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The Curse of Bewitched Parts I & II.

Original publish date September 11, 2014.

https://weeklyview.net/2014/09/11/the-curse-of-bewitched

Okay, I’m on a tangent. Over the past two weeks I’ve shared the story of “The Curse of Family Affair” about the strange circumstances and tragedies surrounding the popular 1960s TV show, particularly those involving West Lafayette born actress Anissa Jones, who played Buffy on the show. I thought, what better way to kick off the Halloween season than to explore another classic TV show from the same era also judged to be “cursed”? Here is the story of the curse of Bewitched.

Before I assume that everyone remembers the show, here’s the back story. Bewitched was a sitcom that ran for eight seasons on ABC from 1964 to 1972. It starred actress Elizabeth Montgomery as the witch Samantha, Dick York (1964–1969) & Dick Sargent (1969–1972) as the mortal husband Darrin Stephens and Agnes Moorehead as the disapproving witch of a mother-in-law, Endora. The show is about an ordinary mortal man who marries a witch who then tries to assimilate to the life of a typical suburban housewife. The show finished as the number two show in America during its debut season, and became the longest-running supernatural-themed sitcom of the 1960s–1970s. The show was in the Nielsen top 10 for its first three seasons, top 25 for the next three seasons and fell out of the top 30 during it last two seasons. The show remains popular in syndication and is a top seller on DVD. In 2002, Bewitched was ranked # 50 on “TV Guide’s 50 Greatest TV Shows of All Time”.

Elizabeth Montgomery.

The plot: Samantha pledges to forsake her powers and become a typical suburban housewife but her magical family disapproves of the mixed marriage and frequently interferes in the couple’s lives. Episodes often begin with Darrin becoming the victim of a spell cast by his wife’s mystical family or a miscast spell by Samantha. The effects of these spells wreak havoc with mortals, particularly Darrin’s boss, clients, parents, and neighbors. By show’s end, Darrin and Samantha overcome the devious elements that failed to separate them with episodes most often ending with a kiss and a hug.

Elizabeth Montgomery and her father Robert Montgomery.

Although the plots were often well thought out and history based, what made the show a screaming success was the enchantingly beautiful Elizabeth Montgomery. Elizabeth was the daughter of Hollywood heartthrob leading man Robert Montgomery, who played the on screen love interests of Greta Garbo, Carole Lombard and Norma Shearer during his career and who was nominated for an Academy Award in 1948. She was on her way to becoming a movie star in her own right. After narrowly missing out on the co-starring role alongside Marlon Brando in “On the Waterfront” in 1954, she turned her attention to television.

The Stephens’ house at 1164 Morning Glory Circle.

The main setting for most scenes is the Stephens’ house at 1164 Morning Glory Circle (in either Westport, Connecticut or Patterson, New York depending on who you believe). Many scenes also take place at the Madison Avenue advertising agency “McMann and Tate” where Darrin works.  Samantha’s mother, Endora (Agnes Moorehead), is Darrin’s chief antagonist. Endora loathes mortals and disapproves of Darrin, as do most of Samantha’s relatives. Endora refuses to speak Darrin’s name, alternatively calling him “Durwood”, “What’s-his-name”, “Darwin”, “Dum-Dum”, etc., all much to his annoyance. She refers to him as “Darrin” only eight times during the entire series, an average of once per year. Endora’s ploys to provoke a breakup always fail as Samantha and Darrin’s love overcomes every obstacle.

Agnes Moorehead (center) with her TV Family.
McMann & Tate Advertising Agency Office 1965. Larry Tate (David White) Center.

Darrin works as an executive at the McMann and Tate advertising agency under his profit-obsessed boss Larry Tate (David White). Tate’s opinions turn on a dime to appease any client in an attempt to land a deal. Across the street from Darrin and Samantha lives a retired couple, the nosy and tactless Gladys Kravitz (played by Alice Pearce & Sandra Gould) and her husband Abner (George Tobias). Gladys’ snooping often results in her witnessing witchcraft or its strange side effects. She frequently tries to prove Samantha is a witch, only to fail and be branded delusional by Abner. Samantha’s father, Maurice Evans, is an over-the-top thespian who often embellishes his entrances and exits with strained Shakespearean verse.

Darrin’s Parents Frank (Robert F. Simon) & Phyllis Stephens (Mabel Albertson).

Darrin’s parents, the strait-laced Phyllis (Mabel Albertson) and laid-back Frank Stephens (Robert F. Simon & Roy Roberts), visit occasionally but never learn of Samantha’s supernatural powers. Phyllis makes inopportune surprise visits, and often complains of “a sick headache” after accidentally witnessing a spell in motion. Samantha’s Uncle Arthur (Paul Lynde), Endora’s prank-loving brother, makes several appearances. Undoubtedly, the most beloved supporting cast member was Samantha’s Aunt Clara (Marion Lorne). The bumbling, elderly, absent-minded-but-lovable Aunt Clara’s spells usually backfire, and her entrances and exits become her trademark: plopping down a chimney or colliding with a wall. She has a collection of over a thousand doorknobs (inspired by Lorne’s real-life collection).

Samantha and Aunt Clara (actress Marion Lorne).

In the second season, Samantha gives birth to a daughter, Tabitha and later in the series has a son, Adam. Both eventually prove to have supernatural powers. When illness befalls the family, Samantha seeks assistance from the warlock Dr. Bombay (Bernard Fox), a womanizer most often accompanied by a buxom assistant, and who constantly cracks bad jokes. He could be summoned by the phrase, “Dr. Bombay, calling Dr. Bombay. Emergency, come right away.” When Dr. Bombay proves ineffective, help is occasionally sought from the unnamed witches’ apothecary (Bernie Kopell of Loveboat fame), an amorous old warlock.

Bernard Fox as Dr. Bombay.

Bewitched not only led the league in improbable plot devices, the series itself seemed to defy reasonable logic. From 1969 to 1971, Samantha’s cousin Serena was also played by Elizabeth Montgomery, who in the credit roll is identified as “Pandora Spocks” (a spin on the phrase “Pandora’s box”). The producers made little attempt to disguise Serena. Aside from having coal black hair and a beauty mark on her cheek, Serena is identical to Samantha in everything except demeanor. She wears mini-skirts and openly flirts with Darrin’s boss Larry Tate just for sport.

Elizabeth Montgomery as Samantha’s Cousin Serena.

But the strangest pill for fans to swallow was the riddle of the “Two Darrin’s”. Right in the middle of the show, Dick York disappeared and was replaced by Dick Sargent. Like his costar Montgomery, York was on his way to movie stardom after his appearance in the 1960 Spencer Tracy film “Inherit the Wind” along with high profile episodes of The Twilight Zone, Gunsmoke, Wagon Train, I Dream of Jeannie, and Adam-12. York was so popular with his fans and peers that he was nominated for an Emmy for his portrayal of Darrin in 1968. Things seemed to be going great for both York and Bewitched.

Elizabeth Montgomery, Erin Murphy, Dick York.
Elizabeth Montgomery, Erin Murphy, Dick Sargent.

But Dick York had a secret he didn’t tell the show’s producers when he accepted the role back in 1964. In 1959 York appeared in a movie called “They Came to Cordura”. The western starred Gary Cooper, Rita Hayworth, Van Heflen, and Tab Hunter and during filming York severely injured his back. This injury caused constant excruciating pain and led to a daily ritual of drugs, pills, and painkillers. That ritual became an addiction. Eventually, everyone noticed and it became routine to have scenes and plots rewritten so Darrin could be filmed seated, lying down, or reclining (usually at his office desk, in bed or on the couch at home) as much as possible. But due to the physical slapstick comedy nature of the sitcom, situations often arose that made filming in such a manner an impossibility.

Elizabeth Montgomery, Maurice Evans, & Dick York.

In one such episode, York was hanging 15 feet in the air, alongside warlock father-in-law (Maurice Evans) on the show. It had been a bad day already for York; he was taking pills to sleep at night and receiving shots of Novocaine and cortisone in his back to keep working. While atop the elevated platform, York felt dizzy and weak in the knees and ask that the lift be lowered to the ground. Once down, the naturally shaky actor collapsed and was rushed to the hospital. The show’s producer, Bill Asher (Elizabeth Montgomery’s husband in real life) visited York in the hospital as he was recuperating. There he learned the details of York’s affliction and asked him point blank if he wanted to quit the show. York said yes. Dick Sargent was immediately hired to replace Dick York as “Darrin number 2.” Bewitched fans tuned in and were aghast at the change. To paraphrase Timothy Leary’s popular slogan of the day, the fans “Tuned in, were turned off and dropped out”. Unlike York before him, Sargent’s Darrin openly challenged his witchy in-laws, much to the disdain of viewers. The show’s dynamic changed and the ratings plummeted. In 1969, Dick York’s final season as Darrin, the show was a ratings hit at #11, but when Sargent took over, ratings dropped and the show sank to #24. Little did they know, the “Two Darrin’s” switch signaled the end of the series and the beginning of the curse of Bewitched.

PART II.

Original publish date September 18, 2014.

https://weeklyview.net/2014/09/18/the-curse-of-bewitched-part-2

Okay, if you read last week’s article on the Curse of Bewitched, you’re up to speed. If not, Google it and you’ll be just fine. The show ran for 8 seasons from 1964 to 1972 on ABC-TV. For decades after the sitcom ceased production, rumors of a curse attached to the show persisted; undoubtedly fueled by the supernatural nature of the show’s theme. Deaths, both during and after production, seemed to plague the show.

