Black History, Criminals, Music, Pop Culture

The Lonesome Death of Hattie Carroll. Parts I & II.

Original Publish Date February 6, 2025.

https://weeklyview.net/2025/02/06/the-lonesome-death-of-hattie-carroll-part-1/

On August 28, 1963, Baptist minister Martin Luther King Jr. delivered his “I Have a Dream” speech to over 250,000 civil rights supporters during the March on Washington for Jobs and Freedom from the steps of the Lincoln Memorial in Washington, D.C. In that speech, King called for civil and economic rights and an end to racism in the United States. The speech became the foundation of the civil rights movement and is among the most iconic speeches in American history. Sharing the steps that day was a curly-haired mop-top folk singer named Bob Dylan. This is a story, an insight into the fertile mind of America’s greatest living singer/songwriter. A story most of you have likely never heard.

Dr. Martin Luther King, Jr. with his Nobel Prize.

Born Robert Allen Zimmerman on May 24, 1941, in Duluth, Minnesota, the youngster grew up listening to Hank Williams on the Grand Ole Opry. In his biography, Dylan wrote: “The sound of his voice went through me like an electric rod.” Soon, he began to introduce himself as “Bob Dylan” as an ode to poet Dylan Thomas. In May 1960, Dylan dropped out of the University of Minnesota at the end of his first year. In January 1961, he traveled to New York City in search of his musical idol Woody Guthrie, who was suffering from Huntington’s disease at Greystone Park Psychiatric Hospital in New Jersey. As a young man, Dylan read Guthrie’s 1943 autobiography, “Bound for Glory”, and Guthrie quickly became Dylan’s idol and inspiration.

By May 1963, with the release of his second album, The Freewheelin’ Bob Dylan, the Minnesota folksinger was on the rise as a singer/songwriter. On June 12, 1963, civil rights activist Medgar Evers was assassinated in Jackson, Mississippi. Evers was a veteran U.S. Army soldier who served in a segregated unit during World War II and as the NAACP’s first field secretary in Mississippi. Evers’s death spurred Dylan to write “Only a Pawn in Their Game” about the murder. The song exonerates Evers’s murderer as a poor white man manipulated by race-baiting politicians and the injustices of the social system. At the request of Pete Seeger, Dylan first performed the song at a voter registration rally in Greenwood, Mississippi on July 6, 1963. Two weeks later (August 7) Dylan recorded several takes of the song at Columbia’s studios in New York City, only to select the first take for his album The Times They Are a-Changin’.

Bob Dylan.

Likely at the urging of Pete Seeger, who was busy preparing for a tour of Australia at the time, Dylan, and then-girlfriend Joan Baez, traveled to Washington DC for the March on Washington rally. Of that day, in the 2005 documentary No Direction Home, Dylan recalled, “I looked up from the podium and I thought to myself, ‘I’ve never seen such a large crowd.’ I was up close when King was giving that speech. To this day, it still affects me in a profound way.” On that day, Dylan performed “Only a Pawn in Their Game” and “When the Ship Comes In.” The songs were received with only scattered applause, likely because many marchers did not agree with the sentiments of the song. The famously reflective and observant Dylan walked away from that day contrarily looking inward.

According to a 1991 Washington Post article, while on the journey home to New York City the 22-year-old Dylan read a newspaper article about the conviction of a white man from a wealthy Maryland family named William Devereux “Billy” Zantzinger (1939-2009) for the death of a 51-year-old African-American hotel service worker named Hattie Carroll on February 9, 1963, at the Spinsters’ Ball at the Emerson Hotel in Baltimore, Md. The white tie event was a debutante ball designed to introduce women in their late 20s to the “right” sort of men. The details of the event are just as shocking today as they must have been to Dylan 62 years ago.

Baltimore’s Eager House restaurant.

