Original publish date: February 6, 2017
It should come as no surprise to you that I have an affinity for Disney’s Haunted Mansion. I’ve been fortunate enough to have ridden the popular theme park ride at Disneyland in California as a little kid with my mom and again as an adult with my family. Likewise, I rode the Haunted Mansion ride at Florida’s Disney World shortly after it opened with my mom and have ridden it dozens of times since with my wife and kids. It never gets old.
Over the years I have been reeled in by the master marketing of Disney imagineers and their many forms of merchandise based upon the popular ride. Somehow or other I have amassed a small collection of items ranging from art posters and statues to toys and tchotchkes of every variety. I have been gifted with relics actually used in the ride over the years ranging from doorknobs to wallpaper that once adorned the walls of this popular haunted mecca.
This past Christmas my family gave me the last in a series of art statues modeled after the characters depicted in the famous stretching portraits that greet visitors in the anteroom. Here Master Gracey invites all “foolish mortals” who dare enter his home by requesting that all visitors step into the “dead center” of the room. As the Ghost Host delivers his spiel, the room (which is actually a slow creeping elevator) begins to “stretch” vertically. The portraits on the wall elongate, revealing the grim fates of the previous residents depicted in the bucolic paintings seen only moments before. The paintings stretch into humorously macabre situations: a middle-aged bearded man holding a document is shown to be standing atop a barrel of dynamite in his boxer shorts with a candle lighting the fuse; a smiling elderly woman holding a rose is shown to be sitting on the tombstone of her late husband George, who is depicted as a stone bust with an ax in his head; and a confident-looking middle-aged man in a bowler hat is shown to be sitting on the shoulders of a frightened-looking man, while sitting upon the shoulders of a third man who is waist-deep in quicksand, an expression of terror on his face; and finally, a beautiful young girl holding a pink parasol is shown to be balancing on a fraying tightrope above the gaping jaws of a ferocious alligator.
She is one of the 999 ghosts that inhabit the Haunted Mansion and, like everything at Disney World, she has her own backstory. WDW cast members call her “Lillian Gracey” and say she was a tightrope walker who strung her rope across to Tom Sawyer’s Island from the Mansion grounds where she met her grizzly fate. She looks like she is completely oblivious to anything that is going on around her. She has no clue at all what is awaiting her below should she fall. Proud as I was, and still am, to add alligator girl to my modest collection, my daughter Jasmine shared some info with me that put a new spin on the statue.
Fresh from a New Year’s Eve trip to Disney World with her friends (they opened the park at 10:00 and stayed well after Midnight…you can only do that when you’re young) she informed me that the statue had been pulled from all sales outlets in the park. She explained how, time and time again, she and her friends listened while Disney sales staffers informed angry customers the statue was no longer being offered for sale. Jasmine asked one of the sales staff, known as “Cast Members”, why the statues had been pulled. The cast member explained it was a result of the August 2016 alligator attack on park property that had tragically killed a 2-year-old Nebraska boy. The cast member explained that people were getting angry because alligator girl was the last one they needed to complete their set.
Although the revelation was interesting , I didn’t think much more about it until I ran across an evocative amusement park relic a couple weeks later. It was a pair of souvenir salt & pepper shakers from the Kings Island amusement park near Cincinnati, Ohio. Although dating from the earliest years of the park (which opened in the Spring of 1972) the set had a distinctive Mid-Century Modern look to it that attracted me. On the front of each shaker was the image of a thick-maned lion resting in front of a wooden sign reading: “Trespassers will be eaten.” The set was a souvenir from the short lived Lion Country Safari attraction inside the park.
Don’t remember THAT part of Kings Island? Well, that may due to the fact that this “ride” came with an up charge. It required an extra 50 cent ticket to enter. Most kids didn’t go because they didn’t have the extra money or because their parents were unwilling to spring for the extra expense.
The Lion Country Safari opened on April 27, 1974, almost two years to the day from the opening of the park itself. The animal themed area featured various attractions, including multiple small animal exhibits, a restaurant (today known as the Stunt Crew Grill), a gift shop and a large monorail. In 1974, over 300 animals were housed inside the safari included 12 elephants, 25 rhinoceros, 5 giraffes, 4 hippopotamus, 20 ostriches, 20 zebras, 150 antelope, 1 cape buffalo, 75 “critters” (monkeys, swans, exotic birds, etc.) and 70 lions and assorted other big cats.
