth Montgomery Bewitched statue Salem Massachusetts 9/12/2014.
Elizabeth Montgomery autographed photo.
Creepy history, Criminals, Homosexuality, Museums

Leopold & Loeb A Hundred Years On.

Original publish date June 6, 2024. https://weeklyview.net/2024/06/06/leopold-and-loeb-a-hundred-years-on/

Old Joliet Penitentiary, Leopold & Loeb, and the author at the Blues Brothers gate.

Last month, Rhonda and I drove to the outskirts of Chicago to visit Joliet Prison in Illinois. Like many ancient jails, prisons, and penitentiaries, Joliet has experienced a second life as a tourist attraction. It opened back in 2018. During the summer months (June to September) Joliet is open daily for tours until 6 p.m. For $20 you can go visit the old stomping grounds of notorious inmates like Richard Speck, John Wayne Gacy, James Earl Ray, and Baby Face Nelson. In my case, I was interested in the place because of Leopold and Loeb. Okay, okay, I was also there thinking of the Blues Brothers, but mostly Leopold and Loeb.

Old Joliet Penitentiary (originally known as Illinois State Penitentiary) opened in 1858 and was a working prison until 2002. In “The Blues Brothers” movie, Dan Aykroyd (Elwood J. Blues) awaits outside the prison gate for the release of John Belushi’s character (“Joliet Jake” Blues). Guests enter through the same gate Belushi exits. If you are sly, you can sneak over and crank the gate open or closed on your own. The prison was also used in the cult classic James Cagney film “White Heat” and the 1957 movie “Baby Face Nelson.”

Like many of these incarceration-as-entertainment venues, Joliet is in a perpetual state of arrested decay. The tours are entirely self-guided and for a double sawbuck, you are handed a map and told to go explore “any door that is open.” We followed instructions and were only chased out of one building: the maintenance building. Which begged the question, “Then why did you leave the door open?” Visitors are warned not to shut the cell doors because they don’t have the keys and, oh, look out for rats. (For the record we saw none.) The women’s prison is still in place across the street but is only used nowadays for Halloween seasonal haunted houses and ghost tours.

Why, you ask, Leopold and Loeb? Well, because it was the 100th anniversary date of a crime that is mostly forgotten today but was the first “Crime of the Century”, the first “Trial of the Century” and the first “Media Circus” this “country-as-world-superpower” ever experienced. Fresh off the victory in World War I and smack dab in the middle of the Jazz Age, everything was bigger, faster, and more important in the US at the time. The crime hit the USA like a Jack Dempsey knockout punch to the jaw.

Nathan Freudenthal Leopold Jr. (November 19, 1904 – August 29, 1971) and Richard Albert Loeb (June 11, 1905 – January 28, 1936), were two affluent students at the University of Chicago who kidnapped and murdered a Chicago boy named Bobby Franks on May 21, 1924. They disposed of the schoolboy’s body in a culvert along the muddy shore of Wolf Lake in Hammond, Indiana. The duo committed the country’s first “thrill kill” as a demonstration of their superior intellect, believing it to be the perfect crime without possible consequences.

Richard Loeb (1905-1936) & Nathan Leopold (1904-1971).

Leopold (19) and Loeb (18) settled on identifying, kidnapping, and murdering a younger adolescent as their perfect crime. They spent seven months planning everything, from the method of abduction to purchasing rope and a heavy chisel to use as weapons, and to the disposal of the body. To make sure each of them was equally culpable in the murder, they agreed to wrap the rope around their victim’s neck and then each would pull equally on their end, strangling him to death. To hide the casual nature of their “thrill kill” motive, they decided that they had to make a ransom demand, even though neither teenager needed the money.

Bobby Franks (1909-1924)

After a lengthy search in the Kenwood area, on the shore of Lake Michigan on the South Side of Chicago, they found a suitable victim on the grounds of the Harvard School for Boys where Leopold had been educated. (Today, Kenwood has received national attention as the home of former President Barack Obama and his family.) The duo decided on 14-year-old Robert “Bobby” Franks, the son of wealthy Chicago watch manufacturer Jacob Franks. Bobby lived across the street from Loeb and had played tennis at the Loeb residence many times before.

