Abe Lincoln, Assassinations, Presidents, Travel

George Alfred Townsend and The War Correspondent Memorial Arch.

Original publish date April 11, 2024. https://weeklyview.net/2024/04/11/george-alfred-townsend-and-the-war-correspondent-memorial-arch/

The War Correspondent Memorial Arch.

Next week will witness another sad passing in American history: the 159th anniversary of the assassination of Abraham Lincoln. Because I live with this date dancing around in my head more than most, I want to share my experience (and admiration) for a peripheral character in that tragedy: George Alfred Townsend. Born in Georgetown, Delaware on January 30, 1841, Townsend was one of the youngest war correspondents during the American Civil War. Soon after graduation from high school (with a Bachelor of Arts) in 1860, Townsend began his career as a news editor with The Philadelphia Inquirer. In 1861, he moved to the Philadelphia Press as city editor. As the war broke out, he worked for the New York Herald as a war correspondent in Philadelphia.

George Alfred Townsend.

By April 1862, George got his big break when General George McClellan rode through Philadelphia on his way to Washington. That fortuitous meeting would propel young Townsend to exclusive access to many of the Civil War’s greatest battles. One of America’s first nationally syndicated columnists, Townsend used the pen name “Gath” for his newspaper columns. Gath was an acronym of his initials with the addition of an “H” at the end. Friends and contemporaries like Mark Twain, Bret Harte, and Noah Brooks, claimed the “H” stood for “Heaven” while wags and rivals claimed it stood for “Hell.” Gath himself was inspired by the biblical passage uttered by David after the death of King Saul in II Samuel 1:20, “Tell it not in Gath, publish it not in the streets of Askalon.”

The Life, Crime and Capture of John Wilkes Booth.

While Townsend won accolades for his work covering the war, it was his coverage of the Lincoln assassination that he is best remembered for. His detailed columns (which he called “letters”) about the tragedy were filed between April 17 – May 17 and would later be published as The Life, Crime and Capture of John Wilkes Booth. Published in 1865, Townsend’s book offers a full sketch of the assassin, the conspiracy, the pursuit, trial, and execution of his accomplices. As a lifelong student of Lincoln, I have read countless books, articles, letters, and various accounts centered on his life. It was in George Alfred Townsend’s “letters” that I found my holy Grail. Townsend’s description of Lincoln in his coffin made me feel as if I were standing there myself. His description of Lincoln’s office left me awestruck and wishful. In my opinion, it would be hard to find a more worthy example of Victorian journalism than these excerpts from Gath’s “letters”.

Lincoln in his coffin.

“Deeply ensconced in the white satin stuffing of his coffin, the President lies like one asleep. Death has fastened into his frozen face all the character and idiosyncrasy of life. He has not changed one line of his grave, grotesque countenance, nor smoothed out a single feature. The hue is rather bloodless and leaden; but he was always a sallow. The dark eyebrows seem abruptly arched; the beard, which will grow no more, is shaved close, save the tuft at the short small chin. The mouth is shut, like that of one who had put the foot down firm, and so are the eyes, which look as calm as slumber. The collar is short and awkward, turned over the stiff elastic cravat, and whatever energy or humor or tender gravity marked the living face is hardened into its pulseless outline. No corpse in the world is better prepared according to appearances. The white satin around it reflects sufficient light upon the face to show us that death is really there; but there are sweet roses and early magnolias, and the balmiest of lilies strewn around, as if the flowers had begun to bloom even upon his coffin. Looking on interruptedly! for there is no pressure, and henceforward the place will be thronged with gazers who will take from the site its suggestiveness and respect. Three years ago, when little Willie Lincoln died, Doctors Brown and Alexander, the embalmers or injectors, prepared his body so handsomely that the President had it twice disinterred to look upon it. The same men, in the same way, have made perpetual these beloved lineaments. There is now no blood in the body; it was drained by the jugular vein and sacredly preserved, and through a cutting on the inside of the thigh the empty blood vessels were charged with the chemical preparation which soon hardened to the consistence of stone. The long and bony body is now hard and stiff, so that beyond its present position it cannot be moved any more than the arms or legs of a statue. It has undergone many changes. The scalp has been removed, the brain taken out, the chest opened and the blood emptied. All that we see of Abraham Lincoln, so cunningly contemplated in his splendid coffin, is a mere shell, an effigy, a sculpture. He lies in sleep, but it is the sleep of marble. All that made the flesh vital, sentiment, and affectionate is gone forever.”

Lincoln Funeral Train.