Mostly, the ride consisted of a two-mile monorail (known as Kenya Safari) that was part of the new trend of “drive-in zoos” popping up in amusement parks all over the country. The trains were fully enclosed and powered by electricity. They ran on rubber wheels and were designed to travel around six miles per hour. This allowed for a 20-25 minute ride. The park estimated the six train monorail could accommodate up to 2,000 guests per hour.

Kings Island’s Lion Country Safari was completely surrounded by nine-foot high chain-link fences. The fences were hidden from view by hills, strategically planted trees and thick shrubbery designed to create the illusion that visitors were actually in Africa rather than the Miami Valley. The lion section featured additional security measures by means of a separate six-foot high fence within the larger boundary fence. In addition, the electrical current running through the monorail track itself acted as a security measure by discouraging animals from using it as an escape route.
But, without a doubt, it was the animals that were the safari’s main attraction. In particular, as the name denotes, the lions. Originally, the animals were brought in by an outside third party vendor. As the animal population began to push 300, it became very clear, very soon that changes were needed. Although the safari was secure and there is no record of a guest ever having been harmed by an animal at the park, one incident in particular brought change and infamy to Kings Island’s Lion Country Safari. On July 24, 1976, a lion mauled a 20-year-old Lion Country Safari ranger to death. Officially, he had left his protected vehicle for “unknown reasons”. However, park legend insists that he was killed when he left the safety of his jeep to relieve himself.
Which brings me back to that classy looking set of Mid-century modern salt & pepper shakers and their depiction of a lion resting under the “Trespassers will be eaten” sign. I would imagine that the reason we don’t often see this Kings Island souvenir set is that it was surely pulled from the shelves after the Bicentennial year tragedy. If not directly pulled, they were certainly never reordered. Incidentally, this unnamed Safari Ranger is rumored to haunt the area where the attraction was once located. Today, that space is used for roller coasters Flight of Fear, Firehawk and the new Banshee (where the Son of Beast once stood).
However, although sales of those sardonically unfortunate salt & pepper shakers most certainly stopped, the encounters between employee and beast continued. On May 26, 1982, a park employee was attacked by a lion while cleaning the lion’s compound. 34-year-old Terry Raitt suffered a punctured trachea and several bite wounds to the head, chest and upper torso. He managed to climb onto the roof of a building to escape the attack. There paramedics reached him and he was rushed to Bethesda North Hospital in critical condition.Thankfully, he survived. In August, the OSHA ruled that the mauling was due to human error and found no safety violations. Raitt later admitted that he had accidentally left the gate open, allowing the lion to enter the area. Because of this attack, OSHA recommended that rangers be armed with handguns, alongside the shotguns that they already carried in their jeeps.
In the 20 years it was open, more than 15 million people visited the animal preserve before it closed in 1993. The air conditioned monorail was especially popular on blazing hot summer days in the years before the Splash park opened in 1989. Ultimately, the cost of the animal upkeep, low monorail ridership, use of the land, and lack of interest spelled doom for Lion Country Safari. Roller Coasters, which unlike animals, don’t ever die, became a much more attractive option.

There are a precious few safari traces available for urban explorers to discover. For perspective, the monorail entrance was located to the right of the current Drop Tower. The overpass that exists at the entrance to The Bat and The Banshee (now used as a park access road) was an original section of monorail track, as well as the access road rangers used to get to the animals. The monorail station was located where the Xtreme Skyflyer tow poles are now and near where the Son of Beast midway was once located.
However, should you still pine for the old Kings Island’s Lion Country Safari, you can catch a glimpse of it if you wish. The old monorail marks the entrances to Jungle Jim’s International Markets in Fairfield and near Eastgate Mall near Cincinnati. Ask anyone living east of Greenfield and they’ll tell you that you haven’t lived until you’ve been to Jungle Jim’s. Imagine a supermarket with an amusement park inside and you’ll get the idea. I suppose in today’s hyper-sensitive overly politically correct world, we can look back on things once considered innocent, humorous and inoffensive and wonder how we ever survived.