Around 5:15 on the evening of May 21, 1924, using a rented automobile, Leopold and Loeb offered Franks a ride as he walked home from school after a baseball game. Since Bobby was hesitant, being less than two blocks from his home (which still stands at 5052 S. Ellis), Loeb told the victim he wanted to talk to Bobby about a tennis racket that he had been using. While the exact details of the crime are in dispute, it is believed that Leopold was behind the wheel of the car with Bobby in the passenger seat while Loeb sat in the back seat with the chisel. Loeb struck Franks in the head from behind several times with the chisel, then dragged him into the back seat and gagged him, where he died.

The culvert where Bobby Franks’s body was found. Chicago Daily News collection Chicago History Museum

Loeb stuffed the boy’s body into the floorboards and scrambled over the back of the passenger seat. There is little doubt that the deadly duo’s demeanor was joyous as they exchanged smiles below bulging eyes accentuated with anxious breathing and giggles of laughter. The men drove to their predetermined body-dumping spot near Wolf Lake in Hammond, 25 miles south of Chicago. They concealed the body in a culvert along the Pennsylvania Railroad tracks north of the lake. To hinder identification, they poured hydrochloric acid on the face and body. When they returned to Chicago, they typed a ransom note, burnt their blood-stained clothing, and cleaned the blood stains from the rented vehicle’s upholstery. After which, they spent the remainder of the evening playing cards. They didn’t know that police had found a pair of Leopold’s prescription eyeglasses (one of only three such pairs in the entire city) near Franks’ body.

Leopold & Loeb.

Their plan unraveled quickly. When Roby, Indiana, (a now non-existent neighborhood west of Hammond) resident Tony Minke discovered the bundled-up body of Bobby Franks along the shore of Wolf Lake, the gig was up. The thrill killers destroyed the typewriter and burned the lap blanket used to cover the body and then casually resumed their lives as if nothing ever happened. Both of these demented little rich boys enjoyed chatting with friends and family members about the murder. Leopold discussed the case with his professor and a girlfriend, joking that he would confess and give her the reward money. Loeb, when asked to describe Bobby by a reporter, replied: “If I were to murder anybody, it would be just such a cocky little S.O.B. as Bobby Franks.” When asked to explain how the eyeglasses got there, Leopold said that they might have fallen out of his pocket during a bird-watching trip the weekend before. Leopold and Loeb were summoned for formal questioning on May 29. Loeb was the first to crack. He said Leopold had planned everything and had killed Franks in the back seat of the car while he drove. Once informed of Loeb’s confession, Leopold insisted that he was the driver and Loeb the murderer. The confessions were announced by the state’s attorney on May 31, 1924.

The glasses found near Bobby Franks’s body. Chicago Daily News collection, Chicago History Museum.

Later, both admitted that they were driven to commit a “perfect crime” by Übermenschen (supermen) delusions, and their thrill-seeking mentalities drove a warped interest to learn what it would feel like to be a murderer. While it is true that Leopold and Loeb knew each other only casually while growing up, their relationship flourished at the University of Chicago. Their sexual relationship began in February 1921 and continued until the pair were arrested. Leopold was particularly fascinated by Friedrich Nietzsche’s concept of Übermenschen, interpreting themselves as transcendent individuals possessing extraordinary, superhuman capabilities whose superior intellects would allow them to rise above the laws and rules that bound the unimportant, average populace.

Philosopher Friedrich Nietzsche (1844-1900).

Early in their relationship, Leopold convinced Loeb that if they simply adhered to Nietzsche’s doctrines, they would not be bound by any of society’s normal ethics or rules. In a letter to Loeb, he wrote, “A superman … is, on account of certain superior qualities inherent in him, exempted from the ordinary laws which govern men. He is not liable for anything he may do.” The duo first tested their theory of perceived exemption from normal restrictions with acts of petty theft and vandalism including breaking into a University of Michigan fraternity house to steal penknives, a camera, and the typewriter later used to type the ransom note. Emboldened, they progressed to arson, but no one seemed to notice. Disappointed with the lack of media coverage of their crimes, they began to plan and execute a sensational “perfect crime” to grab the public’s attention and cement their self-perceived status as “supermen”.

Lawyer Clarence Darrow in court with Leopold & Loeb.