On May 14, 1865, the day Abraham Lincoln’s body was placed on the funeral train to leave Washington DC forever, Townsend visited the White House. Mary Lincoln still resided there with her beloved son Tad, too distraught to leave the White House. “I am sitting in the President’s office. He was here very lately, but he will not return to dispossess me of the high-backed chair he filled so long, nor resume his daily work at the table where I am writing. There are here only Major Hay (Salem Indiana’s John Hay, Lincoln’s private secretary) and the friend who accompanies me. A bright-faced boy runs in and out, darkly attired, so that his fob chain of gold is the only relief to his mourning garb. This is little Tad, the pet of the White House. That great death, with which the world rings, has made upon him only the light impression which all things make upon childhood. He will live to be a man pointed out everywhere, for his father’s sake; and as folks look at him, the tableau of the murder will seem to encircle him.”

Lincoln in his White House Office.

Townsend further describes Lincoln’s office, just as he left it. “The room is long and high, and so thickly hung with maps that the color of the wall cannot be discerned. The President’s table at which I am seated adjoins a window at the farthest corner; and to the left of my chair as I reclined in it, there is a large table before an empty grate, around which there are many chairs, where the cabinet used to assemble. The carpet is trodden thin, and the brilliance of its dyes is lost. The furniture is of the formal cabinet class, stately and semi-comfortable; there are bookcases sprinkled with the sparse library of a country lawyer, but lately plethoric, like the thin body which has departed in its coffin. Outside of this room, there is an office, where his secretaries sat – a room more narrow but as long – and opposite this adjacent office, a second door, directly behind Mr. Lincoln’s chair leads by a private passage to his family quarters. I am glad to sit here in his chair, where he has spent so often, – in the atmosphere of the household he purified, and the site of the green grass and the blue river he hallowed by gazing upon, in the very center of the nation he preserved for the people, and close the list of bloodied deeds, of desperate fights of swift expiations, of renowned obsequies of which I have written, by indicting at his table the goodness of his life and the eternity of his memory.”

“They are taking away Mr. Lincoln’s private effects, to deposit them wheresoever his family may abide, and the emptiness of the place, on this sunny Sunday, revives that feeling of desolation from which the land has scarce recovered. I rise from my seat and examine the maps; they are from the coast survey and engineer departments, and exhibit all the contested grounds of the war: there are pencil lines upon them where someone has traced the route of armies, and planned the strategic circumferences of campaigns. Was it the dead President who so followed the March of Empire, and dotted the sites of shock and overthrow? So, in the half-gloomy, half-grand apartment, roamed the tall and wrinkled figure whom the country had summoned from his plain home into mighty history, with the geography of the Republic drawn into a narrow compass so that he might lay his great brown hand upon it everywhere. And walking to and fro, to and fro, to measure the destinies of arms, he often stopped, with his thoughtful eyes upon the carpet, to ask if his life were real and he were the arbiter of so tremendous issues, or whether it was not all a fever-dream, snatched from his sofa in the routine office of the Prairie state.”

“I see some books on the table; perhaps they have lain there undisturbed since the reader’s dimming eyes grew nerveless. A parliamentary manual, a thesaurus, and two books of humor, “Orpheus C. Kerr,” and “Artemis Ward.” These last were read by Mr. Lincoln in the pauses of his hard day’s labor. Their tenure here bears out the popular verdict of his partiality for a good joke; and, through the window, from the seat of Mr. Lincoln, I see across the grassy grounds of the capitol, the broken shaft of the Washington Monument, the long bridge and the fort-tipped Heights of Arlington, reaching down to the shining riverside. These scenes he looked at often to catch some freshness of leaf and water, and often raised the sash to let the world rush in where only the nation abided, and hence on that awful night, he departed early, to forget this room and its close applications in the abandon of the theater. I wonder if it were the least of Booth’s crimes to slay this public servant and the stolen hour of recreation he enjoyed but seldom. We worked his life out here, and killed him when he asked a holiday.”

George Alfred Townsend.

As one of the most successful journalists of his day, Townsend accumulated a tidy fortune. He used much of that fortune to build a 100-acre baronial estate near Crampton’s Gap, South Mountain, Maryland known as “Gapland”. The Civil War Battle of Crampton’s Gap was fought as part of the Battle of South Mountain on September 14, 1862, and resulted in 1,400 combined casualties. Tactically the battle resulted in a Union victory because they broke the Confederate line and drove through the gap. Strategically, the Confederates were successful in stalling the Union advance and were able to protect the rear. Gath literally bought the battlefield upon which he built his estate. The estate was composed of several buildings, including Gapland Hall, Gapland Lodge, the Den and Library Building, and a brick mausoleum (notable for its inscription of “Good Night Gath” above the entrance).

