Original Publish Date: December 19, 2024. https://weeklyview.net/2024/12/19/the-beatles-hit-the-brakes-at-walt-disney-world/
Quick, who broke up The Beatles? Which one of the Fab Four was the first to quit the group? And who was the last Beatle standing? Throw away all you thought you knew about the breakup of The Beatles and settle in for a Beatles Christmas story like you have never heard before. This Beatles breakup story involves John Lennon’s famous “Lost Weekend”, the Sopranos, Al Capone, and Mickey Mouse.
On August 20, 1969, The Beatles met for the last time at Abbey Road Studios to record what was to be the last song on their last studio album: The End. The song, which features the only song Ringo performed a drum solo on, was initially intended to be the final track on Abbey Road, but it ended up being followed by “Her Majesty” a brief tongue-in-cheek music hall song. “Her Majesty” appears 14 seconds after the The End, but was not listed on the original sleeve. Paul McCartney is the only musician to appear on the track. Some observers consider it the first example of a hidden track. The song credited to the “Lennon-McCartney” songwriting partnership brought forth a rare compliment from Lennon when he credited Paul with the line, ‘And in the end, the love you take is equal to the love you make.’ The ever-increasing acerbic Lennon offered a back-handed compliment to his songwriting partner by saying, “it is a very cosmic, philosophical line. Which again proves that if he wants to, he can think.” Thus, The End stands as the last known new recording involving all four of the Beatles during the band’s existence. And before you say it, the album Let It Be, was recorded in January 1970 ON TOP of Abbey Road Studios, NOT inside of it.
The final gathering of all four Beatles came two days later at a photo session held at John Lennon’s Tittenhurst estate. On September 20th, Lennon privately informed his bandmates at a meeting at Apple, without George Harrison present, that he was leaving the Beatles. However, it was unclear to the other members whether John just wanted a break or if his departure was permanent. Legend has it that John Lennon walked out of that 1969 meeting at Apple headquarters screaming “I want a divorce” and four years later, he would get his wish at the “Happiest Place On Earth”. Meantime, on April 10, 1970, McCartney settled the issue in a press release declaring, “I’m quitting The Beatles.” It would take another four years for the breakup to be formalized.
After three years of court battles and ever-increasing acrimony amongst the Fab Four, the final dissolution of The Beatles was set to happen. The meeting was scheduled for December 19, 1974. Ironically it to happened at New York’s Plaza Hotel, the first place The Beatles stayed in America a decade before. As it happened, George Harrison was at Madison Square for two nights on his Dark Horse tour and Paul and Linda McCartney flew in for the signing. Ringo had already signed the documents in England. So, as George, and Paul sat around a large table ready to dissolve the partnership alongside Apple lawyers and business managers, Ringo listened in on the telephone to confirm that he was alive. Everyone present was wondering where John was. Keep in mind, Lennon lived within walking distance of the Plaza Hotel. George Harrison’s lawyer telephoned Lennon for an explanation. May Pang answered and from the background, John’s voice bellowed out, “The stars aren’t right,” to the lawyer’s query. When John’s response came across the speakerphone, everyone present was furious. John explained that he was going to follow his astrological signs and he wasn’t coming to the meeting.
Instead, John decided that he wanted to give his 11-year-old son Julian a special Christmas holiday by taking him someplace warm. Mobster Mo Levy offered to have John, May, and Julian stay at his Palm Beach Florida condominium, not far from the former mansion of gangster Al Capone. So, Levy grabbed his son Adam and together with the wayward Beatle brood, they all flew down to Levy’s West Palm Beach estate to spend Christmas in the sunny shores of Florida. Wait, you say, where was Yoko? Well, John Lennon was in the midst of his self-described Long Weekend “sowing his oats” with May Pang, Yoko Ono’s assistant and the couple’s production coordinator. In mid-1973, while Lennon was busy working on his classic Mind Games album John and Yoko were having marital problems. Ono suggested to Pang that she become Lennon’s companion, and with Yoko’s permission, John and May began a relationship that lasted more than 18 months.
And that private jet-owning mobster, who was that guy? His name was Morris Levy, a music executive from Harlem with alleged mob ties to Vincent Gigante, boss of the Genovese crime family. “Moishe” or “Mo” as friends and associates called him, was known to sign up-and-coming artists to lop-sided contracts that often left the artists owing him money for touring expenses and studio time. Mo Levy would often sign his name to contracts as a song’s co-writer without the artist’s consent. Robbie Robertson of The Band was reportedly one of his victims and a witness to Mo’s henchmen holding a fellow performer by his ankles out the window of Levy’s Park Avenue apartment to get his point across. Levy, who died in 1990, was the inspiration for the HBO television series The Sopranos (1999–2007) character Hesh Rabkin, Tony Soprano’s friend who made a fortune defrauding performers, underpaying royalties, and pressing unauthorized records. Tommy James, Frankie Lymon, and Tito Puente were among his most prominent victims.