On February 8, 1963, 24-year-old Zantzinger attended the event with his father, a former member of the Maryland House of Delegates and the state planning commission who ran one of the most prosperous tobacco operations in Charles County. Before the ball, the Zantzingers stopped for an early dinner and cocktails at downtown Baltimore’s Eager House restaurant. According to witnesses, once at the Spinster’s Ball, a drunken Zantzinger stumbled into the ballroom wearing a tophat with white tie and tails and a carnation in his lapel and carrying a 25-cent wooden toy cane. “I just flew in from Texas! Gimme a drink!” a laughing Billy shouted to the packed crowd of 200 guests. Witnesses said that he was “pretending to be Fred Astaire and when he wanted a drink, he used the cane to tap smartly on the silver punch bowl; when a pretty woman whom he knew waltzed by, he’d tap her playfully, all in fun, no offense, of course.” By 1:30 in the morning, Billy’s mood had darkened and the imposing 6’2″ Zantzinger began to assault hotel workers with his cane, poking and slapping them with it at will. His targets of drunken rage included a bellboy, a waitress, and barmaid Hattie Carroll.

Emerson Hotel in Baltimore, Md.

First Zantzinger berated a 30-year-old black employee named Ethel Hill, 30 years old from Belkthune Avenue in Baltimore, with the worst of racial slurs as she was clearing a table near the Zantzingers. Billy asked the young woman about a firemen’s fund, and then, as the police reported it later, she was struck across the buttocks “with a cane of the carnival prize kind.” As she tried to move away, Billy followed her, repeatedly striking her on the arm, thighs, and buttocks. Mrs. Hill wasn’t seriously injured, but her arm hurt, causing her to flee the room in tears.

Next, the cane was used against a bellhop, accentuated with more insults toward the young man, calling him a “Black SOB.” Billy then attacked another employee by yanking the chain around the wine waiter’s neck. When Billy’s 24-year-old wife, Jane, tried to calm him down, he collapsed on top of her in the middle of the dance floor and began hitting her over the head with his shoe. When another guest tried to pull the madman off, Zantzinger thumped him too. Then, temporarily regaining his composure, he stood up and dusted himself off, and the University of Maryland student decided he needed another drink. That is when Zantzinger first encountered Hattie Carroll.

Part II Original Publish Date February 13, 2025.

https://weeklyview.net/2025/02/13/the-lonesome-death-of-hattie-carroll-part-2/

On the night of February 8, 1963, 51-year-old African-American hotel service worker Hattie Carroll was at work behind the bar as an extra employee for special functions and “ballroom events” at the Emerson Hotel in Baltimore, Md. Hattie was active in local social work as a longtime member of the Gillis Memorial Church in that city. The mother of 11 children, Hattie lived with two of her daughters, a 14-year-old and an 18-year-old, her other nine children were all older and married. While a hard worker, she suffered from an enlarged heart and had a history of hypertension.

Hattie Carroll

Zantzinger strode to the bar at a quarter til two and demanded a bourbon and ginger ale. Hattie was busy with another guest when Billy barked out his order. Proud of his prior actions, the drunkard turned his rage on Hattie Carroll whom he accused of not bringing him his bourbon fast enough, again hurling the “N-word” around the room loudly. According to the court transcript, despite the repeated indignations, Hattie replied, “Just a moment sir” and started to prepare his drink. Hattie, now nervous from the berating, fumbled with the glass. Zantzinger shouted, “When I order a drink, I want it now, you black b….!” When Hattie replied that she was hurrying as best she could. Zantzinger again berated her for being too slow and “struck her a hard blow on her shoulder about halfway between the point of her shoulder and her neck.” She shouted for help and slumped against the bar, looking dazed.

Mercy Hospital in Baltimore, Md.

Within five minutes after being struck with the cane, Hattie slumped against another barmaid and said she was feeling sick. Coworkers said that Carroll complained, “I feel deathly ill, that man has upset me so.” Her coworkers helped Hattie to the kitchen. Hattie said her arm had gone numb and her speech became labored just before she collapsed. A hotel official called for an ambulance and the police. The unconscious Hattie Carroll was hospitalized at Mercy Hospital where she died eight hours later at 9 a.m. on February 9, 1963, never having regained consciousness. Her autopsy showed she suffered from hardening of the arteries, an enlarged heart, and high blood pressure. A post-mortem spinal tap confirmed that a brain hemorrhage was the cause of her death. When the wooden cane was found later, it was broken in three places.

Billy Zantzinger after his 1963 arrest.