The author at Gath’s arch.

In 1896, Townsend built a monument to war correspondents to memorialize the contributions of his colleagues North and South. Dedicated in 1896, The War Correspondent Memorial Arch is 50 feet high and 40 feet wide and is the only monument in the world dedicated solely to war correspondents. Not only does the arch stand on Townsend’s original estate (operated by the Maryland Department of Natural Resources), it also rests smack dab in the middle of the Appalachian National Scenic Trail. Furthermore, the woods surrounding Gapland and the nearby town of Burkittsville were the setting for the 1999 horror film Blair Witch Project.

Gath’s Empty Tomb.
Good Night Gath.

Last September, I traveled to the Catoctin Mountains to visit Townsend’s estate not far from the Antietam battlefield. Townsend’s Gapland estate is now known as Gathland State Park. Several buildings still stand, including Gapland Hall (which is the park headquarters) and the mausoleum, while other buildings are mere shadows of their former self. Townsend left Gapland in 1911 and died in New York City three years later on April 15, 1914. The 49th anniversary of Abraham Lincoln’s death. He was buried at Laurel Hill Cemetery in Philadelphia.

The author at Gath’s empty tomb.

His brick mausoleum, fronted by an ominous-looking iron gate causing it to look more like a jail cell than a tomb, stands empty, its roof slowly caving in. Although the object of my quest was The War Correspondent Memorial Arch, I could not help but spend most of my time seated beneath that empty tomb smoking a cigar. While the hale and hearty hikers pausing briefly at the foot of the Appalachian Trail might not have appreciated my vice, as I stared at the epitaph above the iron gate above Townsend’s unused tomb, George Alfred Townsend would understand. Good Night Gath.

Disney, Music, Pop Culture, The Beatles

The Beatles Hit the Brakes at Walt Disney World.

Original Publish Date: December 19, 2024. https://weeklyview.net/2024/12/19/the-beatles-hit-the-brakes-at-walt-disney-world/

Quick, who broke up The Beatles? Which one of the Fab Four was the first to quit the group? And who was the last Beatle standing? Throw away all you thought you knew about the breakup of The Beatles and settle in for a Beatles Christmas story like you have never heard before. This Beatles breakup story involves John Lennon’s famous “Lost Weekend”, the Sopranos, Al Capone, and Mickey Mouse.


On August 20, 1969, The Beatles met for the last time at Abbey Road Studios to record what was to be the last song on their last studio album: The End. The song, which features the only song Ringo performed a drum solo on, was initially intended to be the final track on Abbey Road, but it ended up being followed by “Her Majesty” a brief tongue-in-cheek music hall song. “Her Majesty” appears 14 seconds after the The End, but was not listed on the original sleeve. Paul McCartney is the only musician to appear on the track. Some observers consider it the first example of a hidden track. The song credited to the “Lennon-McCartney” songwriting partnership brought forth a rare compliment from Lennon when he credited Paul with the line, ‘And in the end, the love you take is equal to the love you make.’ The ever-increasing acerbic Lennon offered a back-handed compliment to his songwriting partner by saying, “it is a very cosmic, philosophical line. Which again proves that if he wants to, he can think.” Thus, The End stands as the last known new recording involving all four of the Beatles during the band’s existence. And before you say it, the album Let It Be, was recorded in January 1970 ON TOP of Abbey Road Studios, NOT inside of it.

The final gathering of all four Beatles came two days later at a photo session held at John Lennon’s Tittenhurst estate. On September 20th, Lennon privately informed his bandmates at a meeting at Apple, without George Harrison present, that he was leaving the Beatles. However, it was unclear to the other members whether John just wanted a break or if his departure was permanent. Legend has it that John Lennon walked out of that 1969 meeting at Apple headquarters screaming “I want a divorce” and four years later, he would get his wish at the “Happiest Place On Earth”. Meantime, on April 10, 1970, McCartney settled the issue in a press release declaring, “I’m quitting The Beatles.” It would take another four years for the breakup to be formalized.

The Plaza Hotel in Manhattan, New York City.