Original publish date: July 11, 2014
After Chenault’s arrest, police found a hit list of names in his pocket that included 10 black clergymen and strangely, Aretha Franklin. Weeks before the incident, witnesses said that Markie went through numerous personality changes. One day he was an anti-communist; the next day a Black Panther militant. One day he was a Christian, the next, a Muslim or a Jew. One week he was chasing women, the next week he claimed to be homosexual.But mostly, Markie turned lonely and withdrawn. His motivation for the dastardly crime was a mystery.
Alberta Williams King died at the age of 69 by the actions of little Markie Chenault. Her death was a shock to the congregation, the city, and the nation. In her honor, Atlanta mayor Maynard Jackson ordered the flags on all Atlanta city buildings to be flown at half-staff. Her body came back to Ebenezer Baptist Church to lie in state for public viewing, just a few feet from where she was shot. Alberta’s funeral was held at Ebenezer Baptist Church; U.S. representative from Georgia Andrew Young, who was on the balcony of the Lorraine Motel when her son was killed six years earlier, officiated at the service. Funeral attendees included members of the King family, second lady of the United States Betty Ford, and Georgia governor Jimmy Carter. She was buried in the same double mausoleum at Atlanta’s South-View cemetery that had previously held her son Martin Luther King, Jr.’s remains.
His father said in his autobiography, “Alveda had been up the night before, she said, talking with her father and watching a television movie with him. He’d seemed unusually quiet…and not very interested in the film. But he had wanted to stay up and Alveda left him sitting in an easy chair, staring at the TV, when she went off to bed… I had questions about A.D.’s death and I still have them now. He was a good swimmer. Why did he drown? I don’t know — I don’t know that we will ever know what happened.” Naomi King, A.D.’s widow, said, “There is no doubt in my mind that the system killed my husband.”
Original publish date: June 10, 2013
Sean Leslie Flynn, born May 31, 1971, made some forgettable films during his short movie career including the regrettable remake of his father’s classic “Captain Blood” featuring the predictable title “Son of Captain Blood”. When he “retired” from acting, Flynn signed a contract with Time Magazine. In a search for exceptional images, he attached himself to Special Forces units and even irregulars operating in remote areas.
On November 17, 1961, Rockefeller and Dutch anthropologist René Wassing were in a 40-foot dugout canoe about three miles from shore when their double pontoon boat was swamped and overturned into the Arafura Sea. Their two local guides swam for help and told the Anglos to stay put, for obvious reasons. After drifting for some time in the rolling waters off the coast of New Guinea, Rockefeller said to Wassing “I think I can make it”. Michael estimated that the catamaran boat was five miles from the shore. The current was against him, and he risked a confrontation with a shark or crocodile, but perhaps because he was a Rockefeller, the fabled family of industrialists, philanthropists and politicians, he decided to swim for it. Later it was determined that the capsized boat was closer to twelve miles off shore when Michael pushed off.
Original publish date: September 2, 2013
Original publish date: August 18, 2013
That August night began no differently from any other evening for John and May. John made and received phone calls, watched TV and listened to the day’s recorded studio work while making notes. The 52nd Street apartment was hot that night, but by 8 O’ Clock the air had cooled off enough for May to turn off the air conditioner and open the windows to catch the breeze coming off the river. Just a few feet off the apartment’s living room was the building’s roof, accessible through a side window. This rooftop acted as the couple’s private observation deck, offering a million dollar view of New York’s Eastside. The haze had now cleared over the cityscape and around 8:30 p.m., May decided to take a shower, leaving Lennon alone in the living room reviewing mock-ups of his new record’s cover. The cover art on the final product would be a painting by a 12-year-old John Lennon.
Bob Gruen arrived and John excitedly told the photographer what had transpired. Gruen later recalled “I took the film home and put John’s roll between two rolls of film I’d taken earlier that day and developed them”. “My two rolls of film came out perfectly but John’s roll was blank. Later I asked him ” did you call the newspaper?” and he said “I’m not going to call up the newspaper and say, This is John Lennon and I saw a flying saucer last night”… So Bob Gruen called up the local police precinct and asked if anyone had reported a UFO or flying saucer. The police responded with “Where? Up on the East Side? You’re the third call on it”. Then Bob called the Daily News and they said, “On the East Side? Five people reported it”. Finally, Gruen called the ultra-conservative New York Times and asked a reporter if anybody had reported a flying saucer? The reporter hung up on him.
Hand drawn, autographed UFO sketch by John Lennon.