Police arrested Zantzinger on the spot for disorderly conduct plus two charges of assault “by striking with a wooden cane.” As they escorted him out through the hotel lobby, the officers were attacked by Zantzinger and his wife. Patrolman Warren Todd received multiple bruises on his legs; Zantzinger received a black eye. Billy Zantzinger spent the rest of those predawn hours in jail, and his wife was released. While Hattie Carroll was taking her last breath, Zantzinger stood in the Central Municipal Court in front of Judge Albert H. Blum, still wearing his white tux and tails, the carnation still in the lapel, though now without his white bow-tie and tophat. Billy pleaded not guilty to the charges and was released on $600 bail. At 9:15 that same morning, Judge Blum was notified of Hattie Carroll’s death. Zantzinger was charged with homicide and a warrant for his re-arrest was issued. It was the first time in the history of the state of Maryland that a white man had been charged with the murder of a black woman.

Hattie Carroll’s Grave in Baltimore.

Zantzinger’s only excuse for these indefensible actions was that he had been extremely drunk and could not remember the attack. His wealthy family retained a top-notch lawyer who managed to get the charges reduced to manslaughter and assault. The trial was moved from Baltimore to the more racially friendly Hagerstown. The attorney proposed that it was the victim’s stress reaction to his client’s verbal and physical abuse that led to the intracranial bleeding, rather than the blunt-force trauma from the blow (that left no physical marks) that killed her. The attorney contended that Hattie was a large, overweight woman with a history of high blood pressure. She could have suffered a fatal stroke at any time. His client was just a victim of circumstances. On August 28, the same day as Dr. King’s “I Have a Dream” speech, Zantzinger was convicted on all charges and sentenced to six months’ imprisonment in county jail. With time off for good behavior, he was home in time for Christmas. He was fined $125 for assaulting the other members of the hotel staff.

Zantzinger

Upon learning these details, Dylan decided to write a protest song about the case. The song was written in Manhattan while Dylan sat alone in an all-night cafe. The song was “polished” by Dylan at the Carmel, California home of Joan Baez, his then-lover. Nancy Carlin, a friend of Baez who visited the home at the time, recalled: “He would stand in this cubbyhole, beautiful view across the hills, and peck type on an old typewriter…there was an old piano up at Joan’s…and [Dylan would] peck piano playing…up until noon he would drink black coffee then switch over to red wine, quit about five or six.” The result was the song “The Lonesome Death of Hattie Carroll.” It was recorded on October 23, 1963, and quickly incorporated into his live performances. The song was released on February 10, 1964, a year and a day after Zantzinger’s conviction and 61 years ago this week.

Billy Zantzinger’s business card.

But whatever happened to Billy Zantzinger, the child of white privilege who got away with murder? Zantzinger didn’t have any difficulty at all settling back into Charles County society. He inherited the family tobacco farm which included several “shanties” that he rented to the poor Black population. Billy was a nice fun-loving guy whose neighbors all liked him. But years later, Billy facing financial ruin, began to sell off sections of the 265-acre family estate farm which eventually led him into real estate. He ran a nightclub in La Plata, opened a small weekends-only antique shop, and promoted himself as an appraiser and auctioneer. He was active with the Chamber of Commerce and was elected Chairman of the board of trustees of the Realtors Political Action Committee of Maryland in 1983. Even though Zantzinger ostentatiously drove a Mercedes-Benz sporting a specialized license plate reading “SOLD2U,” the Maryland Terrapin Frat boy quickly got behind in paying his county, state, and federal taxes, both business and personal.

Billy Zantzinger’s cane on display at the Washington County Museum of Arts in Hagerstown, Maryland.

By 1986, the Internal Revenue Service had seized all of his properties. The Washington Post reported that Zantzinger continued to act as landlord of the rental properties on this confiscated land, collecting outrageous amounts of rent for his “shanties” described in the local newspaper as “some beat-up old wooden shacks in Patuxent Woods” even though the hovels had no running water, no toilets, and no heating. Over five years, he collected thousands of dollars from properties he no longer owned. In June of 1991 for his actions, he was charged with “unfair and deceptive trade practices.” After pleading guilty to 50 misdemeanor counts, he was sentenced to 19 months in prison and fined $50,000. A far cry from the six-month sentence and $125 fine in connection with the attack and death of Hattie Carroll 27 years earlier. During sentencing, Zantzinger said, “I never intended to hurt anyone, ever, ever,” Zantzinger said, pleading for leniency; “it’s not my nature.”