After the two men were arrested, Loeb’s family retained Clarence Darrow as lead counsel for their defense. Clarence Seward Darrow (April 18, 1857 – March 13, 1938) was perhaps the most famous lawyer of the late 19th / early 20th centuries. He was known for his strenuous defense of women, Civil Rights, early trade unions, and the Scopes “monkey” trial. Darrow was also a well-known public speaker, debater, and writer. He took the case because he was a staunch opponent of capital punishment. Darrow’s father was an ardent abolitionist and his mother was an early supporter of female suffrage and women’s rights.

Chicago’s Cook County Criminal Courthouse.

The trial took place at Chicago’s Cook County Criminal Courthouse. For his efforts, Darrow was paid $65,000 (equivalent to $1,200,000 today). Everyone expected the defense would be not guilty because of insanity, but Darrow believed that a jury trial would convict his clients and impose the death penalty regardless of the plea. So Darrow entered a plea of guilty and appealed to Judge John R. Caverly to impose life sentences instead. The sentencing hearing ran for 32 days. The state presented over 100 witnesses, meticulously documenting the crime. The defense presented extensive psychiatric testimony to establish mitigating circumstances, including childhood neglect in the form of absent parenting, and in Leopold’s case, sexual abuse by a governess. But it was Darrow’s impassioned, eight-hour-long “masterful plea” after the hearing (called the finest speech of his career) that saved Leopold and Loeb’s lives. Darrow argued that the methods and punishments of the American justice system were inhumane, and the youth and immaturity of the accused should be considered in their sentencing.

Darrow’s speech, at least in part, is worth revisiting here. “Is any blame attached because somebody took Nietzsche’s philosophy seriously and fashioned his life upon it? It is hardly fair to hang a 19-year-old boy for the philosophy that was taught him at the university…Your Honor knows that in this very court crimes of violence have increased growing out of the war. Not necessarily by those who fought but by those that learned that blood was cheap, and human life was cheap, and if the State could take it lightly why not the boy?…The easy thing and the popular thing to do is to hang my clients. I know it. Men and women who do not think will applaud…(I) would ask that the shedding of blood be stopped, and that the normal feelings of man resume their sway. Your Honor stands between the past and the future. You may hang these boys; you may hang them by the neck until they are dead. But in doing it you will turn your face toward the past. In doing it you are making it harder for every other boy who in ignorance and darkness must grope his way through the mazes which only childhood knows. In doing it you will make it harder for unborn children. You may save them and make it easier for every child that sometime may stand where these boys stand. You will make it easier for every human being with an aspiration and a vision and a hope and a fate. I am pleading for the future; I am pleading for a time when hatred and cruelty will not control the hearts of men. When we can learn by reason and judgment and understanding and faith that all life is worth saving, and that mercy is the highest attribute of man.”

Old Joliet Penitentiary, Joliet, Illinois.

Both men were sentenced to life plus 99 years. During Darrow’s month-long courtroom argument to save their lives, Leopold and Loeb’s families greased the guards with bribes to soften their stay at the Cook County Jail. That abruptly ended when they reached Joliet. The Illinois State Penitentiary was already out of date and seriously overcrowded when they arrived. It had been condemned as unfit for habitation twenty years prior, yet, was still open. According to the Joliet Prison website, “Built in 1858 of limestone quarried on the site by prisoners to house 900 inmates; by 1924 over 1,800 prisoners were incarcerated there. The cells, four feet by eight, were damp, had narrow slits for windows, and possessed no plumbing: prisoners were given a jug of water each morning and made do with a bucket to use as a toilet. Every aspect of life at Joliet was regulated. Prisoners were given two changes of underwear, blue shirts, pants, socks, and heavy shoes to use each week. Contact with the outside world was limited. Inmates could send a single letter and receive visitors every second week. Using funds from their prison accounts, they could purchase tobacco, rolling papers, chewing gum, and candy from the prison commissary. There were no other privileges. A bell awoke prisoners at 6:30 AM and the cell blocks filled with sounds of locks opening, doors slamming shut, and boots marching along the steel flooring. After dressing, inmates grabbed the buckets and carried them into the courtyard, emptying their refuse into a rancid trough. Meals were served in a large dining hall; twice a week prisoners had beef stew for breakfast; other days hash was served. The food was cold and unappealing, sitting in pools of congealed fat on aluminum trays.”