After three years of court battles and ever-increasing acrimony amongst the Fab Four, the final dissolution of The Beatles was set to happen. The meeting was scheduled for December 19, 1974. Ironically it to happened at New York’s Plaza Hotel, the first place The Beatles stayed in America a decade before. As it happened, George Harrison was at Madison Square for two nights on his Dark Horse tour and Paul and Linda McCartney flew in for the signing. Ringo had already signed the documents in England. So, as George, and Paul sat around a large table ready to dissolve the partnership alongside Apple lawyers and business managers, Ringo listened in on the telephone to confirm that he was alive. Everyone present was wondering where John was. Keep in mind, Lennon lived within walking distance of the Plaza Hotel. George Harrison’s lawyer telephoned Lennon for an explanation. May Pang answered and from the background, John’s voice bellowed out, “The stars aren’t right,” to the lawyer’s query. When John’s response came across the speakerphone, everyone present was furious. John explained that he was going to follow his astrological signs and he wasn’t coming to the meeting.

Julian & John Lennon with May Pang.

Instead, John decided that he wanted to give his 11-year-old son Julian a special Christmas holiday by taking him someplace warm. Mobster Mo Levy offered to have John, May, and Julian stay at his Palm Beach Florida condominium, not far from the former mansion of gangster Al Capone. So, Levy grabbed his son Adam and together with the wayward Beatle brood, they all flew down to Levy’s West Palm Beach estate to spend Christmas in the sunny shores of Florida. Wait, you say, where was Yoko? Well, John Lennon was in the midst of his self-described Long Weekend “sowing his oats” with May Pang, Yoko Ono’s assistant and the couple’s production coordinator. In mid-1973, while Lennon was busy working on his classic Mind Games album John and Yoko were having marital problems. Ono suggested to Pang that she become Lennon’s companion, and with Yoko’s permission, John and May began a relationship that lasted more than 18 months.

Morris Levy in his office at Roulette Records.

And that private jet-owning mobster, who was that guy? His name was Morris Levy, a music executive from Harlem with alleged mob ties to Vincent Gigante, boss of the Genovese crime family. “Moishe” or “Mo” as friends and associates called him, was known to sign up-and-coming artists to lop-sided contracts that often left the artists owing him money for touring expenses and studio time. Mo Levy would often sign his name to contracts as a song’s co-writer without the artist’s consent. Robbie Robertson of The Band was reportedly one of his victims and a witness to Mo’s henchmen holding a fellow performer by his ankles out the window of Levy’s Park Avenue apartment to get his point across. Levy, who died in 1990, was the inspiration for the HBO television series The Sopranos (1999–2007) character Hesh Rabkin, Tony Soprano’s friend who made a fortune defrauding performers, underpaying royalties, and pressing unauthorized records. Tommy James, Frankie Lymon, and Tito Puente were among his most prominent victims.

Once in South Florida, they spent their time walking on the beach, lounging by the pool and amusing themselves by throwing firecrackers at palm trees. The pinnacle of the trip came when the Lennon trio spent a day at Disney World. There one of the most famous men in the world went mostly unrecognized. At that time Disney’s Magic Kingdom was only one park on the property. They stayed at the Polynesian Hotel. To get from the Polynesian (both then and today) to the Magic Kingdom, the easiest way to travel is by Monorail. The train stops inside the hotel so guests do not have to venture outside the building. Making the Polynesian the obvious choice for John and his crew to stay.

Disney monorail operator / castmember Hal East with John Lennon.

Years later, Disney monorail operator (castmember Hal East) confirmed that John, May Pang, and Julian made a few trips to the Magic Kingdom via the Monorail and were allowed to ride up front apart from the crowd. It was during these trips where John and Julian experienced the rare treat of driving the Monorail. In her book May shared an interesting memory from one of the rides: “I overheard a father tell his son [on the Monorsail] he had heard a Beatle was visiting. “Which Beatle?” The father said, “George Harrison.” I burst out laughing. John asked why. We then all started laughing so hard that the Dad turned around. It then registered which Beatle was at the park that day – and why we were laughing. “It’s O.K.,” John jokingly said, “we all look alike.” On December 29, 1974, one of Apple Corp’s lawyers hand-delivered the official documents to the House of the Mouse in Florida and John Lennon became the last of the four to sign off on the contract.

Disney’s Beatles inspired Vultures: Buzzie, Flaps, Ziggy, and Dizzy.

Ironically, the Beatles and Disney never really had much of a working relationship, but Disney did reference The Beatles in at least one of its productions: the vultures in The Jungle Book are based on the Fab Four. Disney also made plans to remake 1968’s Yellow Submarine, but the project never broke the surface. In 2020, Disney bought distribution rights for the docuseries The Beatles: Get Back from Peter Jackson and that three-part series is still streaming on Disney.