William Devereux “Billy” Zantzinger’s grave.

The lasting irony of this story is that William Zantzinger was born on February 7, 1939, almost 25 years to the day of light sentencing for the death of Hattie Carroll. He died on January 3, 2009, just a few days before we as a nation celebrate Dr. Martin Luther King, Jr. day every year. Zantzinger is forgotten, barely a footnote in American history while the story of Hattie Carroll will live on forever in Bob Dylan’s song. Hattie’s story is just one of the reasons why Bob Dylan is the greatest American singer/songwriter of all time. Dylan ranks everyone. His earliest idol Hank Williams Sr., known as the “Hillbilly Shakespeare,” would have made a run at Dylan for the title, but Hank checked out way too soon. Dylan has been around for over 60 years (and counting) with an estimated figure of more than 125 million records sold worldwide (and counting). Dylan’s value to music is incalculable. Not only for what Encyclopedia Britannica called his “sophisticated lyrical techniques to the folk music of the early 1960s, infusing it with the intellectualism of classic literature and poetry” but also for his ability to crystalize social issues at the most opportune times in this country’s history.

ABA-American Basketball Association, Black History, Indianapolis, Sports

The Dust Bowl Indianapolis Indiana.

Published November 14, 2024.

https://weeklyview.net/2024/11/14/the-dust-bowl/

This column first appeared on March 9, 2012.

https://www.digitalindy.org/digital/collection/twv/id/2583/rec/145

Oscar Robertson Crispus Attucks High School.

It cannot be denied that Basketball is connected to our state like a child to its mother. Whether you played it, watched it, or avoided it, you cannot deny that basketball is what Indiana is known for. Go ahead and make your argument for the Indy 500, but you can’t play Indy 500 in your driveway in the pouring rain or by the light of the moon.

For most Hoosiers, basketball conjures up images of Bobby Plump sinking a last-second jumper, Reggie Miller raining 3-pointers from never-never land, or Neto, Roger, Mel, Freddie, Big Mac, Dr. Dunk, and Billy tearing through opponents toward another ABA title. Still, others believe that Indiana basketball is best defined by the greatest all-around pre-Michael Jordan player to ever lace up a pair of Chuck Taylors, Oscar “The Big O” Robertson.

Crispus Attucks High School State Champion Basketball Team.

Any Hoosier basketball fan recalls those great Robertson-led Crispus Attucks high school teams that won back-to-back state championships in 1955 and 1956. For those readers unfamiliar with Crispus Attucks, it was the only all-black high school in Indianapolis. That 1955 team gained fame by becoming the first all-black school in the nation to win a state title as well as becoming the city of Indianapolis’ first state champion. Robertson led Crispus Attucks to another championship in 1956 and became the first Indiana high school team to complete an entire season undefeated. Okay, okay, you remember all that. But do you remember the Dust Bowl?

1980 image of Lockefield Gardens looking south. The Dust Bowl would have been near the top and center of this image at the south end of Lockefield Image Courtesy IUPUI University Archives.

In the 1950s, the city had THE toughest basketball proving ground in the country, known as “The Dust Bowl.” Located near Indiana Avenue in Lockefield Gardens (the first public housing project in the city built by the WPA in the 1930s), it was a makeshift basketball court carved out of a flat, grassless vacant lot. It earned it’s colorful nickname due to the huge dust clouds that would kick up every afternoon at 3 p.m. The brown cloud would envelop the area in a thick choking blanket of fine windswept dirt. The failed social experiment known as Lockefield Gardens consisted of a 748-unit housing project bounded on the north by Indiana Avenue, on the south by North Street, on the east by Blake Street, and on the west by Locke Street. During the dark days of segregation, it was home to many poor black and minority families. Today, much of the area is part of the IUPUI campus.

The Big O.

When no regulation basketball could be had, kids flocked to the court with tightly wound socks in place of a real basketball. Because Robertson’s family could not afford a basketball, he developed his shot by tossing tennis balls and rubber band bound rags into a peach basket behind his family’s home. This temporarily packed earth court would spawn the prototype player for a new breed of urban hoopsters. Until this era, basketball in Indiana was mostly the domain of rural, white farm boys shooting from grass surfaced courts at metal hoops nailed to the sides of barns. The Dust Bowl changed all that and a more innovative, fast paced aggressive game was born. It was here that future high school all-star, College All-American and NBA MVP Oscar Robertson learned to play the game. The Big O would change the sport, and race relations in his home city, forever.