As the Medieval prison loomed before them, its towers bathed in the glow of arc lights shadowing what lay behind the walls, the two convicted killers surely swallowed hard in fear. Thanks to the specialized skills of attorney Darrow, they had escaped the death penalty only to find themselves condemned to life imprisonment in this foreboding fortress. Leopold and Loeb were introduced to their new life at the Illinois State Penitentiary at Joliet on the night of September 11, 1924. Bound in ankle chains tethered by a chain to their handcuffs, the duo shuffled through the front gates of the inmate reception area. By the next day, their heads were shaved; they were photographed and fingerprinted; authorities assigned them prison numbers: Leopold was Inmate No. 9305, and Loeb No. 9306. After processing, they were led to separate cells, disappearing into the penitentiary population. Once they entered regular prison life, they were kept in solitary cells for several months, both because of the publicity of their crime and also because they were among the youngest inmates of the prison. Although kept apart as much as possible, the two managed to maintain their friendship. Leopold and Loeb spent most of their days working in prison shops: Leopold wove rattan chair bottoms in the prison’s Fibre Shop, while Loeb constructed furniture. Between meals, they were allowed two fifteen-minute breaks in which to walk or smoke. After dinner at four, they returned to their cells. At nine, lights out.

The author in the death house at Joliet.
Hollywood, Homosexuality, Pop Culture, Travel

Highway 127: The World’s Longest Yard Sale. 2016~~~ PART III

127 yard sale part III photo

Original publish date:  August 29, 2016

Over the past two weeks, I have shared with you tips and stories about the Highway 127 yard sale that takes place the first week of August and spans 690 miles through six states. Although we found many exciting and interesting items to add to our ever mounting number of side collections, it was one item in particular that came as a surprise.
At one of the tent cities near Liberty, Kentucky my wife and I encountered a dealer that we could hear before we could see. It was still fairly early in the day and I guess since the crowds were sparse, this seller decided the best way to drum up business was to bellow like a carnival barker to any prospective buyer that came within earshot. He looked like Burl Ives’ version of Big Daddy from Cat on a Hot Tin Roof: large boned, bald-headed and wearing a white tank-top t-shirt, suspenders, dress slacks and wing tip shoes.
Amid the blusterous, braggadocio, and bombastic rhetoric the seller was hurling our general direction, my wife Rhonda pulled out a typed letter from a paper filled drag box. A “drag box” is a term we use to describe a large wooden box of great length and width but of shallow depth. Usually, these boxes contain castoffs and quick sale items or varying size and category. In short, you never know what you might find in one. Usually you are guaranteed to come away with nothing more than dirty hands but in this instance Rhonda picked up the one thing that seller was most proud of.

louise 1931
Louise Brooks & Dante 1931.

As she held it in her hands, the seller barked “Read it! Read it! There’s some really wild stuff in there!” Rhonda perused the letter, smiled politely at the dealer and handed it to me. Dated July 20, 1963 from Rochester, New York, the letter was signed at the conclusion in red eye-liner pencil by a name vaguely familiar to me but one that I didn’t immediately recognize: Louise Brooks. As I scanned the document I agreed that it indeed lived up to the dealer’s hype. I bought the letter.
Here it is so that you may read it verbatim as I did. ” “7 North Goodman Rochester 7, N.Y. 20 July 1963. Dear Paul-It was nice talking “at” you the other night. I hope I didn’t go on too interminably. There has never been a community where I was accepted but always there were people who could teach me things. Living here in Rochester, I am compelled to be exclusively autodidactic. When I make an occasion contact with someone of your intelligence, or Herman’s, I have atendency (sic) to carry on. I thought a great deal about our conversation and I am thinking of writing a short romantic story, in the fashion of CAMILLE. I was putting it off for years. Then I re-read Tolstoy and weighed your comments carefully. You see, I didn’t think that I could write a man. But following Tolstoy’s example, I willdo (sic) the reverse and simply put my own feelings into a man. The CAMILLE style seems right because it was about a tramp and a bum: myself and George Marshall fit that description famously.”
The letter continues: “Yes, I did read LOLITA and I don’t think he is that obvious. Having been one, of course, I should know. Do you recall that Lolita was Lita Grey’s read name? And I am not so harsh as you are in my opinion of Elizabeth Taylor. She is not much of an actress, but then nothing much has been demanded of her. The day of reckoning will come, I think, when she will have to admit that she invented the idea of Richard Burton as a matchless actor cum great intellectual. The truth is, of course, that he is a boring actor, a pompous ass, and an ugly peasant who has used her egregiously. I can’t wait for your visit. We will do the town (ha!) and order rare prime rib at the Rio Bamba, which is to Rochester what Ciro’s used to be to Lotus Land. Bring a lot of money or a credit card. I have never been a cheap date. Louise Brooks” Ms. Brooks obviously typed the letter herself, which somehow made it cooler still.