While the show was in production, Alice Pearce, who played nosey neighbor Gladys Kravitz died of ovarian cancer on March 3, 1966. Pearce had been diagnosed with terminal cancer before Bewitched began but kept her illness a secret. Her rapid weight loss was quite evident during the second season of the sitcom. She died at age 48 from ovarian cancer towards the end of the second year of Bewitched. Although Pearce absence was noted by fans, she was quickly replaced by Sandra Gould.

Alice Pearce (Gladys Kravitz) with Elizabeth Montgomery.
Sandra Gould (Gladys Kravitz) with TV husband George Tobias.
Aunt Clara and Endora.

The next death on Bewitched hit the fans much harder. On May 9, 1968 Marion Lorne, who played the beloved, bumbling Aunt Clara, died at age 82 of a heart attack in her Manhattan apartment, just prior to the start of production of the show’s fifth season. She had appeared in twenty-seven episodes of Bewitched. She received a posthumous Emmy Award for Outstanding Supporting Actress in a Comedy Series for her work on the show. The statue was accepted by Bewitched star Elizabeth Montgomery. The producers of Bewitched recognized that Aunt Clara could never be replaced by another actress so actress Alice Ghostley was cast as “Esmeralda”, a different type of befuddled witch whose magic spells often went astray.

Two years after the show ended but while the sitcom was still quite fresh in the hearts and minds of viewers, Agnes Moorehead, who played Samantha’s mother Endora died of uterine cancer on April 30th, 1974 at age 73. Moorehead had appeared in the 1956 movie “The Conqueror”, which was filmed in Utah-downwind from the Yucca Flat, Nevada, nuclear test site. She was one of over 90 (of 220) cast and crew members- including co-stars Susan Hayward, John Wayne, and Pedro Armendariz, as well as director-producer Dick Powell-who developed cancer; at least 46 died from the disease. No bombs were tested during the filming of The Conqueror, but eleven explosions occurred the year prior.  As she lay dying, she reportedly said: “I should never have taken that part.” Moorehead was nominated for an Oscar four times and played Orson Welles’ mother in the legendary Citizen Kane. She is buried at Dayton Memorial Park in Dayton, Ohio.

Roy Roberts as Frank Stephens.

After Moorehead’s death, Bewitched cast members started dropping like flies. Roy Roberts (Frank Stephens) died of a heart attack in May 1975 at age 75. George Tobias (Abner Kravitz): February 1980, age 78, bladder cancer. Paul Lynde (Uncle Arthur): January 1982, age 55, heart attack. Mabel Albertson (Phyllis Stephens): September 1982, age 81, Alzheimer’s disease. Maurice Evans (Maurice): March 1989, age 87, cancer. Robert F. Simon (Frank Stephens): November 1992, age 83, heart attack. Irene Vernon (Louise Tate): April 1998, age 76, unspecified illness. Sandra Gould (Gladys Kravitz): July 1999, age 82, complications following heart surgery. Kasey Rogers (Louise Tate): July 2006, age 80, stroke. Alice Ghostley (Esmeralda): September 2007, age 81, colon cancer and stroke. Looking over that list and at the ages of the deceased, it can be argued that nature was simply taking it’s natural course.

Kasey Rogers as Louise Tate.
Alice Ghostley as Esmerelda.

But conspiracy theorists point to the deaths of four other main cast members in the early 1990s as the driving force behind the curse of Bewitched. David White who played Darrin’s boss Larry Tate became a recluse in the last years of his life after his son, Jonathan, was killed in the 1988 Lockerbie bombing. By a tragic twist, the actor lost his wife, Mary Welch, as she was giving birth to Jonathan in 1958.  White continued to work in TV regularly after Bewitched in shows such as Columbo and The Rockford Files. Although he remarried after his first wife’s death, he disappeared from public life for a year after his son died. He died in November 1990 from a heart attack.

Jonathan Tate & father Larry Tate.

Dick York, the original Darrin, continued to battle his back pain induced addiction to prescription pain killers or ever came to grips with the loss of his career. After leaving Bewitched, Dick York’s career dried up and he faded into relative obscurity. Word of drug addiction spreads like wildfire in a town like Hollywood where time is money and schedules are tight. York’s career pretty much died on the vine. It didn’t help that Elizabeth Montgomery didn’t get along with him either. He remained on his back for a full year after leaving Bewitched and was nearly destitute soon after. Bad investments had left him broke, and his teeth rotted out (a common problem for drug abusers), so he and his wife were reduced to cleaning houses for a living. He appeared on several prime-time television series including Simon & Simon and Fantasy Island, but York remained a three-pack-a-day smoker. York died of complications at the age of 63 from emphysema in East Grand Rapids, Michigan, on February 20, 1992. He is buried in Plainfield Cemetery in Rockford, Michigan.

The Two Darrins: Dick York & Dick Sargent.

Ironically, Dick Sargent, Darrin # 2 was next. Dick Sargent never really caught on with the show’s loyal viewers. Many blamed the show’s cancellation 3 years later on him. Fans didn’t realize that the similar-looking Sargent had originally been offered the part before York in 1964. Like York, Sargent had a secret. He was gay. Had the producers known this, it is highly unlikely he would have been offered the role in the first place. Hollywood was a very different place in the 1960s. Sargent was diagnosed with prostate cancer in 1989. In 1991, he came out of the closet and bravely became an early gay role model.  Sargent died on July 8, 1994 at age 64. His remains were cremated. Elizabeth Montgomery commented, “He was a great friend, and I will miss his love, his sense of humor and his remarkable courage.” Sadly, less than a year after making those comments, Montgomery was gone.

The premature passing of actress Elizabeth Montgomery appears to have been the catalyst that sparked rumors about a curse. Coming so close upon the heels of the deaths of two of her Bewitched co-stars it prompted whispers that a malevolent force was at work. Other than the children in the show, the trio of Samantha and the two Darrin’s were the youngest characters in Bewitched. Montgomery’s death caused those looking for the workings of dark forces to re-examine the deaths of the two actors who had played Darrin Stephens in the series. The modes of death of cast members (cancer, heart attack, stroke, emphysema, Alzheimer’s) were deemed by conspiratorialists as unnatural and untimely. It may be closer to the truth to say that fans just couldn’t deal with the death of their favorite TV witch, Elizabeth Montgomery.

Wriggling her witch’s nose, Elizabeth Montgomery was America’s sweetheart. Samantha Stephens’ trademark nose-twitch was a natural quirk of Montgomery’s; Elizabeth unconsciously twitched her nose when she was frustrated. Her TV character could get anything she desired with just a magical twitch of her nose accompanied by a xylophone sound effect. But off-screen the blonde beauty struggled to find happiness, running through four tumultuous marriages and bewitching many of Hollywood’s leading men along the way. She cast a spell on stars as Elvis Presley, Dean Martin and Gary Cooper. Despite her privileged upbringing she was very down-to-earth. Perhaps that’s why she bewitched so many of the men in her life. She shunned the Hollywood lifestyle and didn’t like the fakeness of Hollywood and its people. But the daughter of movie legend Robert Montgomery suffered from a “father complex”, often falling in love with older men and hopeless relationships.

A very young Elizabeth Montgomery in an ad for the Desert Inn Casino Las Vegas.

Elizabeth was a teen when her parents divorced which strained her relationship with her father even further. She was forever conflicted, trying to please her father but also rebelling against him. She wanted him to play her father on Bewitched but he refused. Allegedly because he resented the fact that his daughter had become a bigger star than he was. Later when she appeared in the TV movie “The Legend of Lizzie Borden”, about a woman accused of killing her parents with an axe, Robert Montgomery was horrified and scolded his daughter by telling her: “You would!” He took it as a personal affront-as if she secretly wanted to kill her own father. Robert Montgomery was a staunch Republican and Elizabeth became a fervent Democrat, fighting for social causes that antagonized her father.

Elizabeth Montgomery with her father, Robert Montgomery and mother, Elizabeth Bryan Allen.

Her first husband was rich New York socialite Frederick Gallatin Cammann, a decade older than Elizabeth, he wanted her to quit acting and be a stay-at-home wife but Elizabeth took off for California and a career and their marriage went south a year later.

20-year-old Elizabeth Montgomery and her first of four husbands, Frederick Gallatin Cammann, on their wedding day, March 1954.
Elizabeth Montgomery & Gig Young.

Her second husband was Oscar winning movie star Gig Young, 25 years her senior and at 48 almost her father’s age. Elizabeth was 22 and infatuated but Gig Young was an alcoholic and their marriage broke down after seven years. (Young later shot his fith wife to death and killed himself in a murder-suicide in 1978).

Elizabeth’s third husband was Bewitched producer Bill Asher another older man. That marriage ended in divorce in 1973.

Elizabeth Montgomery & John F. Kennedy.

She was a close friend of President John F Kennedy and considering JFK’s unquenchable thirst for beautiful women, it is not hard to suppose that there were encounters between them. But if anything happened Elizabeth never talked about it. Despite enjoying a popularity that bordered on mania, Montgomery never won an Emmy, although she was nominated for eight of them (and four Golden Globe awards). Elizabeth refused to play the Hollywood social game and never took out ads begging for award consideration. She wanted her work to speak for itself.

Elizabeth Montgomery & Dick York.