Once in South Florida, they spent their time walking on the beach, lounging by the pool and amusing themselves by throwing firecrackers at palm trees. The pinnacle of the trip came when the Lennon trio spent a day at Disney World. There one of the most famous men in the world went mostly unrecognized. At that time Disney’s Magic Kingdom was only one park on the property. They stayed at the Polynesian Hotel. To get from the Polynesian (both then and today) to the Magic Kingdom, the easiest way to travel is by Monorail. The train stops inside the hotel so guests do not have to venture outside the building. Making the Polynesian the obvious choice for John and his crew to stay.
Years later, Disney monorail operator (castmember Hal East) confirmed that John, May Pang, and Julian made a few trips to the Magic Kingdom via the Monorail and were allowed to ride up front apart from the crowd. It was during these trips where John and Julian experienced the rare treat of driving the Monorail. In her book May shared an interesting memory from one of the rides: “I overheard a father tell his son [on the Monorsail] he had heard a Beatle was visiting. “Which Beatle?” The father said, “George Harrison.” I burst out laughing. John asked why. We then all started laughing so hard that the Dad turned around. It then registered which Beatle was at the park that day – and why we were laughing. “It’s O.K.,” John jokingly said, “we all look alike.” On December 29, 1974, one of Apple Corp’s lawyers hand-delivered the official documents to the House of the Mouse in Florida and John Lennon became the last of the four to sign off on the contract.
Ironically, the Beatles and Disney never really had much of a working relationship, but Disney did reference The Beatles in at least one of its productions: the vultures in The Jungle Book are based on the Fab Four. Disney also made plans to remake 1968’s Yellow Submarine, but the project never broke the surface. In 2020, Disney bought distribution rights for the docuseries The Beatles: Get Back from Peter Jackson and that three-part series is still streaming on Disney.
While Disney won’t confirm the exact room where it happened, dedicated Beatles / Disney fans have pinpointed the location: Room 1601 in the Samoa longhouse Building at the Polynesian Resort at Walt Disney World, Orlando. Room 1601 looks out at the Seven Seas Lagoon and it was this scene at which John gazed as he paused briefly before officially dissolving his performing relationship with the Beatles. Room 1601 is a ground-floor corner room in the Samoa longhouse that looks out on the Seven Seas Lagoon with the Cinderella Castle visible in the distance.
Here, with the Magic Kingdom as his backdrop, John Lennon picked up his pen and officially finished off the Beatles, once and for all. Years later May Pang remembered that John told her to “Take out your camera…He looked wistfully out the window. I could almost see him replaying the entire Beatles experience in his mind. He finally picked up his pen and, in the unlikely backdrop of the Polynesian Village Hotel at Disney World, ended the greatest rock ‘n’ roll band in history by simply scrawling ‘John Lennon’ at the bottom of the page.”
In Pang’s book “Instamatic Karma: Photographs of John Lennon” (St. Martins Press 2008), there are several photos of Lennon at Disney World wearing a stylish newsboy cap and Micky Mouse ringer t-shirt posed anonymously in the park among the crowd, alongside Monorail driver Hal East, in front of Cinderella Castle and outside room 1601 at the Polynesian. Most importantly, Pang snapped a photo of Lennon’s signature on the dissolution papers. A literal snapshot of music history, Disney style. And today, if you’re lucky, you can stay in Room 1601 where the Beatles long and winding road came to an end. And then, go ride the Monorail.
Almost immediately conspiratorialists saw the Abbey Road album cover as a funeral procession. Leading the procession is John dressed in white, symbolizing the clergy. Next comes Ringo, dressed in black like an undertaker. Paul, the presumed corpse, is third in line and walks out of step with the other Beatles, he is barefoot and his eyes are closed. George brings up the rear, dressed in work clothes the supposed gravedigger. Also, Paul is smoking a cigarette, also known as a “coffin nail”. The fact that he is holding the cigarette in his right hand, even though the “real” Paul McCartney was left handed, only added to the belief that this was an impostor posing as the dead bassist. 