1920s Louise Brooks (67)
Louise Brooks. The Original Flapper Girl.

After I left the road and 90+ degree heat, I remembered who this woman was. Why, that’s Louise Brooks, Hollywood’s original flapper girl! When I googled her image, her 1922 high school Sophomore yearbook photo popped up. Right then, I knew I was writing an article. (See the photo above) One look at that photo, and you KNOW what the letter confirms: this was one interesting lady!
Mary Louise Brooks was born in Cherryvale, Kansas on November 14, 1906. Her life would prove to be as conflicted as the region of her birth. Despite its bucolic name, Cherryvale rests not far from the Oklahoma border. Bonnie & Clyde, Jesse James, Pretty Boy Floyd, the Dalton Gang and Belle Starr are but a few of the region’s exports. However, the area is also home to Little House on the Prairie, Vivian Vance of I Love Lucy fame and Harry S Truman. She would carry that enigmatic regional reputation around with her for the rest of her life.
f990f1a9af1b79b84d5bf7ec26439b77Beginning in 1925, she starred in seventeen silent films and eight ‘talkies’ before retiring in 1938. She would forever be remembered as the iconic symbol of the flapper, and for popularizing the short ‘Bob’ haircut. Google Louise Brooks’ images and you will see why. In short, she was gorgeous at a time when classic Hollywood photographers were at their peak.
Born to an absent, disinterested lawyer father and an artistic mother who declared that any “squalling brats she produced could take care of themselves”, she was pretty much left to her own devices from the start. When she was 9 years old, a neighborhood predator sexually abused Louise, which influenced her life and career. Years later, she cited the incident as making her incapable of real love by stating that it “had a great deal to do with forming my attitude toward sexual pleasure….For me, nice, soft, easy men were never enough – there had to be an element of domination”. Years later, when the incident was revealed to her parents, her mother suggested that it was Louise’s fault for “leading him on”.
8153079034_502c9a9e0d_bBrooks began her career in 1922 as a dancer, joining the legendary Denishawn modern dance company in L.A., whose members included founders Ruth St. Denis and Ted Shawn, as well as a young Martha Graham. Her perceived closeness to Shawn (husband of Ruth St. Denis) got her booted from the troupe. Thanks to her friend Barbara Bennett (sister of Constance and Joan), Brooks almost immediately found employment as a chorus girl in George White’s Scandals and as a featured dancer in the Ziegfeld Follies. From there, her career caught fire.
Paramount Pictures signed her to a five-year contract in 1925. There she caught the eye of Charlie Chaplin and the two had an affair that lasted all summer. Soon, she was playing the female lead in silent comedies alongside luminaries like Adolphe Menjou and W. C. Fields. She made the transition to “talkies” with ease and the roles kept coming. By then, she was a Hollywood A-lister and a regular guest of William Randolph Hearst and his mistress, Marion Davies, at San Simeon.
More importantly, her distinctive bob “pageboy” haircut, worn by Brooks since childhood, helped start a trend that lasts to this day. She refused to play the Hollywood Studio game and after her 5-year contract with Paramount ran out, she left after being denied a promised raise. Choosing instead to leave for Europe to make films. Her rebellious stand against the studio system placed her on an unofficial Tinseltown blacklist for the next 30 years. She would make only 6 more films, mostly ignored by critics and audiences, over the next 7 years. Job offers slowed to a crawl.
Ever the rebel, Brooks turned down the female lead alongside James Cagney in the 1931 film The Public Enemy. The part went to Jean Harlow, which launched her career to stardom and Hollywood immortality. Turning down Public Enemy marked the end of Louise Brooks’s film career. Brooks declared bankruptcy in 1932 and began dancing in nightclubs to earn a living. She attempted a comeback in 1936 with bit parts in B-westerns. Her last hurrah came as the lead opposite John Wayne in the 1938 film Overland Stage Raiders. Her long hairstyle in that film made her all but unrecognizable from her flapper days.
Brooks then briefly returned to her middle America roots, but didn’t stay long. “That turned out to be another kind of hell,” she said. “The citizens either resented me having been a success or despised me for being a failure. And I wasn’t exactly enchanted with them. I must confess to a lifelong curse: My own failure as a social creature.”