Bewitched was one of the Sixties’ biggest hit TV comedies but behind the scenes lay a turbulent drama. Elizabeth Montgomery didn’t get along with Dick York. Like every other man who ever encountered her, York was in love with her. York’s attraction made Elizabeth uncomfortable and when York’s addiction to painkillers caused him to repeatedly miss episodes, it became evident to everyone that he had to go. Agnes Moorehead was very fond of Dick York and didn’t want to see him go. She and Sargent had great on set battles , which reduced Sargent to tears on several occasions. Montgomery and Sargent became lifelong friends based largely on these squabbles.

Elizabeth Montgomery & Dick Sargent.

The caustic atmosphere of a divisive set caused Elizabeth to quit the show after the fifth season but ABC offered her so much money she couldn’t refuse. By the show’s final season Elizabeth began to appear in episodes bra-less as a nod to the women’s liberation, and if you watch the later shows, you can tell. Although the fans often blame Sargent for the show’s demise in 1972, the truth is that when her contract was up ABC offered her another fortune to stay but she turned it down. The show had been the highest rated series ever for the network and had been renewed for a ninth season to run from 1972 to 1973. But after eight seasons she’d had enough. She wanted to get as far away from Samantha Stephens as she could. She sought out challenging roles, playing a sexual assault victim in “A Case Of Rape” (1974). an axe killer in “The Legend Of Lizzie Borden” (1975) and a pioneer woman facing hardship in 1820s Ohio in the mini-series “The Awakening Land” (1978). She became known as the “Queen of the TV Movie.”

Elizabeth Montgomery in the Legend of Lizzie Borden 1975.

Montgomery lined a wall of her home with photos from all her movies – but none from Bewitched. Though she wearied of Bewitched Montgomery had the last laugh: she owned 20 percent of the show and made millions from residuals. During Bewitched’s run, she was a vocal critic of the Vietnam War. In the late 1980s and early 1990s she narrated a series of political documentaries, including “Coverup: Behind the Iran Contra Affair” (1988) and the Academy Award winning “The Panama Deception” (1992). She was one of the earliest stars to support Aids victims by actively campaigning for gay rights. In June 1992, Montgomery and Dick Sargent were Grand Marshals at the Los Angeles Gay Pride Parade. Montgomery was an outspoken champion of abortion, women’s rights and gay rights throughout her life.

Elizabeth Montgomery & Dick Sargent Grand Marshals of 1992 L.A. Gay Pride Festival.

Among her most tormented lovers was former ballet star Alexander Godunov turned actor (Witness and Die Hard). However, he was a hopeless alcoholic who was rumored to be abusive and self-destructive. In 1973, Elizabeth began her longest personal relationship when she met former Falcon Crest star Robert Foxworth, nine years her junior. They were a couple for 20 years before they finally wed in 1993-soon after she ended her affair with Alexander Godunov who descended into an alcohol fueled nose dive at the news.

Alexander Godunov.

In the spring of 1995, Montgomery was diagnosed with colorectal cancer only 18 months after the couple was wed. She experienced (and ignored) flu-like symptoms during the filming of the “Deadline for Murder” TV series, which wrapped in late March 1995. By the time the cancer was diagnosed, it was too late for medical intervention. With no hope of recovery and unwilling to die in a hospital, she chose to return to the home that she shared with Foxworth. Her death came quickly, only eight weeks after the diagnosis. She joked that she wanted pina colada in her IV drip and when the end came in her 26-room Beverly Hills mansion she sent her family away from her deathbed, wishing to die alone. Early on the morning of May 18, 1995, Montgomery died peacefully in her bed. Ironically Godunov died that same day. Elizabeth Montgomery was 62 and she was still gorgeous.

Elizabeth Montgomery & Robert Foxworth.

On June 18, 1995, a memorial service was held at the Canon Theatre in Beverly Hills. Herbie Hancock provided the music, and Dominick Dunne spoke about their early days as friends in New York City. Other speakers included her husband, Robert Foxworth, who read out sympathy cards from fans, friends and family. Her remains were cremated at Westwood Village Memorial Park Cemetery and scattered. Elizabeth Montgomery had a summer home in Patterson, New York. Following her death, the 800-acre estate became Wonder Lake State Park.

Wonder Lake State Park in New York.

On April 19, 1998, an auction and sale of Montgomery’s clothing was held by her family to benefit the AIDS Healthcare Foundation of Los Angeles. Erin Murphy, who played Tabitha on the series, modeled the clothing that was auctioned. In June 2005, a bronze statue of Montgomery as Samantha Stephens was erected in Salem, Massachusetts. Ironically, Elizabeth and Lizzie Borden were sixth cousins once removed, both descending from 17th-century Massachusetts resident John Luther. It is hard to escape the irony that America’s TV sweetheart, Elizabeth Montgomery, is associated with two of the Commonwealth of Massachusetts most popular, yet spooky, destinations: Salem and Fall River. Next week, I’ll take you on a tour of both.

Rhonda Hunter with the Elizabeth Montgomery Bewitched statue Salem Massachusetts 9/12/2014.
Elizabeth Montgomery autographed photo.
Creepy history, Hollywood, Pop Culture, Television

The “Family Affair” Curse. Parts I & II.

The Family Affair cast 1966. New York City bachelor Bill Davis (Brian Keith-center), whose comfortable life was upended when he became guardian to his late brother’s three children: teenage Cissy (Kathy Garver-left) and young twins Buffy (Anissa Jones-left centers) and Jody (Johnny Whitaker-lower right). With the help of his devoted English butler, Mr. French (Sebastian Cabot-right).

Original publish date August 28, 2014. Republished on September 10, 2026.

https://weeklyview.net/2026/09/10/the-family-affair-curse-part-1-2

My wife and I visited an antique mall the other day. When we entered, I noticed a strange doll behind a glass case. I usually don’t pay attention to dolls, but this one looked familiar. It was about two feet tall and wore a blue-and-white polka-dot dress with yellow fringe. Her short blonde hair, bright blue eyes, and square glasses made her easy to recognize. I asked my wife, Rhonda, why the doll looked familiar, and she replied, “Oh, that’s Mrs. Beasley from Family Affair.”

Family Affair? I remember that TV show. Most of all, I remember the owner of that little doll; Anissa Jones. But before I get ahead of myself, for those of you who need a refresher course. Family Affair told the story of a handsome New York City bachelor who becomes the guardian of his nieces and nephew when their parents suddenly die in a car accident. William Davis (a.k.a. “Uncle Bill” played by Brian Keith) is the head of an engineering firm who finds that he has to put his playboy lifestyle on hold to raise these kids. At first he believes it will only be a temporary position, but by the end of the first episode he comes to adore the children and enlists his butler Mr. French (Sebastian Cabot) as their co-protector. The show ran for five seasons from 1966 to 1971 and was in the top five rated programs on TV for three of those seasons.

Maybe you’re visualizing that doll, Mrs. Beasley. Maybe the theme song is weaving a path through your head like an ear worm …”da da da dun dada da dun dun, da da da dun dada da dun dun.” Or maybe, like me, you remember Buffy — Anissa Jones. Did you know she was from Indiana? Ironically, on the show, the three kids were born and raised in Terre Haute when they moved to Manhattan to live with their Uncle Bill.

Mary Anissa Jones was born in West Lafayette, Indiana to Purdue faculty member Dr. John Paul Jones and his wife Mary “Paula” Tweel on March 11, 1958. Paula was of Lebanese descent and the child’s middle name (pronounced Ah-NEE-Sah) meant “little friend” in Arabic. A little over a year later, a baby brother, Paul, arrived. (More about him later).

A rare signed photo of Hoosier child star Anissa Jones (1958-1976)

The family moved to Playa del Rey, California while the children were still toddlers but the parents soon divorced in 1965. The divorce undoubtedly affected Anissa adversely and contributed to her precociousness. The most immediate change in behavior was that Anissa and her baby brother Paul became inseparable.

Paul and Anissa Jones.


Anissa’ s mom was a school teacher; her dad, a well paid engineer for Hughes Aircraft. But Anissa’s dad has been described as a deadbeat who abandoned his family. Dr. Jones was court ordered to pay $80 per child per month in support. He eventually fell over $10,000.00 behind in child support. This delinquency caused the family car to be repossessed and the family home to go into foreclosure. Despite these terrible family setbacks, Anissa’s career was just starting to take off.

Paula enrolled Anissa in dance class at the tender age of four. Her troupe was asked to perform on The Art Linkletter Show, and 7-year-old Anissa was singled out to do a cartwheel. She failed the first time, landing on her rear end instead, and the audience roared with laughter. Anissa picked herself up and tried it again, this time she nailed it. Although the audience loved it, Anissa was mortified by her initial failure and cried all the way home. An agent was in the audience that night and he immediately contacted her mother to sign Anissa to a contract. Soon, Jones began landing jobs in television commercials, appearing in close to two dozen commercials before the age of eight. Television producer Don Fedderson was putting together the cast for a new series called Family Affair.

Buffy, Cissy, & Jodie.

The show needed a 15-year-old girl (Cissy), an 6-year-old boy (Jodie) and another 6-year-old girl (Buffy). Although 8 years of age, Anissa auditioned for and won the part of Elizabeth “Buffy” Patterson-Davis thanks to her youthful look, charming personality and above-average acting talent. Series star Brian Keith suggested Fedderson consider a little boy he’d recently worked on in the film The Russians are Coming, the Russians are Coming who had the ability to cry on cue. Redheaded 6-year-old Johnnie Whitaker’s casting as Jodie required a shift in the concept. He and Jones were written as fraternal twins, with Cathy Garver cast as their 15-year-old sister. (Garver was nearly 21 at the time!)


