
Original publish date: March 7, 2019
So, what did you do for Abraham Lincoln’s birthday? Go out to dinner? Go to church? Get together with friends and family? Wait, you knew February 12th was Honest Abe’s birthday didn’t you? Well, don’t feel bad, nobody else did either. But once upon a time, everyone celebrated Lincoln’s birthday.
The move to celebrate Lincoln’s birthday began after his 1865 assassination. In December, the U.S. House of Representatives Select Committee agreed that Feb. 12, 1866 should be set aside for ceremonies in the House of Representatives. Lincoln’s secretary of war, Edwin Stanton, was asked to give a eulogy for Lincoln at the event. When the day arrived, the Capitol was closed to the public and guests filed into the House chamber for the commemoration, which began at noon. The president’s birthday was commemorated by both houses of Congress, the Cabinet, the Supreme Court, officers of the army and navy, and many foreign representatives.
Inside the House chamber guests listened to historian George Bancroft (former Secretary of the Navy and the man who established the Naval Academy at Annapolis) talk about “the life, character, and services of Lincoln…forming one of the most imposing scenes ever witnessed in the land.” The address took nearly two hours. The push for a formal celebration quickly spread to state capitals, legislatures and city councils. Most northern states quickly warmed to the idea but bitterness over Reconstruction and the cult of the “Lost Cause” among southerners scuttled attempts to make Lincoln’s birthday a Federal holiday.
Abraham Lincoln was born on Feb. 12, 1809 in Hodgenville, Kentucky, and to the first few generations after his assassination, that date on the calendar had meaning. Of the 48 states that made up the United States in 1940, exactly half celebrated Lincoln’s Birthday as a holiday. Most celebrations took place in schools, churches, veteran’s halls and political functions. Unlike other traditional American celebrations, Lincoln was not honored with parades but rather with ceremonial dinners and speeches. The states continued to recognize the holiday, which was in close proximity of Washington’s Birthday holiday less than two weeks later, for another 30 years until Congress stepped in and changed all that.
In 1971 Congress passed the Uniform Monday Holiday Act. The law shifted several holidays (Veteran’s Day, Washington’s Birthday, Memorial Day, Labor Day, Lincoln’s Birthday and Columbus Day to name a few) from specific days to a Monday. The reason behind the change was seen as a way to create more three-day weekends and reduce employee absenteeism. The birthdays of George Washington and Lincoln were only 10 days apart, so they were blended into Presidents’ Day.
Eventually, individual states created their own Presidents’ Day holidays to be observed on the third Monday in February. This celebration has been enacted in some fashion by 38 states, though never federally, and each varies by state. Some mark the day as a specific remembrance of Washington and Lincoln while others view it as a day to recognize all U.S. presidents. Alabama celebrates Washington and Jefferson. A few states still recognize Lincoln’s birthday on February 12 as its own official holiday. Most notably, Kentucky, his birth state and Illinois,his adopted home state, both celebrate Lincoln’s birthday as an official state holiday, along with a few other states including New York, Connecticut, and Missouri. However, this number has declined in recent years, when California, Ohio and New Jersey ended the celebration of Lincoln’s birthday as paid holidays to cut budgetary costs. Unfortunately, more states now celebrate Black Friday as a holiday than celebrate Lincoln’s birthday. Indiana and Georgia are a couple states that recognize Lincoln’s Birthday on the day after Thanksgiving aka Black Friday.
In most states, Lincoln’s birthday is not celebrated separately, as a stand-alone holiday. Instead Lincoln’s Birthday is combined with a celebration of President George Washington’s birthday (also in February) and celebrated either as Washington’s Birthday or as Presidents’ Day on the third Monday in February, concurrent with the federal holiday. Good for George Washington. Sad for Abraham Lincoln. Once upon a time, Lincoln’s birthday was a milestone for Americans to pause and honor greatness.
The centennial of Lincoln’s birth was the largest commemoration of any one person in American history. On the morning of February 12, 1909, the forts around New York Harbor, the National Guard field batteries, and the battleships in port all fired at once to honor Abraham Lincoln. At noon the Gettysburg Address was read in the public schools across America. The culmination of the 100th anniversary was the minting of the first coin bearing the image of an American president, the Lincoln penny. Lately, it seems like the only talk we hear about the penny come from those who want to abolish it. But there may be more to that little copper coin than meets the eye. Well, copper depending on what year you’re talking about. If your Lincoln penny has a date before 1982, it is made of 95% copper. If it is dated 1983 or later, it is made of 97.5% zinc and plated with a thin copper coating.