source
After briefly trying her hand at operating a dance studio, she returned East and found work as a radio actor, a gossip columnist, and even worked as a salesgirl at Saks Fifth Avenue in New York City for a few years. Ultimately, she turned to a life as a courtesan with a few select wealthy men as clients. She claimed, “I found that the only well-paying career open to me, as an unsuccessful actress of thirty-six, was that of a call girl … and (I) began to flirt with the fancies related to little bottles filled with yellow sleeping pills.”
Brooks, a heavy drinker since age 14, sobered up and began a reasonably successful second career writing about film. Her first project, an autobiographical novel called Naked on My Goat (a title taken from Goethe’s Faust) began her trek on a path that would supply tons of juicy material and outrageous insights for future generations to devour. She was notoriously cheap for most of her life, although kind and generous (almost to a fault) with her friends. Those qualities shine through in the letter we found in the hills of Kentucky on the 127; a place I’m sure Ms. Brooks never could have dreamed it would land.
louise-brooks-110Despite French film historians proclaiming Brooks skill surpassing Marlene Dietrich and Greta Garbo as a film icon, she lived in relative obscurity for years in New York City and Rochester, N.Y. Despite her two marriages, she never had children, referring to herself as “Barren Brooks”. Her many lovers once included a young William S. Paley, the founder of CBS along with a veritable who’s who of Hollywood leading men and women.
Lulu-in-Berlin--550x412By her own admission, Brooks was a sexually liberated woman, not afraid to experiment, even posing fully nude for art photography in her golden years. Brooks enjoyed fostering speculation about her sexuality, cultivating friendships with lesbian and bisexual women. She admitted to some lesbian dalliances, including a one-night stand with Greta Garbo. She later described Garbo as masculine but a “charming and tender lover”.
Louise Brooks identified herself as neither lesbian nor bisexual. Shortly before her death, she opined : “All my life it has been fun for me. … When I am dead, I believe that film writers will fasten on the story that I am a lesbian… I have done lots to make it believable […] All my women friends have been lesbians…There is no such thing as bisexuality. Ordinary people, although they may accommodate themselves, for reasons (like) marriage, are one-sexed. Out of curiosity, I had two affairs with girls – they did nothing for me.” Brooks published her memoir, Lulu in Hollywood, in 1982; three years later (August 8, 1985) she died of a heart attack at the age of 78. She had been suffering from arthritis and emphysema for many years. She was buried in Holy Sepulchre Cemetery in Rochester, New York. What a life! It just goes to show that you never know what you’re going to find in the hills and valleys of the Highway 127 yard sale.

Art, Homosexuality, Pop Culture

Oscar Wilde In Indianapolis.