In another case of life imitating art, Anissa’s parents bitter divorce caused upheaval in her home life which transferred well to her orphan TV character being shuttled here and there under traumatic circumstances. Anissa didn’t have to stretch to obtain the forlorn, dejected qualities that Buffy initially displayed on the show. The first couple of episodes of Family Affair highlighted the adjustments to this newly formed unconventional family unit and the misunderstandings that were sure to arise when a confirmed bachelor takes on three youngsters. This theme, perhaps commonplace by today’s standards, was considered edgy and controversial for the 1960s.

Anissa Jones and her mother Paula.


Eventually, the TV quintet solidified into a warm family unit dealing with the regular sort of issues befalling any family. Rotund Sebastian Cabot portrayed the fastidious, efficient British butler whose household and lifestyle are upended as much as his employer’s by the arrival of the children. His exasperation eventually melted into affection and the vision of this large man with a tiny twin on each side became a favorite TV image. At first, Anissa called him “Mr. Cabot,” but as their relationship grew closer she began calling him “Sabby.” When her cat Tiger (a gift from Brian Keith) had kittens, she named one of them Sabby in his honor.


Admittedly, the series was often over-produced and overly sweet, but it was also pleasant, charming, tender, amusing and most of all, cute. The premise of a sitcom featuring an unconventional family was considered innovative but Family Affair opened the door for future shows like Nanny and the Professor, The Brady Bunch, Diff’rent Strokes, and Who’s the Boss to be accepted and believable. The character of Cindy on The Brady Bunch (played by Susan Olsen) was in fact based on Anissa Jones’ Buffy character in both appearance and demeanor.

Susan Olsen as Cindy Brady from The Brady Bunch.

No doubt about it, Anissa Jones was cuter-than-cute. Her natural precocious manner along with her thoughtful freckle-faced visage and sweet plaintive voice made her irresistible to children and adults alike. The vision of the pint sized, pig-tailed prodigy asking questions that she didn’t know the answer to (but had suspicions of what the answers were) is what most fans remember Buffy for. Well, either that or the image of Mrs. Beasley, the doll that started this conversation off. Buffy and Mrs. Beasley were inseparable. Anissa’s character treated the doll not as an inanimate object, but as a close friend with whom she would often talk to and confide in.

Brian Keith as New York City bachelor Bill Davis 1966.


Family Affair was, like Fedderson’s previous series My Three Sons starring Fred MacMurray, almost completely geared to fit its leading man. It must be remembered that both MacMurray and Keith were movie stars, not TV stars. Fred MacMurray arranged to have all of his scenes filmed together in a certain block of time, then the rest of the cast would do their own scenes later after MacMurray had left the set. Likewise, Keith’s scenes were filmed all in a row and in a certain time frame, leaving the rest of the cast to work around them after the fact.

Anissa Jones and Johnny Whitaker.


It’s a testament to the acting skills of both child stars when you realize that Anissa Jones and Johnny Whitaker could give the type of performances they did while filming scenes and episodes completely out of sequence. Many times Uncle Bill wasn’t even present on the set, let alone in the room and the scenes were patched together later in editing. Keep in mind that they were filming 30 episodes a year during those first two years — many more than are filmed nowadays.

“Family Affair” 1967
Anissa Jones, Sebastian Cabot, Johnny Whitaker.


Naturally, though they got on well with Keith (and Whitaker, in particular, adored him) his absences caused them to naturally gravitate more towards Sebastian Cabot. During the series, Cabot was stricken with bleeding ulcers in real life and had to exit the program for a while. In his absence, another actor stepped in as his brother and took over the role until Cabot returned — 40 pounds lighter than when he’d left! But the Buffy character proved to be so popular with fans that when Anissa broke her leg in real life, it was written into the show. For an entire year of episodes Anissa’s leg was put in a cast and the scripts were revised to reflect her injury so that there would be no loss of production time.


Anissa would play Buffy for the show’s entire five year run. Her schedule was grueling, often requiring her to work seven days a week year round. In June of 1969, the show hit number 1 in the ratings, turning Buffy and Jody into household names. Mrs. Beasley, Buffy’s doll, also became the best-selling doll in America.
Anissa’s fame skyrocketed. She guest-starred in numerous television specials including Rowan and Martin’s Laugh-In, To Rome With Love, and as a presenter at the 1967 Emmy Awards. Anissa, alongside Jimmy Durante,  presented the Monkees with an Emmy for “Best Comedy Series” that year. Merchandising deals soon followed with Buffy paper dolls, Family Affair coloring books and lunch boxes, a Buffy line of children’s clothes, and a Buffy cookbook, not to mention magazines and more TV commercials. The strain on Anissa was beginning to show.

15-year-old Anissa and her brother John Paul Jones, Jr. (1959-1984).


Her mother was still a hard working school teacher with bills to pay and much of Anissa’s growing fortune was locked away in a trust fund unavailable for anything other than emergencies until the child star turned 18. With no money to spare for babysitters, Anissa’s younger brother Paul almost always accompanied her to the studio. Anissa was extremely close to Paul and her love and kindness often showed on the set. As the star of a hit TV series, Anissa often received gifts from advertisers, fans and the studio. She always demanded that an identical one for her brother accompany any gift she received. If a gift were not brought for Paul, she would give hers away. Even at this young age, Anissa’s kind heart was beginning to show.

John Paul & Anissa Jones.


As proof of her kindness, when Earl Graham, a janitor on the Family Affair set died, Anissa had her Mom take out a $400 ad in Variety Magazine wherein Anissa said goodbye to her good friend. Although Earl was in reality nothing more than a janitor on the set, Anissa saw him as a kind friend. Family Affair would last for five seasons and 138 total episodes, garnering seven Emmy and Golden Globe nominations for the show and its stars along the way. But after the 1971 season the show began to slump in the ratings and was abruptly cancelled.


Surprisingly, Anissa was thrilled that the show’s run was over. Now she could finally go to school, hang out with her friends, and just be a normal girl. Most of all it meant she could finally be rid of those cursed pigtails and that stupid Mrs. Beasley doll that the producers insisted she continue to play with even though she was now 13 years old. Anissa Jones had grown tired of show biz.

Next week — Part 2. The Family Affair Curse.

The “Family Affair” Curse, Part 2

Original publish date September 4, 2014. Republished on September 17, 2026.

https://weeklyview.net/2026/09/17/the-family-affair-curse-part-2

Family Affair was one of the most successful family comedies of the 1960s. The show ran for five seasons from 1966 to 1971 and was in the top five for three of those five seasons. In 1969, the show hit number 1 in the ratings, turning fraternal TV twins Buffy and Jody into household names. Mrs. Beasley, Buffy’s doll, became the best-selling doll in America. Buffy’s likeness was everywhere: paper dolls, puzzles, coloring, comic and cookbooks, clothing and lunch boxes, not to mention movies and TV commercials. Everybody knew Buffy, but not many knew her alter-ego, Anissa Jones.


Anissa was born in Lafayette on March 11, 1958. She was cast in the role of Elizabeth “Buffy” Patterson-Davis Jones on Family Affair in 1965 at the age of 8. During filming, she attended school on the studio lot alongside many other child actors. However, a significant amount of her free time was spent promoting the show. She posed for still photos, went on promotional trips, appeared on other series including Laugh-In and an episode of To Rome with Love (as Buffy Davis). Her image was marketed in every conceivable way. In short, she knew life more as Buffy then Anissa.


In 1969, while Family Affair was still in production, Jones was cast alongside Elvis Presley in the movie The Trouble With Girls (and how to get into it.) It was one of Elvis’s last films featuring one of the most diverse casts ever assembled: Vincent  Price, John Carradine, Dabney Coleman, the voices of Velma and Fred from “Scooby Doo” and baseball great Duke Snider. For once, Anissa was seen without her trademark Buffy pigtails. Ironically, also appearing (without credit) was Susan Olsen, who would herself become a Buffy clone on The Brady Bunch three weeks after the film hit the theatres. Despite her grueling work schedule and a rocky family life, 12-year-old Anissa was  adjusting to her fame quite nicely.

Anissa Jones alongside Elvis Presley in the movie The Trouble With Girls (and how to get into it.)


In 1971, the show’s ratings fell out of the top 30 and CBS abruptly canceled it. The network was changing its image to more adult-oriented fare. Family Affair was still popular, with rumors of a switch from CBS to ABC, but in the end ABC decided that having The Brady Bunch was enough and nixed the deal. Far from lamenting the loss of her fame and fortune, Anissa was excited at the prospect of being unemployed. She had been working in show business  almost nonstop since the age of 5 and now came an unexpected opportunity for Anissa to be a regular kid. For five years, she worked (often seven days a week), ate, studied (she attended school on set) and sometimes slept at the television studio. All the while tending to her little brother Paul at her own insistence.

John Paul Jones, Jr. and his sister Alissa.


Although canceled, CBS almost immediately sold the show into syndication keeping Buffy ever present in the public’s consciousness. Initially, Jones went to school and attempted a normal life, though her acting career was still garnering interest in Tinseltown. She auditioned for the role of satanically possessed Regan MacNeil in The Exorcist (the polar opposite of Buffy) but ultimately Linda Blair was cast.

Buffy in the Exorcist? Perish the thought!


Brian Keith asked her to work with him again on The Brian Keith Show, in which he played a Hawaiian pediatrician, but she declined the part. Amazingly, she was offered the role of Iris “Easy” Steensma in Taxi Driver, but turned it down. Only Jones knows why she didn’t take the part. It seemed to be just the sort of edgy, alternative work she was searching for in the wake of Mrs. Beasley and those pigtails. Instead, the role went to Jodie Foster, who was nominated for an Academy Award for best supporting actress for her portrayal. Anissa seemed content to busy herself with school and friends.