Since that auspicious debut in 1909, probably no other object in human history has been reproduced more often: to date 1.65 trillion times and counting my friends. That is 1,650,000,000,000 in case you wonder what it looks like. The US Mint estimates 200,035,318,672 are currently in circulation. So what happened to the other 1.4 trillion pennies? Lost in couches? Under car seats? Buried in back yards? My father-in-law Keith Hudson once told me that if you have a stubborn tree stump in the backyard that you want gone just stick a copper penny in it. Well, I don’t know about that but it sure does get you thinking. Maybe that explains where all those pennies went.
Regardless, the U.S. Mint still produces more than 13 billion pennies annually. That’s approximately 30 million pennies per day; 1,040 pennies every second. More than two-thirds of all coins produced by the U.S. Mint are pennies and the U.S. Government estimates that $62 million in circulated pennies are lost every year (according to Bloomberg). In fact, the penny is the most widely used denomination in circulation and it remains profitable to make. Each penny costs .93 of a cent to make, but the Mint collects one cent for it. The profit goes to help fund the operation of the Mint and to help pay the public debt. The average penny lasts 25 years.
The penny was the very first coin minted in the United States. In March 1793, the mint distributed 11,178 copper cents. During its early penny-making years, the U.S. Mint was so short on copper that it accepted copper utensils, nails and scrap from the public to melt down for the coins. That 1909 Lincoln centennial penny was the first U.S. coin to feature a historic figure and the first to have the motto “IN GOD WE TRUST”. Lincoln faces to the right, while all other portraits on coins face to the left. To date, there have been 11 different designs featured on the penny.
Legend claims that we owe that Lincoln penny to Teddy Roosevelt. Privately, President Theodore Roosevelt told intimates that American coins were “pedestrian and uninspiring”. In July 1908, he sat several times for Victor David Brenner, a Lithuanian-born Jew who, since coming to the United States 19 years earlier, had become one of the nation’s premier medalists. Lincoln, like most immigrants, was Brenner’s personal hero. He was the first American he learned about from his tenement house on New York’s Lower East Side. During those White House sittings, Brenner showed Roosevelt a bas-relief sculpture of Lincoln based on a Mathew Brady photograph. Roosevelt, a great admirer of Lincoln himself, allegedly decreed that Brenner’s Lincoln must go on a new penny to commemorate Lincoln’s 100th birthday in 1909.
Putting Lincoln on the most widely circulated coin made perfect sense, after all, it was Lincoln who’d said “Common-looking people are the best in the world; that is the reason the Lord makes so many of them.” Brenner received $1,000 for the commission. Production of the Lincoln penny began at the U.S. Mint in Philadelphia on July 10, 1909. The sculptor asked that he receive the first 100 of the new Lincoln pennies, but his request was deinied, so great was the anticipation. Fearing regional jealousies, the Mint ordered the coin be released across the country simultaneously. That May, the Boston Globe reported, “The new Lincoln cents, it seems, will be distributed the first week in August…It is so hard to wait!”

On Monday, Aug. 2, 1909 the New York Sun reported on the first of the new Lincoln pennies issued by the Federal Sub-treasury (today’s Federal Reserve Bank) to long lines of budding numismatists waiting anxiously in the financial district. “The big man down in Wall Street yesterday was the man who had a few of the new Lincoln cents. He could have had a fairly good time on 10 of them; he could start a celebration on a quarter’s worth, and for 50 of them there was no reason why he couldn’t purchase a regular jubilee.” The lines continued all week long and by Friday, even the rain couldn’t dampen the money rush in Lower Manhattan.
Some people near the front of the lines sold their spots for a dollar. Other more ambitious entrepreneurs hired women, who in a still chivalrous era, were ushered to the head of the line. “Within 15 minutes there were enough girls at the door to make it look like a bargain counter sale on a busy Monday,” The Sun reported. Many in what The Tribune called “the penny-mad crowd” were poor raged looking little children, some carrying a single battered Indian Head penny to trade in. The resale rate hovered around three new pennies for a nickel, but shot up slightly when supplies ran low. It was pretty much the same all around the country.