Oscar_Wilde

Original publish date:  February 28, 2019

It would be harder to find a more quintessential Victorian Era Englishman than Oscar Wilde, especially if you were to ask a literate American. Who was Oscar Wilde you ask? Oscar Fingal O’Flahertie Wills Wilde (October 16,1854-November 30, 1900) was THE flamboyant Irish poet and playwright. He became one of London’s most popular playwrights in the early 1890s and is perhaps best remembered for his novel The Picture of Dorian Gray, and the peculiar circumstances of his imprisonment and early death. What is largely forgotten is his visit to America in 1882, including two stops in the Hoosier state.
On January 3, 1882, 27-year-old Oscar Wilde arrived in New York on what would become a year long 15,000 mile visit to 150 American cities. The Dublin-born Oxford educated man was at the pinnacle of his personal eccentricity. His garish fashion sense, acerbic wit, and extravagant passion for art and home design had made such a spectacle in London that none other than Gilbert & Sullivan penned an operetta named “Patience” that lampooned Wilde as the champion of England’s aesthetic movement of the 1870s and ’80s . He was hired to go to America to lecture on interior decorating but in the end, it turned out to be a way for Wilde to promote himself. His visit may well have been one of the very first examples of “branding” as we know it today. It was on this lecture tour where most of the iconic photographic images so associated with Wilde and his “fierce” fashion sense were made.z Wilde-Sarony1
Despite the fact that at the time of his visit, Wilde was only the author of one self-published book of poems and a single unproduced play, he often proclaimed himself a “star”. His established routine was to appear on stage dressed in satin breeches and a velvet coat with lace trim crowned by a velvet feathered slouch hat perched at a jaunty angle as he advocated the importance of sconces and embroidered pillows—and himself. Wilde was among the first “celebrity” to understand that fame for it’s own sake could launch a career and sustain one. Good or bad, no matter, Wilde’s only concern what that they spell his name right.z wilde 1
According to biographer David M. Friedman (Wilde in America) Widle’s tour of nineteenth-century America ranged “from the mansions of Gilded Age Manhattan to roller-skating rinks in Indiana, from an opium den in San Francisco to the bottom of the Matchless silver mine in Colorado—then the richest on earth—where Wilde dined with twelve gobsmacked miners, later describing their feast to his friends in London as “First course: whiskey. Second course: whiskey. Third course: whiskey.” Wilde gave 100 interviews in America, more than anyone else in the world in 1882. Wilde arrived in an America whose news headlines were populated by outlaws (Jesse James), Presidential assassins (Charles Guiteau), legendary showmen (P.T. Barnum), and inventors (Thomas Edison). Where grabbing headlines are concerned, Oscar Wilde went toe-to-toe with them all. The difference being that Oscar Wilde was the first to become famous for being famous.
The first stop in Indiana on Wilde’s tour came in Fort Wayne on February 16, 1882. Wilde appeared at a facility known as “The Rink” located at 215 East Berry St. in the city (between Clinton and Barr streets). As the name denotes, it was opened as a rollerskating rink in 1869 and was converted into a public house known as “The Academy of Music” for the next decade before it became “The People’s Theatre” before being demolished in 1901. According to the “Pictorial History of Fort Wayne” the building stood on the site of the present Lincoln Memorial Life Insurance Building and was 60 feet wide by 150 feet long with a floor space capable of accommodating 500 ice skaters.

z w-amp-d-map-1940
Fort Wayne Indiana Map.

The Fort Wayne daily Gazette reported, “the Academy was about three quarters filled last night to hear Oscar Wilde, the greatly advertised lecturer, who has carried with him the lovers of the beautiful and his ideas of art. His lecture, in the main, is certainly an elaborately written, beautifully worded piece of literature; but for Oscar Wilde he is not an elocutionist, his voice is as effeminate as a school girl’s, and he becomes very tiresome to his auditors, even those who admire the lily and sunflower theory of the aesthetic genius. That Oscar Wilde is a cultured man no one will deny, that he is an orator, every one will hold up their hands in horror against such an insinuation.” The Fort Wayne News called the talk a “languid, monotonous stream of mechanically arranged words … scholarly but pointless; as instructive as a tax list to a pauper, and scarcely as interesting.” From Fort Wayne, Wilde circled around to Detroit, Cleveland, Cincinnati, Louisville, and Indianapolis.
Wilde’s February visit to Indianapolis came at a busy time in the city with 3 major conventions taking place: A veterans of the Mexican War reunion, the GAR reunion of Civil War Vets and the Greenback Party convention. Wilde appeared in person for one of his fashion lectures at the English Opera House on the northwest quadrant Monument Circle on February 22, 1882. A full color poster inside the opera house’s marble entryway declared that Wilde’s visit would be “The Fashionable event of the season.” The building was constructed by the Honorable William H. English, a businessman, banker, historian, and politician. Opened on September 20, 1880, the English immediately became the city’s leading theatre and remained so for the next 68 years. Widle’s visit came two years after Hancock ran for Vice-President with Civil War Hero of Gettysburg, General Winfield Scott Hancock.

 

z wilde 2
The English Opera House.