Anissa Jones in Taxi Driver?
Anissa as Pretty Baby?


She was offered the controversial role of a child prostitute in the film Pretty Baby, a film set in the brothels of New Orleans, whose key role was that of a 12-year-old girl. It seems that every young actress in Hollywood was connected to that film. Tatum O’Neal, Jodie Foster, Linda Blair, Kristy MacNichol and Dana Plato all allegedly turned it down. While others like Diane Lane, Michelle Pfeiffer, Melanie Griffith, Jennifer Jason Leigh, Laura Dern, and Helen Hunt auditioned for it. Sadly, Anissa would be dead before filming began. The role ultimately went to Brooke Shields whose career skyrocketed from it.


Friends and family later said that Anissa made a decision to quit acting after Family Affair ended in 1971. They claim that she auditioned only because she was collecting unemployment which required her to go to three auditions to receive benefits. After her unemployment ran out Anissa never went to another audition. Anissa walked away from fame, money and success with hope of becoming a regular kid.

Paul Jr, Anissa & Paula Jones.


In the months after the show ended, Anissa’s relationship with her divorced mother continued to deteriorate. For a time, Anissa and her brother Paul moved in with their father. But he died and the children moved back with their mother. Anissa’s grades at Westchester High School in L.A. began to slip and, rather than fighting it out with her mom, she began to couch surf at friend’s houses instead. Her mother reported her as a runaway and Anissa was sent to juvenile detention jail for a short time. Upon her release, Anissa again began hanging out at the beach, drinking and using drugs. Her life was spiraling out of control and any traces of Buffy seemed to be washing away like footprints in the sand. Her mother kicked her out and cut off all support. Hoping to make ends meet until she turned 18 and royalties from Family Affair kicked in, Anissa took a job at Winchell’s Donut Shop in Playa Del Rey. After her eighteenth birthday, Anissa would receive her $63,000 trust fund and $107,800 in U.S. Savings Bonds (actual cash value of $75,000.00) from her Family Affair earnings (the average household income in 1976 was $11,172 per annum). When Anissa turned 18, she and her brother Paul moved into an apartment together. Anissa bought herself a brand-new Ford Pinto and her brother a loaded Camaro that cost twice as much as her own car.


With newfound freedom, recent wealth (nearly three quarters of a million dollars in today’s money), and more drugs than she knew what to do with, Anissa embarked on the final role of her life. She began seeing Allan Kovan, a local partier heavily involved in the L.A. drug scene. Anissa’s substance abuse problem escalated from smoking weed and binge drinking to taking large doses of Quaaludes, angel dust, cocaine, and barbiturates. She was in serious trouble and Uncle Bill, Jody, Cissy and Mr. French were nowhere to help.


On August 28th, 1976, while attending a party at a friend’s house, Anissa consumed a potent cocktail of barbiturates, phencyclidine, cocaine and methaquaalone. Boyfriend Kovan later said he checked on her around 9:30 that morning and she was fine. Later, sometime between 11:00 to 11:30 a.m., her friends found Anissa lying in bed nude and unresponsive. After dressing her in a pair of boxer shorts, they called the paramedics an hour later at 12:29 p.m.

The house where Anissa Jone died. 2312 Littler Lane in Oceanside, California.


Paramedics and firemen were on scene at 12:34. Anissa was found face up, covered by a blanket and a sheet. At 4’ 11” and 85 lbs, one of the paramedics mistook her as a much younger girl and frantically tried to resuscitate her even though the arm, neck and face were already in rigor. They attached the electrodes and difib’ed her once but it was clearly useless, and the order was given to cease resuscitation efforts. Anissa died from what the coroner, who placed the time of death somewhere between 4:30-6:30 a.m., said was “one of the most massive overdoses I’ve ever seen”. She was just 18 years old.


Friend, fellow student and partygoer Steve Hanford recalled later, “The night Anissa died was weird. She wasn’t being very social. She and some other kids stayed in a bedroom taking angel dust and coke. When Anissa came out of the bedroom she said she and some friends were going down to Oceanside to visit her friend Helen Hennessey. The next thing I heard about Anissa was that she was dead. It blew my mind because I thought she was too smart to destroy herself with drugs. She didn’t seem depressed the week before she died.”

McCormick Funeral Home in Inglewood California.


Her body was taken to McCormick Funeral Home in Inglewood and then to the Pacific Crest crematory in Redondo Beach for cremation. There were no official services held for her and on September 1, 1976 her ashes were scattered over the Pacific Ocean. But the story doesn’t end there. For years after Anissa’s death, one of the very first in a long line of tragic TV child star premature deaths, became an urban legend known as the “Curse of Family Affair.”

Sebastian Cabot (1918-1977)


Sebastian Cabot was forced to leave the series for an entire season after being stricken with bleeding ulcers. He had to be replaced by another actor until his return, several months and some 40 pounds lighter. In 1977 Cabot suffered a stroke, his second in three years. He died on August 22, 1977 at the age of 59. His death coming less than a year after Anissa’s. Like his diminutive pig-tailed costar, he was cremated.

Brian Keith’s stepmother, tragic actress Peg Entwistle.


Before the show aired, Brian Keith suffered the real life loss of a child when his 8-year-old son Michael died from a sudden case of pneumonia. Keith’s stepmother was Peg Entwistle, a well-known Broadway actress who committed suicide by jumping from the “H” of the famous Hollywood Sign in 1932. In later life, Keith suffered from emphysema and lung cancer despite having quit smoking 10 years earlier. On June 24, 1997, he was found dead of a self-inflicted gunshot wound at his home in Malibu, two months after his daughter Daisy committed suicide. Keith left a handwritten note in which he wrote “The end is here. I’m finished. The pain is too much. Now it’s time for me to join our little Daisy. She needs me. She didn’t want
to be without me here, so she’ll have me again over there. Don’t be sad. This had to come soon.”

Johnny Whitaker fell into drug and alcohol abuse for nine years during the 1980-90s before an intervention led him to a 12-step program. He has been clean and sober for 17 years. Eight years after Anissa’s accidental overdose, her brother, Paul, would also die from a drug overdose.

Johnny Whitaker then and now.

The host of the party at which Anissa attended that fateful night was a 14-year-old girl who lived at the house with her divorced father. This girl died at age 34 in a violent car crash in Keaau, Hawaii in 1996.
Today, Anissa Jones is entertaining a whole new generation of children whose parents, many of whom grew up watching her, show them TV Land reruns and DVD episodes of Family Affair. All five seasons are available on DVD. They are a delightful piece of entertainment for young and old. The story of Anissa Jones is a sad one, but her legacy still shines through the innocent countenance of freckle-faced, pig-tailed little Buffy Davis.

Hollywood, Museums, Music, Television

Al-Al-Alamo (Sussudio)

Original Publish Date August 2012.

https://weeklyview.net/2024/09/05/al-al-alamo-sussudio/

Genesis Drummer / Vocalist & Alamo Enthusiast Phil Collins.

I was born way too late to partake in the coonskin cap craze born of Fess Parker’s Davy Crockett TV show that caused a national sensation for a couple of years in the mid-1950s. But I knew who he was and always thought of him fighting Indians, wrestling bears, and, in general, just being “King of the Wild Frontier.” It wasn’t until much later in life that I realized that Crockett was a United States Congressman from Tennessee who wisely fought against Andrew Jackson’s brutal Indian Removal Act of 1830 and supported the rights of “squatters” who, in most cases, improved the land they lived upon but were barred from buying it because, well, because they didn’t own any land. Both seemed like no-brainers to me, but that support drew the ire of Andrew Jackson and ultimately drove Davy from the state and country by costing him his job.

What floored me the most was when the revelation finally set into my grade school mind that Davy Crockett, Walt Disney’s Davy Crockett, fought and died at the Alamo in 1836. I guess I never thought of him in those terms, you know, as a real live human being. In my mind, he was a work of historical fiction in the same class as Paul Bunyan and Babe the Blue Ox. I checked out A book from the Indianapolis Public Library as a kid and read all about the battle at the Alamo. It was for years considered to be the benchmark history of this pivotal event in the fight for Texas independence. But the Alamo was a loss for Americans and I was a Vietnam War Era kid and well, my generation didn’t want to hear anymore about losing.

Well, the Alamo just got its hipness back. Do you know who has the largest private collection of artifacts from the Battle of the Alamo? It might surprise you to learn that it’s Englishman Phil Collins — songwriter, drummer, pianist, actor, and lead singer of the rock band Genesis and a successful solo artist all his own. Collins sang lead on several chart-topping hits between 1975 and 2010 ranging from the drum-heavy “In the Air Tonight,” dance pop of “Sussudio,” piano-driven “Against All Odds,” to the political statements of “Another Day in Paradise.” According to Atlantic Records, Collins’ total worldwide sales as a solo artist from 1981 to 2004 were 155 million including 30 hit singles earning him seven Grammy Awards, an Academy Award, and two Golden Globes for his solo work. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

Phil Collins.