Atucks Champs.

Although undoubtedly a painful memory for Hoosiers of that era, Robertson and his Crispus Attucks teammates broke down the “air of superiority” that most white hoops fans felt towards their all-black school opposition. There was a feeling that Attucks could never compete with traditional white dominated powerhouse teams from Muncie, Evansville and Ft. Wayne. Keep in mind, the tiny Milan team led by Bobby Plump had won the state championship the year before in 1954, ending the small schools versus big schools argument. (Robertson played on the Attucks team that Milan beat in the state semi-finals that year.) Now Attucks came along to break the color barrier.

But it all started at the Dust Bowl. The rules were simple; winners stayed, losers walked. Robertson’s relationship with the Dust Bowl started early. Born on November 24, 1938, in Charlotte, Tennessee, he moved with his family to Indianapolis when he was four and took up basketball at the age of 6. He was too young and too small to do anything but watch the older, bigger kids take to the court to battle each other from the late afternoon into darkness of night. So he played during the only time allowed him, every day after school from 3 to 5:30 p.m. when the big kids started to make their way over. The court was vacant because of the dust clouds and the heat of the late afternoon sun. If he was lucky, he could retake the court in the darkness hours after most of the players had gone home. The Big O’s routine continued for several summers, watching, working and waiting for his chance to play.

The older players that dominated the Lockefield Gardens courts were well known by area residents. They developed natural cliques and often teamed up together. These cliques were very hard to penetrate. It was considered a high honor to be asked to substitute into these scrimmages, if only for a few plays. While still in junior high, Robertson learned to make the most of these rare opportunities and by the summer before his freshman year, he was fast becoming a Dust Bowl fixture during the evening’s main games.

Robertson at Crispus Attucks High School, Aug. 13, 1958.
George Tilford/IndyStar File Photo.

The 6-foot-5, 220-pound Robertson led his teams to two high school state championships, two final fours at the University of Cincinnati, a Gold Medal at the 1960 Olympics, and one NBA Championship in the 1970-71 season. His pro career included a league MVP award, 12 All-Star appearances, and 11 appearances on the elite All-NBA Team in just 14 professional seasons. He remains the only player in NBA history to average a triple-double for an entire season. But in our city, he is remembered most for the feats he accomplished at the Dust Bowl.

Winners of the Douglass Park Dustbowl Tourney, 1966.
 Credit: Indianapolis Recorder Collection, Indiana Historical Society

For the quarter century following the Big O’s departure from Indianapolis, although the Lockefield Gardens complex was demolished in 1976, the Dust Bowl remained a Hoosier city hoops hotspot until IUPUI took over the property in 1983. The legend of Oscar Robertson grew and his shadow cast influence over every game played thereafter. Robertson’s time spent at the Dust Bowl was the most productive of his accomplished life. It was there that he learned to play the game that would change the Hoosier landscape forever.

For his outstanding achievements, Robertson was inducted into the Naismith Memorial Basketball Hall of Fame in 1980 and was voted one of the 50 Greatest Players in NBA History in 1996. The United States Basketball Writers Association renamed their college Player of the Year Award the Oscar Robertson Trophy in his honor in 1998, and he was one of five people chosen to represent the inaugural National Collegiate Basketball Hall of Fame class in 2006.   After the 1983 demolitions, only the units along Blake Street and Locke Street (now University Boulevard), remained. The remaining structures were placed on the National Register of Historic Places. Today, there are Dust Bowl residents who can recall how Oscar’s mom used to yank him off the darkened court near midnight. Neighbors remember the echoes of the solitary bounce of a basketball like a clock in the nighttime, keeping them from sleeping. Invariably, upon investigation, young Oscar would be found out on the court alone, practicing; always practicing. A rumor persists to this day that if it got too late, residents of the Dust Bowl would shoot BB guns at the backboard; a signal that it was time for Oscar to go home.

Black History, Music, Pop Culture

Robert Johnson and the Devil.