The Washington Star compared the “penny-chasers” to the crowds watching the Wright brothers test their new “aeroplanes.” The Boston Globe said, “you could get the new Lincoln coins for a cent apiece by spending, say, a dollar’s worth of time.” The Illinois State Register in Lincoln’s Springfield hometown reported that the Lincoln Bank ordered 5,000, but received only 50. Even in the old Confederacy, The Constitution newspaper reported that “demand was so high outside one Atlanta bank the crowd would have made a Chicago bread line look small.”

Carl Sandburg wrote, “If it were possible to talk with that great, good man, he would probably say that he is perfectly willing that his face is to be placed on the cheapest and most common coin in the country. Follow the travels of the penny and you find it stops at many cottages and few mansions. … The common, homely face of ‘Honest Abe’ will look good on the penny, the coin of the common folk from whom he came and to whom he belongs.”


Almost immediately conspiratorialists saw the Abbey Road album cover as a funeral procession. Leading the procession is John dressed in white, symbolizing the clergy. Next comes Ringo, dressed in black like an undertaker. Paul, the presumed corpse, is third in line and walks out of step with the other Beatles, he is barefoot and his eyes are closed. George brings up the rear, dressed in work clothes the supposed gravedigger. Also, Paul is smoking a cigarette, also known as a “coffin nail”. The fact that he is holding the cigarette in his right hand, even though the “real” Paul McCartney was left handed, only added to the belief that this was an impostor posing as the dead bassist. 
The death clues were not confined to the image of the lads in the crosswalk however. For behind the Beatles on the left side of the street is a Volkswagen Beetle with a license plate reading “LMW 28IF”, suggesting that Paul would have been 28 if he were still alive. Actually Paul would have been 27 when Abbey Road was released. This seeming miscalculation was explained away by the rumorists with the fact that Paul studied mysticism in the Near East. Most mystics believe we are all one year old at birth (counting the nine months of pregnancy) confirming that Paul would have been 28 IF he had lived!.” The first three letters on the license place, “LMW,” were interpreted as “Linda McCartney Weeps”. On the right side of the road is a police van, seen as a reference to the cover up of Paul’s death by police.
Perhaps as expected, the clues are not only confined to the front cover, for devoted clueseekers, many hidden secrets can be found on the back cover as well. To the left of the tiles spelling out “Beatles” are eight dots, which when connected form the number “3”, so the back cover actually reads “3 Beatles”. Also, there is a crack in the “S” at the end of “Beatles”. Some say that to the right of the tiles is an odd shadow that looks like a skull.
Finally, on the “Let It Be” cover, the album cover is black. Said to symbolize the end, or death, of the Beatles. Or maybe it was to symbolize the death of a Beatle? The background squares of John, George, and Ringo’s photos are all adorned in white. While Paul’s square is depicted with a blood red background. Also, Paul is shown facing forward rather than in three-quarter profile. Another indication of Paul’s death is seen by the fact that he grew a beard, seen by some religions as a sign of death and mourning. The rest of The Beatles’ beards are clues as well, as they all indicate that the three surviving members are in mourning for their lost bandmate.

Cole, a Florida salesman, was on vacation with his wife, who wanted to go see “yet another museum.” Mr. Cole decided to wait outside on the north London thoroughfare. Cole watched as photographer Iain McMillan stood on a stepladder in the middle of the street, photographing the four Beatles as they walked, single-file, across Abbey Road. The entire shoot lasted 10 minutes. “I just happened to look up, and I saw those guys walking across the street like a line of ducks,” Cole remembered. “A bunch of kooks, I called them, because they were rather radical-looking at that time. You didn’t walk around in London barefoot.”

The stark snow white album cover was seen as an obvious reference to the white light of heaven, where Paul was supposed to be at its release. But it was the poster issued inside the white album (a collage featuring a number of random images of the Fab Four) that came under the scrutiny of those looking for “Paul is Dead” clues. In the lower right hand corner of the poster (page 7 of the CD booklet) is a grainy B&W photo of Paul dancing. Upon close examination, a pair of ghostly hands can be seen reaching toward Paul from behind.