The death clues were not confined to the image of the lads in the crosswalk however. For behind the Beatles on the left side of the street is a Volkswagen Beetle with a license plate reading “LMW 28IF”, suggesting that Paul would have been 28 if he were still alive. Actually Paul would have been 27 when Abbey Road was released. This seeming miscalculation was explained away by the rumorists with the fact that Paul studied mysticism in the Near East. Most mystics believe we are all one year old at birth (counting the nine months of pregnancy) confirming that Paul would have been 28 IF he had lived!.” The first three letters on the license place, “LMW,” were interpreted as “Linda McCartney Weeps”. On the right side of the road is a police van, seen as a reference to the cover up of Paul’s death by police.
Perhaps as expected, the clues are not only confined to the front cover, for devoted clueseekers, many hidden secrets can be found on the back cover as well. To the left of the tiles spelling out “Beatles” are eight dots, which when connected form the number “3”, so the back cover actually reads “3 Beatles”. Also, there is a crack in the “S” at the end of “Beatles”. Some say that to the right of the tiles is an odd shadow that looks like a skull.
Finally, on the “Let It Be” cover, the album cover is black. Said to symbolize the end, or death, of the Beatles. Or maybe it was to symbolize the death of a Beatle? The background squares of John, George, and Ringo’s photos are all adorned in white. While Paul’s square is depicted with a blood red background. Also, Paul is shown facing forward rather than in three-quarter profile. Another indication of Paul’s death is seen by the fact that he grew a beard, seen by some religions as a sign of death and mourning. The rest of The Beatles’ beards are clues as well, as they all indicate that the three surviving members are in mourning for their lost bandmate.
Cole, a Florida salesman, was on vacation with his wife, who wanted to go see “yet another museum.” Mr. Cole decided to wait outside on the north London thoroughfare. Cole watched as photographer Iain McMillan stood on a stepladder in the middle of the street, photographing the four Beatles as they walked, single-file, across Abbey Road. The entire shoot lasted 10 minutes. “I just happened to look up, and I saw those guys walking across the street like a line of ducks,” Cole remembered. “A bunch of kooks, I called them, because they were rather radical-looking at that time. You didn’t walk around in London barefoot.”
The stark snow white album cover was seen as an obvious reference to the white light of heaven, where Paul was supposed to be at its release. But it was the poster issued inside the white album (a collage featuring a number of random images of the Fab Four) that came under the scrutiny of those looking for “Paul is Dead” clues. In the lower right hand corner of the poster (page 7 of the CD booklet) is a grainy B&W photo of Paul dancing. Upon close examination, a pair of ghostly hands can be seen reaching toward Paul from behind.
The song “Glass Onion” makes a number of references to Beatle songs and events. John mentions “The Fool on the Hill” and states, “I tell you man he living there still” thought by some to symbolize heaven. However, perhaps the most intriguing line in the song is “Well here’s another clue for you all…The walrus was Paul.” Seen as a final bow to his fallen bandmate and co-songwriter. Some sources have suggested that the phrase “goo goo g’joob” is from Finnegans Wake by James Joyce (Alas, the phrase “googoo goosth” is the closest Joyce gets in th book.) Never fear, the “Paul is Dead” rumorists claim that “goo goo g’joob” are the last words uttered by Humpty Dumpty before his fall. A fall that cracked his head open, much like Paul’s supposed fatal car accident.
Revolution 9 was an innovative sound collage that, quite frankly, soared over most listener‘s heads. Later transcripts of the dialog heard early in the song reveals two men who can be heard saying “I know all about it George. I’m sorry. Will you forgive me? Yes.” Theorists claimed that this was John talking with George Martin about the secret placement of clues on Beatles records. However, the biggest clue to Paul’s death on the track is the title itself, whose repeated phrase “Number 9” is said to sound like “turn me on, dead man” when played backwards. A dark recall to the line “I’d love to turn you on” from “A Day in the Life”.
Ardent believers believed that other “Backwards” clues could be found on the track “I’m so tired / Blackbird” when some random mumbling is heard that they believe sounds like John and Yoko right after the abrupt ending of “I’m So Tired” and before the beginning of the next song, “Blackbird“. This passage makes no sense when played forwards. However, when played backwards, they believe that you can hear John say, “Paul is a dead man. Miss him. Miss him. MISS HIM!” John Lennon was said to be expressing his grief over Paul’s death in this line of the song followed by the very next line on the record, sung by Paul, “Blackbird singing in the dead of night”, that mentions death.
Alan E. Hunter 