A crowd of 500 people crowded the opera house to witness Wilde’s 75 minute performance titled “The Decorative Arts”. The Feb. 23, 1883 issue of the Indianapolis News reported, “Oscar Wilde delivered his lecture on “The English Renaissance” last evening at English’s Opera House, to a large audience. He appeared half an hour late, and was greeted with a tender murmur of applause. He came upon the stage alone and proceeded to his lecture without formal introduction. He was dressed partly in the style made familiar to most of his hearers by “Grosvernor” in “Patience.” He wore a dress coat, double-breasted white vest, exposing a wide expanse of unsullied shirt front, in the middle of which glowed a single stud of gold, a standing collar, dead white silk necktie most artistically knotted, knee breeches, black silk stockings and low-cut shoes… Mr. Wilde has been has been variously criticized, but all agree that he is well worth seeing and listening to. Some can make nothing out of his lecture while others are delighted with it. The only way to judge is for each to go and hear for yourself.”
z strike-me-sunflowerNo less than five separate newspaper columns excoriated Wilde or his performance. The Indianapolis Journal newspaper said “We have grown sunflowers for many a year, suddenly, we are told there is a beauty in them our eyes have never been able to see. And hundreds of youths are smitten with the love of the helianthus. Alackaday! We must have our farces and our clowns. What fool next?” Soon, gaggles of admiring young men sporting sunflowers in their velvet lapels formed clubs known as “sunflower boys” to sit front and center at Wilde’s appearances. At Wilde’s other appearances, so many young street toughs interrupted Wilde’s shows that he sent advance notice to Denver that he would no longer act the gentleman and that he was “practicing with my new revolver by shooting at sparrows on telegraph wires from my car. My aim is as lethal as lighting. — O. Wilde.”

clipping-399

 

“He knows uncommonly well what he is doing,” said the Indianapolis News. The Indianapolis Daily Sentinel reported that “from pit to dome,” most came to make fun of him, but many soon realized that he had something to say. “It would be safe to wage a cigar that if Oscar can be induced by his manager to be a little more utilitarian, he will not want for appreciate or applause.” Wilde took the conservative criticism seriously and decided to tone down his outlandish stage costumes. Wilde later noted that his next night’s audience was “dreadfully disappointed at Cincinnati at my not wearing knee breeches.” Of the Queen City, Wilde quipped, “I wonder that no criminal has ever pleaded the ugliness of your city as an excuse for his crimes.”

1882-2-22-indianapolis-news-341 Morris Ross, one of the “legendary foursome” staff of writers and editors for the Indianapolis News (including Hilton U. Brown, Meredith Nicholson and Louis Howland), said that Wilde gained attention “mainly by adopting knee breeches and a lily. The latter’s lecture at the last-named city was by no means successful. One reporter caught him using the word “handicrawftsmen” seventeen times and noted his pronunciation of “teel-e-phone,” “eye-solate,” and “vawse.” The same newsman disliked Wilde’s legs, which he said had no more symmetry than the same length of garden hose. Wilde was invited to the governor’s party that evening and on the way he was asked why he came to America. “For recreation and pleasure,” he answered with his typical wit, “but I have not, as yet, found any Americans. There are English, French, Danes, and Spaniards in New York; but I have yet to see an American.” This was a common British criticism of this country during the nineteenth century. At dinner with the governor and his family, Wilde ate greedily. The Saturday Review reported that when he was introduced to ice cream he spooned it up “with the languor of a debilitated duck.”29 Indiana of the 1880’s was truly unsympathetic to Wilde and the aesthetic movement.”
z OSCAR-WILDE-Signed-Photograph-Writer-AuthorOn his 1882 lecture tour of America drank elderberry wine with Walt Whitman in Camden (of whom he said, “I have the kiss of Walt Whitman still on my lips.”), conversed chillily with Henry James in Washington (who called Wilde “the most gruesome object I ever saw”), lectured in Saint Joseph, Missouri (two weeks after the death of Jesse James), called on an elderly Jefferson Davis at his Mississippi plantation (of whom Wilde inexplicably remarked, “The principles for which Jefferson Davis and the South went to war cannot suffer defeat.”), and fell prey to a con-man in New York’s Tenderloin (he lost $ 5,000 to legendary Gotham City conman Hungry Joe Lewis in a rigged Bunco game).
However, my favorite encounter story from Wilde’s American tour comes from his visit to Hildene. the New Hampshire estate of President Abraham Lincoln’s son Robert Todd Lincoln. Wilde ate dinner with the former Secretary of War and his wife Mary. Mrs. Lincoln was apparently entranced by Wilde but Robert remained silent throughout the encounter. The visit culminated with Mr. Lincoln’s sudden rise and push back from the table followed by a slamming of his napkin onto his dinner plate and announcement, “I do not care for that man!” Years after Lincoln’s death in 1926, an imperial sized cabinet photo of Wilde (dressed in all his finery) was found in the Secretary’s estate signed “To Robert T. Lincoln, with my very best wishes, Oscar Wilde”. Oh, if they only knew.