The song “Glass Onion” makes a number of references to Beatle songs and events. John mentions “The Fool on the Hill” and states, “I tell you man he living there still” thought by some to symbolize heaven. However, perhaps the most intriguing line in the song is “Well here’s another clue for you all…The walrus was Paul.” Seen as a final bow to his fallen bandmate and co-songwriter. Some sources have suggested that the phrase “goo goo g’joob” is from Finnegans Wake by James Joyce (Alas, the phrase “googoo goosth” is the closest Joyce gets in th book.) Never fear, the “Paul is Dead” rumorists claim that “goo goo g’joob” are the last words uttered by Humpty Dumpty before his fall. A fall that cracked his head open, much like Paul’s supposed fatal car accident.
Revolution 9 was an innovative sound collage that, quite frankly, soared over most listener‘s heads. Later transcripts of the dialog heard early in the song reveals two men who can be heard saying “I know all about it George. I’m sorry. Will you forgive me? Yes.” Theorists claimed that this was John talking with George Martin about the secret placement of clues on Beatles records. However, the biggest clue to Paul’s death on the track is the title itself, whose repeated phrase “Number 9” is said to sound like “turn me on, dead man” when played backwards. A dark recall to the line “I’d love to turn you on” from “A Day in the Life”.
Ardent believers believed that other “Backwards” clues could be found on the track “I’m so tired / Blackbird” when some random mumbling is heard that they believe sounds like John and Yoko right after the abrupt ending of “I’m So Tired” and before the beginning of the next song, “Blackbird“. This passage makes no sense when played forwards. However, when played backwards, they believe that you can hear John say, “Paul is a dead man. Miss him. Miss him. MISS HIM!” John Lennon was said to be expressing his grief over Paul’s death in this line of the song followed by the very next line on the record, sung by Paul, “Blackbird singing in the dead of night”, that mentions death.
Magical Mystery Tour was released on December 8, 1967. After the success of Sgt. Pepper’s, Paul McCartney wanted to create a film based upon The Beatles and their music. The film was to be unscripted and would “star” various “ordinary” people who were to travel the countryside on a bus and experience “magical” adventures on film. The Magical Mystery Tour film was made and included six new Beatles songs. The film was universally panned and largely forgotten, but the resulting album / soundtrack is considered a classic. Produced by George Martin, Magical Mystery Tour was packaged by Capitol records as a full LP with a 24-page companion picture booklet.

On page 23, the Beatles are all wearing stark white tuxedos with carnations in the lapels. Paul’s flower is black while the other Beatles have red flowers. Years later, Paul denied that the black carnation had any significance at all; “I was wearing a black flower because they ran out of red ones.”
And on the final page of the photo booklet, once again, a hand appears over Paul’s head. Although this instance of a hand over Paul’s head isn’t nearly as dramatic as the Sgt. Pepper’s cover photo because several people have their hands raised above their heads in this picture. But it certainly did nothing to ease the conspiracies.
However, there is one compelling image in the pages of the pictorial book that, when analyzed, virtually screamed out to all those looking for signs of death in the Beatles’ works to substantiate the rumors of Paul’s premature passing. On page 8 of the booklet, a dining scene, at the left of the image (but on the right as the image is rotated one turn clockwise), with a little imagination, you can see a skull in this picture. It occupies the left side of the picture, with the beret of the person seated at the table forming the eye and the hair of the woman seated next to him the mouth. Like a “Magic Eye” painting, once you’ve accepted it as a skull, it’s easy to see the damage to the top of the head. This grisly image suggests the damage to Paul’s head as a result of his car crash. The fact that this picture, unlike all of the other images in the booklet, does not appear in the movie again only encouraged the “Paul is Dead” crowd as proof of his passing.