While most Rock stars were burning cash on fast cars, drugs, yachts, or trophy girlfriends, Phil Collins was buying up relics from the Texas Revolution and the Alamo.  “It keeps me off the streets. What am I going to do? I don’t want to traipse around the world anymore,” he told a reporter. “I love it. I sit downstairs in my basement looking at and sort of drooling over what I’ve got. It was never my intention to have this huge collection, but one thing led to another and it’s my private thing.” Among his treasures are one of Davy Crockett’s rifles and his post-death receipt from the Texan Army. They share space with Jim Bowie’s knives, verbose William Barret Travis’ letters, Santa Anna items and a snuffbox that Sam Houston gave to a romantic interest. And those are just a few of the pieces from the Texas Revolution’s biggest names.

Collins’ Alamo obsession began when he was a 5-year-old boy (who had just got his first drum set) in the London suburb of Chiswick after seeing the Disney series “Davy Crockett, King of the Wild Frontier.” “When I was five or six I started dressing up like Davy Crockett,” Collins recalled. “My sister told me a few months ago that my grandmother cut up her fur coats so I could have a coonskin hat. From there I moved on to the harder stuff, which was John Wayne’s The Alamo.”

The Alamo in the 1970s.

He first visited the Alamo in the early 1970s during a break while touring with Genesis. Then, in the late 1980s, he found himself browsing in an antiquities store in Washington, D.C. looking for Disney animation cels with his wife during a tour with Genesis. “We came across a Davy Crockett letter (he thought it was too expensive at $60,000), and suddenly it occurred to me: My God, this stuff exists! One thinks it’s all burned, dead, buried — you know, history. So the seed was planted.”

John William Smith and son.

A few years later, someone gave him a framed document as a gift: a receipt for a saddle belonging to John William Smith, the first mayor of San Antonio and one of the couriers Travis dispatched from the Alamo to get aid to the doomed Texans. (A clairvoyant later told Collins that he was Smith reincarnated.) “I just looked at the receipt and marveled at how many miles this saddle must have (been) ridden. “I thought if that’s out there, then let’s see what else is out there,” he said. “And that was the beginning of my collection.”

Collins with Davy Crockett;s Musket Ball Pouch. Photo courtesy Getty Images,

Life and music rolled on and Phil was amassing a respectable personal collection of Alamo artifacts; picking up a piece here or there (mostly for decoration) when in 2004, Collins found himself in San Antonio again, this time on his farewell tour before retiring from music. (An operation to fix some dislocated vertebrae made the decision for him.) By now a seasoned collector, he visited the Alamo for what he thought was his last time before he focused on raising his boys at home overseas. After a private tour (what did you expect? He’s Phil Collins), he stopped in at The History Shop, a store about fifty yards from the mission, where he met the shop’s owner, Jim Guimarin, who offered to scout for artifacts for him. The two became friends, and one night (after a few margaritas) Guimarin pointed out that no one had ever dug beneath his rented storefront. So in 2007, they bought the building, rented another shop space and were soon digging beneath the floorboards.

Phil Collins digging beneath the Alama Floorboards.

At a depth of 40 inches, “battle level,” they found hundreds of relics, including a rusted over-and-under pistol, musket balls, grapeshot, and personal items like buckles, buttons, and a penknife. “It was incredibly exciting. We found hundreds of horseshoes, but we found things that were in incredible condition,” Collins said, adding that he got an irate letter from an archaeologist about the dig. “She thinks we just went in there with a spade. Nope, it was very well-organized, and everything was looked over,” he said. “There were cannon handles and a flattened cannonball, lots of musket balls, personal effects of soldiers,” Collins said. They also found the remains of three fire pits, which may have been the site of the group that cleaned up after the battle, led by General Andrade.

Phil Collins holding a Bowie knife that belonged to Jesse Robinson who fought under Jim Bowie.

Besides the artifacts from The History Shop, Collins’ collection, which he keeps in the basement of his house in Switzerland, includes Davy Crockett’s musket-ball pouch (complete with five musket balls and two powder horns) that Crockett supposedly gave to a Mexican officer before he was executed, the sword belt that Travis was wearing when he died. a knife belonging to James Bowie (Texan folk hero — no relation to that other British rocker David Bowie), and a sword belonging to the Mexican leader Antonio López de Santa Anna.

Collins is thrice divorced, with five kids, including two young sons still at home. He says, “The romance is infectious. I’ve got a seven-year-old who watches the John Wayne and the Billy Bob Thornton versions and can name every character, and goes and dresses up as a Mexican,” he said. “It captures him the way it captured me. Now he’s moved on to Napoleon.” Thoughtful, polite, and studiously serious about his passion, Collins, 61, says the Alamo story “changed my life.” It’s no surprise that an Englishman should be captivated by the Alamo. “The fight for freedom speaks to people worldwide,” Collins said, “the fact that you have a rock star who has a love affair with it says it’s everybody’s Alamo.” After all, the San Antonio shrine draws nearly 3 million visitors every year. Collins hopes that his collection will end up in a museum someday for others to enjoy.

Phil Collins at the Alamo.

As for my part, if you’ve read my columns in the past, you know that I often obsess about collectors, relics, and collections. Most collectors of historic memorabilia share pretty much the same dream. That dream is to save, catalog, preserve, and protect the items they’ve deemed important to the field they have desired to pursue. You will find no greater advocate for collecting than me. In fact, I suggest you visit your local antique shop/show and give it a try. You never know what you might find. Heck, maybe you’ll bump into Phil Collins along the way.

Health & Medicine, Hollywood, Indianapolis, Music, Pop Culture, Television

Warren Zevon — Accidentally Like a Martyr.

Publish Date September 12, 2024. This column first appeared in August 2013.

https://weeklyview.net/2024/09/12/warren-zevon-accidently-like-a-martyr-2/

Warren Zevon 1992.

It’s hard to believe it’s been a decade since Warren Zevon died. If the name is not familiar to you, his songs might be: “Werewolves of London,” “Poor, Poor Pitiful Me,” or “Lawyers, Guns and Money” should ring a bell. Zevon was considered the rock star’s rock star, known for his songwriting talents in songs that showcased his quirky, sardonic wit in the dark humor of his ballads. Rock ‘n’ roll royalty like Jackson Browne, Bruce Springsteen, Bob Dylan, and Neil Young praised his talents and called him friend. Born in Chicago, Illinois, on January 24, 1947, he became the quintessential West Coast rocker, literally living the LA lifestyle right up until his death on September 7, 2003.

It’s easy to figure out why musicians thought Warren Zevon was so cool. From his earliest days, his personal pedigree made Warren unique and different. Zevon was the son of Beverly and William Zevon. His mother was from a Mormon family and his father was a Jewish immigrant from Russia whose original surname was “Zivotovsky.” William was a bookie who handled volume bets and dice games for notorious Los Angeles mobster Mickey Cohen. Known as Stumpy Zevon in Cohen’s employ, he was best man at Mickey’s first marriage and worked for him for years.

Warren William Zevon was born on January 24, 1947.

The family moved to Fresno, California when Warren was 13 years old. His British-born mother insisted that Warren take piano lessons. So Zevon started taking his lessons at the home of Igor Stravinsky, the  Russian-American composer, pianist and conductor widely considered to be one of the most important and influential composers of the 20th century. There, Warren briefly studied modern classical music, alongside future American conductor Robert Craft. Zevon’s parents divorced when he was 16 years old and he soon quit high school and moved from Los Angeles to New York to become a folk singer.

Lyme & cybelle

Zevon got his first taste of success with the song “Follow Me” as the male component of a musical coed duo called Lyme & Cybelle. He left the duo, citing artistic differences, and spent time as a session musician and jingle composer. He wrote several songs for the Turtles and another early composition (“She Quit Me”) was included in the soundtrack for the film Midnight Cowboy (1969). Zevon’s first attempt at a solo album, Wanted Dead or Alive (1969), was well-received but did not sell well. Zevon’s second effort, Leaf in the Wind, went unreleased.

During the early 1970s, Zevon led the touring band for the Everly Brothers, serving as both keyboard player and band leader/musical coordinator. In the latter role Zevon became the first to recognize the talents of guitar player Lindsey Buckingham by hiring him for the band. It was during his time with the Everlys that Lindsey and girlfriend Stevie Nicks left to join Fleetwood Mac. Warren Zevon was a roommate of the famous duo in a Fairfax district apartment in Los Angeles at the time (September 1975). Zevon would remain friends with both for the rest of his life maintaining neutrality during the tumultuous breakups of both the Everly Brothers and Buckingham-Nicks.

Warren Zevon & Jackson Browne.

In late 1975, Zevon collaborated with Jackson Browne, who produced and promoted Zevon’s self-titled major-label debut in 1976. Contributors to this album included Nicks, Buckingham, Mick Fleetwood, John McVie, members of the Eagles, Carl Wilson, Linda Ronstadt, and Bonnie Raitt. This first album, although only a modest commercial success, was later recognized by Rolling Stone magazine as a masterpiece. Although  Zevon shared a grounding in earlier folk and country influences with his LA peers, this album brought Zevon to the forefront as a much darker and more ironic songwriter than other leading figures of the era’s L.A.-based singer-songwriter movement. Rolling Stone placed Zevon alongside Neil Young, Jackson Browne, and Bruce Springsteen as one of the four most important new artists to emerge in the decade of the 1970s.

In 1978, Zevon released Excitable Boy to critical acclaim and popular success. This album received heavy FM airplay mostly through the release of the single “Werewolves of London,” featuring Fleetwood Mac’s Mick Fleetwood on bass and John McVie on drums. The song is considered a classic and has been covered by artists ranging from the Grateful Dead to Bob Dylan to comedian Adam Sandler. The song has become a Halloween season staple. For all you trivia buffs out there, The Chinese restaurant mentioned in the song (Lee Ho Fook) is a real location situated on Gerrard Street in London’s Chinatown.