Samoa Longhouse 1601.
Samoa longhouse Building at Disney World’s Polynesian Resort.

While Disney won’t confirm the exact room where it happened, dedicated Beatles / Disney fans have pinpointed the location: Room 1601 in the Samoa longhouse Building at the Polynesian Resort at Walt Disney World, Orlando. Room 1601 looks out at the Seven Seas Lagoon and it was this scene at which John gazed as he paused briefly before officially dissolving his performing relationship with the Beatles. Room 1601 is a ground-floor corner room in the Samoa longhouse that looks out on the Seven Seas Lagoon with the Cinderella Castle visible in the distance.

May Pang’s Photo of Lennon’s dissolution signing.

Here, with the Magic Kingdom as his backdrop, John Lennon picked up his pen and officially finished off the Beatles, once and for all. Years later May Pang remembered that John told her to “Take out your camera…He looked wistfully out the window. I could almost see him replaying the entire Beatles experience in his mind. He finally picked up his pen and, in the unlikely backdrop of the Polynesian Village Hotel at Disney World, ended the greatest rock ‘n’ roll band in history by simply scrawling ‘John Lennon’ at the bottom of the page.”

Room 1601.

In Pang’s book “Instamatic Karma: Photographs of John Lennon” (St. Martins Press 2008), there are several photos of Lennon at Disney World wearing a stylish newsboy cap and Micky Mouse ringer t-shirt posed anonymously in the park among the crowd, alongside Monorail driver Hal East, in front of Cinderella Castle and outside room 1601 at the Polynesian. Most importantly, Pang snapped a photo of Lennon’s signature on the dissolution papers. A literal snapshot of music history, Disney style. And today, if you’re lucky, you can stay in Room 1601 where the Beatles long and winding road came to an end. And then, go ride the Monorail.

Creepy history, Hollywood, Pop Culture

Shrek…For Real?

Original Publish Date: October 24, 2024. https://weeklyview.net/2024/10/24/shrek-for-real/

Michael J. Pollard. (1939-2019.)

The low spark of high-heeled boys is the title track from the 1971 album by British rock band Traffic. The 11-minute, 44-second song, was written by Jim Capaldi and Steve Winwood. Capaldi credits diminutive actor Michael J. Pollard (Bonnie & Clyde) for coming up with the term while the two were in Morocco planning a movie (that was ultimately never made). In a 2009 radio interview, Capaldi said, “Pollard and I would sit around writing lyrics all day, talking about Bob Dylan and The Band, thinking up ridiculous plots for the movie…Pollard wrote in my book ‘The Low Spark of High Heeled Boys’. For me, it summed him up. He had this tremendous rebel attitude. He walked around in his cowboy boots, his leather jacket. At the time he was a heavy little dude. It seemed to sum up all the people of that generation who were just rebels.” For this writer, that lyric succinctly sums up the creation of the most iconic cartoon character of our time: Shrek. And since it is Halloween week, I’m going to tell you why.

Artist William Steig (1907-2003)

Shrek was created by William Steig (1907-2003) who, during his lifetime, was hailed as the “King of Cartoons.” Steig began drawing illustrations for The New Yorker magazine in 1930, ultimately producing more than 2,600 drawings and 117 covers for the magazine. Steig began his “second career” writing children’s books at the age of 61. In 1990, Steig published his picture book Shrek! which formed the basis for the 2001 DreamWorks Animation film. After the 2004 release of Shrek 2, Steig became the first sole creator of an animated movie franchise to gross over $1 billion after only one sequel. Eventually, three sequels and three spin-offs were produced. When asked his opinion about the movie, Steig responded: “It’s vulgar, it’s disgusting-and I loved it.”

Maurice Tillet “The French Angel” (1903 –1954)

It is widely believed that Steig based his Shrek character on the professional wrestler Maurice Tillet aka “The Angel”, a nickname given to him by his mother when he was a boy. Maurice Tillet (1903-1954), a Russian/French professional wrestler, was a two-time World Heavyweight Champion and a leading box office draw in the early 1940s. Tillet was born in 1903 in St. Petersburg, Russia. His mother was a teacher of languages and his father was a railroad engineer involved in the construction of the Trans-Siberian railroad. Tillet’s father died when he was young. In 1917, Tillet and his mother fled Russia to avoid the Revolution, settling in Reims, France. When Tillet was twenty years old, his feet, hands, and head began to swell uncontrollably. A doctor diagnosed him with acromegaly, a rare condition usually caused by a benign tumor on the pituitary gland, which causes the body to produce too much growth hormone. The condition causes the body tissues and bones to grow rapidly resulting in bone overgrowth and thickening. Over time, acromegaly leads to an abnormally large head, oversized hands and feet, and a wide range of other symptoms. Maurice had a head almost twice the size of normal for a man of his size and he could shuffle three decks of cards at once in his mammoth hands.