Theorists would claim a connection between Paul’s supposed Walrus costume and the death rumor, but the real controversy revolved around the word “Beatles” above the lad’s heads that purportedly reveal a secret phone number. As Rolling Stone famously pointed out, it’s not exactly clear what that phone number is supposed to be. Depending on whom you ask it could be read as “231-7438, 834-7135, 536-0195, 510-6643, 546-3663, 624-7125, no telling what city, maybe London.” If you turn the album cover upside down and hold it in front of a mirror you can see the numbers 8341735, which is a stretch because the threes, the seven and the five are backwards. If you simply hold the album cover upside-down, the numbers could be 5371438. Of course, there is no area code. The rumor claimed that when this number was dialed, the caller would receive information about Paul’s death, or the person would be able to take a trip to “Magical Beatle Mystery Island”, or maybe even speak to Paul in the hereafter. Stories circulated about the strange responses callers were receiving from the voices on the other end of the phone line. Later it was discovered that one of the phone numbers belonged to a journalist who was nearly driven crazy by the numerous phone calls from people hoping to connect with the late Paul McCartney.
But it was the music contained on the album that offered the clue seekers the most tantalizing hints at Paul’s demise. One of the best known “Paul is dead” audio clues comes at the end of “Strawberry Fields Forever”. As the song fades out for the second time, John allegedly says “I buried Paul.”‘ This audio clue can be heard more clearly when the record is played at 45 rpm as John’s voice is slowed down to a virtual crawl. Years later, John admitted that he was really saying “cranberry sauce,” which became evident on the “take 7 and edit piece” version of the song that appeared on Anthology II in 1996. Paul explained “That’s John’s humor. John would say something totally out of sync, like ‘cranberry sauce.’ If you don’t realize that John’s apt to say something like ‘cranberry sauce’ when he feels like it, then you start to hear a funny little word there, and you think aha!”
The album, movie and pictorial booklet are arguably the most ambitious effort ever attempted by the Fab Four. Completed at a time when the Beatles were still having fun, but questioning their viability at the same time. Although they saw themselves as a rock band, their fans were looking at them as modern day prophets. Undoubtedly, this view was responsible in large part for the devastation perceived by the “Paul is Dead” rumors that continued to swirl around the band. The band’s next effort, “The White Album”, would do nothing to help end the controversy.

During that last tour, the airplane they were traveling in was shot at as they landed in Texas, and a prankster threw a firecracker at the stage during their Memphis show which everyone thought at first was a gunshot. The Beatles were burnt out and the band had had enough. The band’s attitude and message became darker and soon, concerts became dangerous as the Beatles’ started to receive death threats after some comments made by John Lennon at a press conference that year. John’s quote “the Beatles are bigger than Jesus” was taken out of context and according to John Lennon, “upset the very Christian KKK”. In the Philippines they unintentionally offended Imelda Marcos, a former beauty queen, by not meeting with her privately before their show. Filipino citizens took this as an excuse to rob, harass and threaten death to the Beatles. They stopped touring soon after the show at Candlestick Park in San Francisco on August 29, 1966. Less than six months later, the McCartney death rumor had reached a fever pitch worldwide and just like Paul himself, it refused to die.



On the inside photo, Paul is wearing a patch on his band uniform with the letters “O.P.D.” that theorists interpreted as “Officially Pronounced Dead.” According to tradition, this British Police jargon “O.P.D.” phrase is the equivalent of American police forces use of “D.O.A.” (Dead On Arrival). (Much later, in a Life magazine article Paul stated, “It is all bloody stupid. I picked up the O.P.D. badge in Canada. It was a police badge. Perhaps it means Ontario Police Department or something.” Actually, the badge Paul was wearing reads “O.P.P.”, which stands for the Ontario Provincial Police. The angle of the photograph makes the final “P” look like a “D”.)
Furthermore, the three black buttons on the waist above the tail of Paul’s coat are supposed to represent the mourning of the remaining Beatles. Although John, Paul and George were all about the same height (Ringo, much shorter), in the gatefold photo, Paul appears taller than the other Beatles, suggesting that he is ascending to the heavens. Another clue points out that next to Paul’s head are the words “WITHOUT YOU” from the song title “Within You Without You”.
Regardless, the album did nothing to quell the rumor that “Paul was Dead.” The Beatles, who were by this time totally fed up with dealing with the press, did little to dissuade the discussion of demise. Some pundits have speculated over the years that the entire affair was a ploy by the Beatles’ and their management designed to sell more albums. Which makes sense when you consider that the McCartney death rumor would continue to swirl around future album releases by the Fab Four in the coming years.