Zevon & Billy Bob Thornton on set of Dwight Yoakam’s 2000 western “South of Heaven, West of Hell”.

Although Zevon never again achieved popular acclaim, he continued to be recognized as an artist’s artist, releasing nine more albums over the next 25 years. It was during that quarter-century that Zevon lapsed in and out of the throes of excess, obsession, and addiction. To say that Warren Zevon suffered from excessive compulsion disorder would be a severe understatement. Warren had a continuing battle with drug addiction and alcoholism and was also a sex addict obsessed with the color gray and personal fame, or lack thereof. During this time, he and actor Billy Bob Thornton formed a close friendship galvanized by a shared obsessive-compulsive disorder and the fact they were neighbors living in the same apartment building.

Warren Zevon is his gray t-shirt.

One of Zevon’s compulsions was collecting identical Calvin Klein T-shirts. Like everything else in his life (his car, his couch, his carpeting and wall paint), the T-shirts were gray. One story relates how Warren insisted upon traveling to every department store carrying Calvin Klein T-shirts while touring on the road. If the store carried Warren’s prized Gray Calvin Klein t-shirt, Warren obsessively purchased every one of them and stowed them in the tour bus. When asked why, Warren replied that the new ones were being made in China and that those still on the shelf had been made in the USA and were “sure to become collector’s items and go up in value.” When he died at age 56, thousands of gray Calvin Klein t-shirts were found in his LA apartment; unopened in their original packaging.

From left to right: Roy Blount Jr., Stephen King, James McBride, Amy Tan, Kathy Kamin Goldmark , Dave Barry, Matt Groening

A voracious reader, Zevon was friendly with several well-known writers who also collaborated on his songwriting during this period, including gonzo author Hunter S. Thompson, Carl Hiaasen, Mitch Albom, Norman Mailer, and Maya Angelou. Zevon served as musical coordinator and occasional guitarist for an ad-hoc rock music group called the Rock Bottom Remainders, a collection of writers performing rock and roll standards at book fairs and other events. This group included Stephen King, Dave Barry, Matt Groening, and Amy Tan, among other popular writers.

Zevon cemented his superstar status by appearing in various TV shows and movies during his career, most often playing himself. Zevon played himself on two episodes of Suddenly Susan in 1999 along with singer/actor Rick Springfield. Warren also appeared as himself on the Larry Sanders Show on HBO, alongside actor John Ritter as talk show guests in the same episode. Ironically, Zevon and Ritter would die within four days of each other.

Although highly intelligent, well-read, and obsessive-compulsive in every way, Zevon had a lifelong phobia of doctors. Shortly before playing at the Edmonton Folk Music Festival in 2002, he started feeling dizzy and developed a chronic cough. After a period of suffering with pain and shortness of breath, while on a visit to his dentist, Zevon was ordered under threat of kidnapping to see a physician. A lifelong smoker, he was subsequently diagnosed with inoperable peritoneal mesothelioma (cancer of the abdominal lining commonly associated with asbestos exposure). Refusing treatments he believed might incapacitate him, Zevon instead began recording his final album, The Wind, which includes guest appearances by close friends Bruce Springsteen, Don Henley, Jackson Browne, Timothy B. Schmidt, Joe Walsh, David Lindley, Billy Bob Thornton, Emmylou Harris, Tom Petty, and Dwight Yoakam, among others.

On October 30, 2002, Zevon was featured on the Late Show with David Letterman as the only guest for the entire hour. The band played “I’ll Sleep When I’m Dead” as his introduction. Zevon performed several songs and spoke at length about his illness. Zevon was a frequent guest and occasional substitute bandleader on Letterman’s television shows since Late Night was first broadcast in 1982. He noted, “I might have made a tactical error in not going to a physician for 20 years.” It was during this broadcast that, when asked by Letterman if he knew something more about life and death now, he first offered his oft-quoted insight on dying: “Enjoy every sandwich.” He  took time to thank Letterman for his years of support, calling him “the best friend my music’s ever had.” For his final song of the evening, and his final public performance, Zevon performed “Roland the Headless Thompson Gunner” at Letterman’s request. In the green room after the show, Zevon presented Letterman with the guitar that he always used on the show, with a single request: “Here, I want you to have this, take good care of it.”

Zevon was given only a few months to live after that fall of 2002 diagnosis; however, he lived to see the birth of twin grandsons in June 2003 and the release of The Wind on August 26, 2003. The album reached number 12 on the U.S. charts, Zevon’s highest placement since Excitable Boy. When his diagnosis became public, Zevon told the media that he just hoped to live long enough to see the next James Bond movie, a goal he accomplished. The Wind was certified gold in December 2003, just weeks after Zevon’s death, and Warren received five Grammy nominations, winning two posthumous Grammys, the first of his career.

I have a brief personal connection to Warren Zevon. I interviewed him in the pre-holiday winter of 1988 after a concert at the Vogue in Broad Ripple. Zevon was touring with a patchwork band that included Timothy B. Schmidt of the Eagles. He performed all of his expected hits along with a couple covers. I specifically remember an unforgettable version of the Tom Jones standard “What’s New Pussycat?” as well as the Eagles former bass player Schmidt performing his signature song, “I Can’t Tell You Why.”

See if you can pick out Warren Zevon in this clip from the movie…Don’t blink!

After the show, I was led through the music hall to the back of the Vogue and told to wait. Meantime, out walked Schmidt and the rest of the band. Soon, Warren Zevon emerged. With his long blonde curls and John Lennon glasses, he looked more like a professor than a rock star. He maintained a constant smile throughout our session. Luckily, I struck a positive nerve by remarking that I had recognized him from his brief appearance during the closing credits of the 1988 Kevin Bacon film, She’s Having a Baby. Zevon leapt from his perch atop the bumper of his band’s equipment truck and began calling to his bandmates, “Hey guys, he saw me in the movie! I told you I was in it.” His band mates shrugged, but Warren thanked me for confirming what had until then, been just a rumor. As I recall, Zevon’s only word spoken in the film came in the naming the baby segment when he offered the name “Igor”.

My autographed copy of Excitable Boy from that Vogue encounter.

I really can’t remember much of the encounter after that. I do remember Warren signed my copy of Excitable Boy and the interior paper cassette tape insert for A Quiet Normal Life, relics I still have. But the rest is a blur. There is a more important residual incident connected to that incident. That was the same night that my future wife Rhonda agreed to go out on our first date. Yep, I took her to a Sam Kinison comedy show at the old Indianapolis Tennis Center. Romantic huh?

Signature closeup.
My signed ticket stub from that night.

Two decades after that first date, Rhonda bought me the book, I’ll Sleep When I’m Dead: The Dirty Life and Times of Warren Zevon written and compiled by Zevon’s ex-wife Crystal Zevon (published in 2007 by Ecco Books). The book tore down every “nice guy” image I ever had of Warren Zevon, telling his life story through interviews with those who knew him. I walked away from it thinking “Wow, they had a real hard time finding anything nice to say about this guy.” The book has been described as being “notable for its unvarnished portrayal of Zevon.” Only later did I realize the book was written this way at Warren Zevon’s own request. As the words to Zevon’s song “It ain’t that pretty at all” bounce around in my head, I must say that I am not surprised or disappointed.

Warren Zevon still smokin’.

Music, Pop Culture, Television

Parky’s Place.

Original publish date August 31, 2023. https://weeklyview.net/2023/08/31/parkys-place/

Parky’s Place Harry Einstein (1904-1958)

Recently I wrote an article about a couple of photos of Dick the Bruiser I found along the route of the World’s Longest Yardsale that stretches from Alabama to Michigan. I have an affinity for old photos (and old paper in general) and always linger a little bit longer when I see them for sale on a dealer’s table. This particular spot was inside a tent near the Alvin C. York General Store and Visitor’s Center in Pall Mall, Tennessee. I bought several old promo photos of Country Music Stars (termed “Hillbilly Music” back in the day) from the 1940-50s Era. Hank Williams, Sr., Roy Acuff, Red Foley, and a few more. Also among them was an old promo still dated 1947 from the Mutual Broadcasting System for a radio show called “Meet Me At Parky’s” that aired on Sunday nights from 9:00 to 9:30. Since I can remember trivial minutia better than I can family birthdays, I knew the backstory and bought the photo.

CBS Radio comic personality Harry Einstein portrays his character Parkyakarkus on The Al Jolson Show. Image dated February 1, 1938. Hollywood, CA. (Photo by CBS via Getty Images)

I seriously doubt anyone reading this column was around in 1947 to listen to this radio show, so, I’ll share what I know about it. The photo pictures comedian Harry Einstein posed leaning atop a kitchen counter with a cigar in his hand, a wink in his eye, and a chef’s hat with the name “Parky’s” on the front. Einstein, better known by the stage names Nick Parkyakarkus or Harry Parke, was an American comedian, writer, and character actor whose specialty was Greek dialect comedy. A natural humorist, Einstein came to comedy quite by accident. Born on May 6, 1904, in Boston, Mass., to a Jewish mother from Russia and a Jewish pawnbroker father from Austria, Einstein first worked as a newspaper reporter but eventually moved into advertising for Boston’s Hearst Newspapers.