“The Angel”

Although Tillet’s acromegaly resulted in an abnormally grotesque appearance, in truth, “The Angel” was a highly intelligent man. He spoke 14 languages, played chess brilliantly, and despite his massive size and frightening face, was known as a modest, gentle, and friendly man. Tillet completed his law degree at the University of Toulouse but felt he would never be successful as a lawyer due to his deep voice and imposing physical appearance. Tillet joined the French Navy and served as an engineer in the submarine service for five years, rising to the rank of Chief Petty Officer. Always a good athlete, Tillet excelled at rugby. After being named to an all-France rugby team in 1926, Tillet earned the honor of shaking hands with King George V. at a game in London, a feat he considered one of his greatest achievements. In February 1937, Tillet met Lithuanian light-heavyweight champion wrestler Karl Pojello in Singapore who talked Tillet to enter the ring. Tillet wrestled for two years in France and England from 1937 to 1939 until World War II forced them to leave for the U.S.

The Angel in profile.

In Boston in 1940, Tillet began wrestling as “The French Angel” and was billed as the closest living specimen of a Neanderthal man known to exist. Tillet went unbeaten for nineteen consecutive months and became an instant attraction in the area. At his American debut at Boston Garden on January 24, 1940, Maurice walked down the aisle, climbed into the ring, leaned over the ropes, and roared at the crowd. The crowds flocked to see this monster of a man who was a throwback to prehistoric times. He was hawked as the unstoppable man and was AWA World Heavyweight Champion from May 1940 until May 1942. Maurice was 5 foot 8.5 inches in height, 276 pounds with a 47-inch chest. The bear hug became his signature move. Tillet reported to the U.S. Army in 1942 to enlist in the war effort but was turned away after being told that he would be a curiosity and distraction.


As a result of his success and unique look, several Angel imitators emerged during World War II, including “Angels” from Sweden, Russia, Canada, Poland, Czechoslovakia, Ireland, and several ubiquitous American versions emerged including the Golden Angel, Black Angel, and Lady Angel, most of whom were also suffering the effects of acromegaly. The most famous imitator was Tor Johnson known as the “Super Swedish Angel.” Johnson is best remembered not as a wrestler, but as an actor who appeared in many B-movies, including the famously bad 1957 Ed Wood movie Plan 9 from Outer Space.

Maurice Tillet in later life.

Maurice proved incredibly strong and highly popular. He staged highly publicized stunts where he would pull a bus or street car with his massive hands. By 1945, after many years of punishment in the ring combined with the fact that most people suffering from acromegaly didn’t live past the age of 30, Maurice Tillet’s health began to fail and he was no longer advertised as unstoppable. He briefly considered a movie career, but the B-movie genre was years away and the Drive-in theatre craze had not yet swept America. The Mid-1940s / Early 1950s were a long, slow ride to irrelevance and the once mighty Angel was little more than a curiosity now billed as the “Ugliest Man in the World.” A highlight came in February 1947 when Maurice took the oath of citizenship to the United States. He was a devout Catholic who attended church every Sunday and that same year he was given an audience with the Pope. In his final wrestling match, in Singapore on Valentine’s Day of 1953, Angel agreed to lose to Bert Assirati, the British World Champion recalled as being one of the strongest men to ever enter the ring.


Suffering from an enlarged heart caused by his acromegaly, Tillet died of a heart attack in Chicago’s County Hospital on September 4, 1954. He was buried at the Lithuanian National Cemetery in Justice, Illinois. As for the “low spark of high-heeled boys” reference, I find it infinitely interesting that Shrek, one of the crudest, yet most beloved animated characters of the past 50 years, was created by the principal artist of one of the most high-brow publications in the country: The New Yorker. And it was all inspired by a highly-intelligent participant in one of the world’s most low-brow professions: Pro wrestling. Things are not always what they seem my friends. Happy Halloween!

The tombstone of Maurice “The French Angel” Tillet is buried next to his trainer, Karl Pojello. Lithuanian National Cemetery in Justice, Illinois.
food, Indianapolis, Pop Culture, Uncategorized

Beef Manhattan: Born in Irvington?