On nights and weekends, Harry enjoyed performing comedy routines for friends at parties, in nightclubs, taverns, and Bar / Bat Mitzvahs. In 1924, he became a fan favorite on radio as “The Bad Boy from a Good Home”, doing comedy skits on Boston station WEEI (AM). He also worked in advertising for the Taylor Furniture Company, where he managed their radio department. He branched out in the advertising business and was soon doing the same for another larger Boston furniture store named Summerfield’s. Boston bandleader Joe Rines, a close friend at the station, tried to convince Harry to become a full-time comedian, but Harry was making a good living as advertising manager for three Boston Furniture stores. Einstein relented and began appearing on Rines’ radio program in his spare time. It was here that Harry created the Pigeon-English-speaking pseudo-Greek character of Nick Parkyakarkus for a skit on Rines’ radio show. At the time, no one blinked an eye at the “political correctness” of ethnic humor, and Harry always brought down the house.

Listeners loved the Parkyakarkus character and it didn’t take long for the national networks to take notice. Einstein got his big break nationally when he was hired as a performer on Eddie Cantor’s radio show in 1934. That led to a part-time gig on the Al Jolson show. Cantor and Jolson were big Hollywood names and soon Tinseltown came calling. In 1936 he appeared alongside Cantor in Strike Me Pink (co-starring Ethel Merman and William Frawley aka Fred Mertz from “I Love Lucy”), the next year he appeared in The Life of the Party and New Faces of 1937 (alongside Milton Berle). While filming the latter, he met his second wife, actress Thelma Leeds. From 1936 to 1945, Harry appeared as his Parkyakarkas character in eleven films. Einstein’s character name became so inextricably linked to him that, in the 1930s, Harry attempted to change his name legally to Parkyakarkus; the judge denied the request (although his star at 1708 Vine Street on the Hollywood Walk of Fame bears his character’s name instead of his own.)

Einstein as Parky between Sheldon Leonard and Betty Rhodes in 1948.

In June of 1945, Einstein began a radio show of his own called Meet Me at Parky’s, The show featured Einstein as Greek restaurant owner Nick Parkyakarkus. A typical show opened with a couple of short sketches, a short comic monologue by Parkyakarkus (sure to have the live audience rolling in the aisles), followed by the show’s singer (Betty Jane Rhodes) showing up to help Parkyakarkus with that week’s problem. Einstein wrote the scripts himself and the show co-starred Sheldon Leonard, fresh off his role as Nick the Bartender in It’s a Wonderful Life the year before. In the 1960s, Leonard would trade his actor’s chair for a producer’s megaphone creating shows like The Andy Griffith Show, Gomer Pyle U.S.M.C., The Dick Van Dyke Show, and I Spy. Parky’s Place ran for two seasons on NBC before moving to the Mutual Broadcasting System in 1947 for its third and final season, ending in November of 1948. After the show ended, Einstein became a highly sought-after guest and emcee on the Borscht Belt (or Yiddish Alps as some comics called it) in New York’s Catskill Mountains and the Friars’ Club of New York City.

Harry Einstein and Milton Berle.

On Sunday, November 23, 1958, almost exactly a decade after his radio show ended, Einstein was a featured performer on the dais as the Friars Club inducted two new members: Lucille Ball and Desi Arnaz, the ultra-famous wife-and-husband team that created I Love Lucy. These events were traditional “Roasts” where comics, performers, friends, and fellow club members would tease and cajole the honorees, sometimes mercilessly. 1200 people packed the International Ballroom at the Beverly Hilton Hotel for the $200-a-plate testimonial dinner to Television’s original power couple. Art Linkletter was the emcee and alongside Einstein on the dais were Dean Martin, Sammy Davis, Jr., George Burns, Danny Thomas, George Murphy, and Milton Berle. Harry was the second to last speaker, and everyone agreed that his toast was the funniest of the night. Harry butchered the couple’s names, calling them Danny Arnaz and Lucille Bowles, while poking fun at Desi’s immigration status and the Friars’ Club’s “strict” rules of eligibility which included “many prominent businessmen, several fine judges, and quite a few defendants.” His routine lasted 10 minutes and, according to Milton Berle, “closed with a standing ovation.”

Harry Einstein.

Einstein took his seat next to Milton Berle as Emcee Linkletter wiped tears of laughter from his eyes and exclaimed, “Every time he finishes, I ask myself, why isn’t he on the air in a prime time?” To which, Harry turned to Berle and said, “Yeah, how come?” According to Linkletter, those were Harry’s last words before he slumped over, put his head on Milton Berle’s lap, and shut his eyes. Everyone thought it was part of the routine. Berle shouted “Is there a doctor in the house?” but the crowd thought it was a humorous ad-lib; part of the show. Harry’s wife, Thelma, who was seated to the left of comic Ed Wynn, knew immediately what was wrong and rushed to the stage. She fumbled in her husband’s pocket for a bottle of nitroglycerin pills, designed to increase the blood flow through his coronary arteries. But Harry’s teeth were clenched tight and she could not get the pill into his mouth. Ed Wynn, whose distinctive high-pitched giggly voice created Walt Disney’s mad-hatter, created an unintentionally humorous aside by repeatedly calling out, “Is there a doctor in the house?” as Einstein lay helpless on the floor of the platform. Luckily, the event had been a charity benefit for local hospitals and several physicians were in attendance.

Milton Berle & George Burns.

Berle and George Burns assisted others by carrying Einstein backstage, where five physicians worked to revive him. Amazingly, one of the physicians pulled a pocketknife out of his pocket, sterilized it quickly, then sliced open Einstein’s chest and within seconds was holding Harry’s heart in his hands, massaging it in an attempt to get it beating again. One report states that another doctor yanked an electrical cord from a nearby lamp and placed the live ends against the exposed heart as an improvised defibrillator. The combined effort of five doctors working tirelessly, literally taking turns massaging the heart, brought Einstein back to life, but only temporarily. It was later determined that Harry Einstein had literally died on stage. EMTs arrived and worked backstage to save Einstein’s life.

Lucille Ball & Desi Arnaz at Einstein’s Funeral.

On the other side of the curtain, the show was going on. Well, sort of anyway. George Burns sang a song from his Vaudeville days and assured the guests that “Parky will be alright.” But somehow, everyone on the dais knew better. Berle called to crooner Tony Martin, imploring him to sing a song. Martin began to sing the song There’s No Tomorrow. Obviously, that didn’t help. Desi and Lucy were to be the evening’s closing speakers. When Desi took the podium, his face was ashen and his countenance grim. Lucille Ball then came to the microphone and managed only, “I can say nothing,” through tears. Desi spoke into the microphone in almost a whisper, “This is one of the moments that Lucy and I have waited a lifetime for, but it’s meaningless. They say the show must go on. But why must it? Let’s close the show now by praying for this wonderful man backstage who made the world laugh.” Arnaz took the award from Linkletter and shoved it into his pocket. Sammy Davis, Jr. was supposed to sing a closing song, but he was so emotional that he could not do it.

Harry Einstein’s Grave Home of Peace mausoleum L.A.

Despite two hours of continuous resuscitation attempts, Harry Einstein was pronounced dead at 1:20 a.m. on November 24. He was 54 years old. Einstein’s funeral service was attended by 300 mourners. George Jessel delivered the eulogy. Einstein is buried not far from the Three Stooges Moe & Curly Howard, Louis B. Mayer, & the Warner Brothers in the Home of Peace mausoleum, the first and oldest Jewish cemetery in Los Angeles.

Harry Einstein and son.

Harry Einstein was the father of four sons: Albert, Bob, Charles, and Clifford Einstein. That’s comedians Albert Brooks and Bob Einstein. Albert is best known as an Academy Award-nominated actor (Broadcast News-1987) but also for Taxi Driver (1976), Private Benjamin (1980), and Unfaithfully Yours (1984). He has written and directed several comedy films; Modern Romance (1981), Lost in America (1985), and Defending Your Life (1991). His voice acting credits include Marlin in Finding Nemo (2003) and Finding Dory (2016), Tiberius in The Secret Life of Pets (2016), and several one-time characters in The Simpsons.

Bob Einstein as Super Dave Osborne.

Bob Einstein is best remembered for the character he created known as Super Dave Osborne, a satirical stuntman character who repeatedly survived deadly stunts. But he was also known for his roles as Marty Funkhouser in Curb Your Enthusiasm, and Larry Middleman on Arrested Development. Einstein got his start as a writer for several television variety shows, including The Smothers Brothers Comedy Hour and The Sonny & Cher Comedy Hour for which he won two Emmy Awards (he was nominated four other times). He also won a CableACE Award for acting as Super Dave, along with five other nominations.

Actor / Director Albert Brooks.

Albert Brooks, who was 11 years old when Einstein died, has addressed his father’s death briefly in his movie, Defending Your Life. In the film, Brooks’s recently deceased character, Daniel Miller, finds himself in an afterlife nightclub, watching a terrible comedian. “How’d you die?” the comic asks him; Albert replies, “Onstage, like you.” When Meryl Streep’s character invites Albert to leave with her. “I can’t,” he says, gesturing toward the stage. “That’s my father.” Bob (Super Dave) Osborne, really never got over his dad’s death. In an episode of Comedians in Cars Getting Coffee, Einstein, who was 16 years old when his father died, tells host Jerry Seinfeld that his father’s death turned him off from performing for many years. Specifically, he was highly offended by the fact that both Milton Berle and George Jessel performed their comedy routines as eulogies at Harry Einstein’s funeral, feeling it was insensitive, and this made him uncomfortable with comedy. Now you know the story behind that Highway 127 photograph. It just goes to show you, sometimes, a picture really is worth a thousand words.