Original Publish Date March 14, 2024 https://weeklyview.net/2024/03/14/beef-manhattan-born-in-irvington/

Okay, okay, not likely…but possible. No one really knows EXACTLY where the Beef Manhattan was born, but most culinary historians agree that the dish (a diagonally cut roast beef sandwich split butterfly fashion with a generous scoop of mashed potatoes resting between the two halves and the whole shebang swimming in a pool of brown beef gravy) came from the eastside of Indianapolis.

Legend claims the Beef Manhattan was born at the Naval Air Warfare Center, a former US Navy facility located at Arlington Avenue and East 21st Street in Warren Township, a stone’s throw from Irvington. The knife and fork-plated comfort food was (allegedly) the brainchild of Manhattan-trained cooks working at the factory during World War II. Faced with an overage of Hoosier staples (meat, potatoes, & bread) these crafty Hell’s Kitchen food slingers came up with a plan.

A poor man’s version of the dish had been making the rounds of Manhattan (the most densely populated and smallest of the five boroughs of New York City) for generations. The difference was, that the first version contained mysterious New York City street meat, rolls, not bread, potatoes, and no gravy. We do not know the name of the chef (or chefs) who created it or, for that matter, the date the dish first showed up in the cafeteria of the Naval Ordnance Plant. But, the best guess is that the Beef Manhattan made its debut in the winter of 1942.

Ratheon-300x136
Naval Ordinance Plant in Indianapolis.

The plant opened that year, covering 1,000,000 square feet and employing 3,000 workers in avionics research and development. Construction began in 1941 and the plant became fully operational in 1943. The “NOP-I”, as it was known locally, was one of five inland sites selected in July 1940 by the US Department of the Navy Bureau of Ordnance for the manufacture of naval ordnance. The other plants were in Canton, Ohio; Center Line, Michigan; Louisville, Kentucky; and Macon, Georgia. The government-owned, contractor-operated (GOCO) plant was built for $13.5 million ($255 million in 2024 dollars) and the plant manufactured Norden bombsights until September 1945.

After World War II, the plant was renamed the Naval Avionics Center, where employees designed and built prototype avionics, including “electronic countermeasures, missile guidance technologies, and guided bombs.” In 1992, the facility changed its name to the Naval Air Warfare Center Aircraft Division. The site was closed in 1996 on the recommendation of the 1995 Base Realignment and Closure Commission at which time it transferred ownership to Hughes Electronics Corporation. In 1997, it was the “largest full-scale privatization of a military facility in U.S. history” at the time. Eventually, the company was acquired and renamed the Raytheon Analysis & Test Laboratory. As of 2022, the facility is privately owned by Vertex Aerospace and employs about 600.

While those are the facts about the origin of place for the Beef Manhattan, determining where it first hit the streets of Indianapolis is a little bit more speculative. The riddle begins with the name itself. It is a misnomer. The dish is one of two Manhattan-named staples with no ties to New York City other than a space on the menu. The other, Manhattan clam chowder, originated in Rhode Island. Sure, New York City can claim many different foods created within its five boroughs: Eggs Benedict & the Waldorf salad (Midtown), Chicken & Waffles (Harlem), The Reuben (Manhattan), and the Cronut (So-Ho), but the Beef Manhattan is pure Hoosier.

There are different variations. One calls for shredded, pot-roast style beef on two slices of white bread, mashed potatoes on the side, with a layer of brown gravy poured over all. While another insists that the mashed potatoes are placed on top of the sliced, but unseparated, sandwich which is then drowned in brown gravy. Some versions call for diagonal slices, others conventional center-sliced bread. Another variation is Turkey Manhattan, which substitutes turkey for roast beef, but that is an obvious imposter. And, although the dish is named after Manhattan, if you were to order it in a Gotham City restaurant, you’re likely to be served a cocktail (whiskey, sweet vermouth, bitters, and a maraschino cherry garnish). Beef Manhattan is unknown there, instead such dishes are usually called “open-face sandwiches” in the Big Apple.

Should you Google it, you are likely to see that the dish was first served under the name “Beef Manhattan” in a now-defunct Indianapolis deli in the late 1940s, and shortly after its introduction, it became a Hoosier staple. But, nobody seems to know exactly which Indianapolis Deli was the first to put it on the menu. However, there are a few likely suspects. The natural choice would seem to be Shapiro’s. Their website states that restaurant namesakes, Louis and Rebecca Shapiro, arrived in the Hoosier state around 1900 after fleeing Russia due to anti-Semite persecution which included vandalism to their family grocery store in Odessa, Ukraine. They sold sugar and flour from a pushcart on the streets of Indianapolis for two years while saving up money to open their deli at Shapiro’s 808 South Meridian in 1905.

Shapiro's

So, Shapiro’s certainly fits the bill timewise, appearing on the scene a generation before the birth of the Beef Manhattan. Shapiro’s is the sentimental favorite for sure. And it has an Irvington tie-in too. In 1925, during the reign of terror by the Ku Klux Klan in Indiana, Shapiro’s thumbed their nose at Klansman/Governor (and Irvington resident) Ed Jackson by redecorating their storefront in an art-deco style dominated by a huge Star of David for all to see. But officially, “Shapiro’s Kosher Deli” didn’t open until 1945, three years after the dish was invented.

Likewise, the Hook’s Drug Company opened a new drugstore and soda fountain at the corner of 22nd and Meridian Streets on Feb. 17, 1940, to serve hungry Hoosiers. Hook’s restaurant featured a new stainless steel soda fountain perfectly designed to serve Beef Manhattans. A contemporary news article described Hook’s as having “year-round air conditioning” and as “the last word in efficiency and beauty. The floor behind the fountain is depressed to a level so that the customer is sitting in the same comfortable position as at his own dining table. The fountain is provided with a system of sterilization which makes it sanitary for refreshments and luncheons. The cooking equipment is electrical.” Hook’s advertised heavily in the 1940s but never mentioned the Beef Manhattan in those ads. The dish did not appear in Hook’s ads until the 1950s.

The best bet (at least of this reporter) is that the Beef Manhattan most likely appeared first as a menu selection somewhere on Illinois Street. There were at least three delis operating on Illinois Street in 1942, including Brownie’s Kosher Deli at 3826 N. Illinois, Fox Delicatessen at 19 S. Illinois, and Henry Dobrowitz & Sons Kosher Meats and Delicatessen at 1002 S. Illinois. Someday, somewhere, a better Circle-city researcher than me will pinpoint the exact location but until then, I’m content to let it remain a mystery.


Choosing instead to revisit Shapiro’s version of the “Hot Beef Manhattan” in my daydreams. It consists of 2 slices of white bread, not cheap squishy white bread, but good firm white bread with some heft to it, cut diagonally and spread out on the plate like a poker hand, a layer of handmade mashed potatoes binds them together, and forms the foundation for a generous portion of thin-sliced tender beef, brisket I’m guessing. The meat mound is topped with more mashed potatoes and covered with enough gravy to float a kayak. Not that better than bouillon gravy stuff that somehow smacks of chemicals to me, but rather, real gravy made from the constant stirring of the collected juices of meats roasting. To those haughty Food Network snobs, the Beef Manhattan looks like a failure pile on a sadness plate, but Hoosiers know it is delicious.

Typically, Indianapolis sees 29 days a year where the thermometer doesn’t rise above 32 °F, and for five months a year, we’re shivering below the fifties. So, knowing that, is it that hard to understand why the Beef Manhattan remains so popular in Indiana? I mean, no one eats a tenderloin to get warm. And while the Beef Manhattan most likely wasn’t born in Irvington, it did originate on the east side of Indianapolis and Irvingtonians can fairly claim to be among the first wave of devotees.

Abe Lincoln, Museums

The big reveal of Springfield, Illinois Abraham Lincoln scholar Wayne C. “Doc” Temple’s collection of Native American Indian Artifacts at the Richwood, Ohio History Museum.

On Thursday, March 9, 2023, I visited the Richwood, Ohio History museum and library with my wife Rhonda S. Hunter. We dropped off the Temple family collection of Native American Indian artifacts collected over the course of at least two decades from @1900 past World War I. The compilation, contained in an old can of Cocoa, had not seen the light of day for nearly a century. Doc, Springfield Illinois’ premiere Abraham Lincoln scholar for over 60 years, also wrote the definitive book on the subject in 1966, Indian Villages of the Illinois Country: Historic Tribes, and several scholarly articles and papers on the subject for the University of Illinois. The artifacts were dug in the farm fields in and around Richwood Ohio so it seemed fitting that Doc’s collection go back to their place of origin. We were as happy to deliver them as the museum officials were to receive them.

Doc’s arrowhead collection had been stored in this cocoa box for a century.
Rhonda Hunter with the piece from the collection that Doc recalled specifically. I believe it is a hammer or tomahawk head.
Richwood Museum staffer Dustin Lowe and Alana E. Hunter with Doc’s collection.