Robert Johnson

Original publish date:  August 12, 2013                Reissue Date: June 18, 2020

“The Devil went down to Georgia. He was lookin’ for a soul to steal. He was in a bind ’cause he was way behind. He was willing to make a deal.” If you’ve ever listened to the radio in your lifetime, these lyrics are very familiar to you. And chances are, after reading this, they’ll be bouncing around in your brain for the rest of the day. But did you realize that there is a school of thought out there that believes these lyrics are not just musical fantasy, they are autobiographical in nature?
z Daniels thumbLegend claims this song tells the story of the most famous guitar player you’ve probably never heard of. Robert Johnson was born in Hazelhurst, Mississippi on May 8, 1911. He died under mysterious circumstances 75 years ago this week, on August 16, 1938. Johnson’s life has ascended into legend and it is often hard to separate fact from fiction, where this Mississippi bluesman’s life is concerned.
Robert Johnson was born to the Delta blues like a fish was born to water. Although he grew up dirt poor, one of 10 children, and was sparsely educated,no less an authority than Eric Clapton called Johnson “the most important blues singer that ever lived.” Johnson was married at age eighteen in 1929. His wife, 16-year-old Vergie Mae Smith, died in childbirth a year later. He married Caletta Craft in May 1931 and a year later, the couple moved to Clarksdale in the Mississippi Delta. Here Caletta fell ill and Johnson abandoned her for a career as a ‘walking’ musician. He spent the rest of his life traveling from town to town, playing on streetcorners, at picnics, Saturday night dances and juke joints.
z 976a8d34ef5e0338e1693cc971245069Johnson’s haunting, spiritual lyrics survive in songs such as “Cross Road Blues”, “Sweet Home Chicago” and “Me and the Devil Blues”. Robert Johnson’s shortlist of 29 landmark recordings from 1936 & 1937 display a combination of singing, guitar skills, and songwriting talent that influenced future generations of musicians. The American Record Corporation released eleven 78rpm records on their Vocalion label during Johnson¹s lifetime, and one more after his death.
If you doubt his impact on modern music, I suggest you Google Robert Johnson and take a few minutes to listen to any one of his many recordings that can be found on YouTube. Johnson’s music has been acknowledged as the driving influence behind the careers of guitar legends like Keith Richards, Eric Clapton, Bob Dylan, Led Zepplin and the Allman Brothers. Johnson’s “Cross Road Blues”, which allegedly tells the story of how he sold his soul to devil, has been covered by Cream, Jimi Hendrix, Van Halen, Steve Miller Band, Lynyrd Skynyrd, Molly Hatchet and The Doors, among others.
As an itinerant performer, Johnson experienced little commercial success and remained relatively unknown during his lifetime. From 1932 until his death in 1938, Johnson moved frequently between large cities like Memphis, Tennessee and Helena, Arkansas to smaller towns on the Mississippi Delta. On occasion, he traveled much farther to Chicago, Texas, New York, Canada, Kentucky, and here in Indiana. Johnson’s records sold poorly during his lifetime. It was only after the reissue of his recordings in 1961 on an album called “King of the Delta Blues Singers” that his work reached a wider audience. Johnson is now recognized as a master of the blues, particularly of the Mississippi Delta blues style. Johnson was inducted into the Rock and Roll Hall of Fame as an “Early Influence” in their first induction ceremony in 1986. In 2003, Rolling Stone magazine ranked Johnson fifth on their list of the 100 Greatest Guitarists of All Time.

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This rare photo of Johnson, discovered in a box at a swap meet,  was recently discovered and sold on ebay.

Johnson’s songs documented the intense loneliness, terrors and tortuous lifestyle that came with being an African-American in the deep South during the Great Depression. Never before had the hardships of the world been transformed into such a poetic height; never had the blues plumbed such an emotional depth. Johnson transformed his specific and very personal experience into music of universal relevance and global reach. “You want to know how good the blues can get?” Keith Richards once said: “Well, this is it.” Eric Clapton put it more plainly: “I have never found anything more deeply soulful than Robert Johnson.”
The power of Johnson’s music has been amplified over the years by what little we know about him. Johnson was the first guitarist to use the guitar as ‘the other vocalist in the song’, a technique later perfected by B. B. King. Johnson mastered the guitar using an approach that was highly complex and extremely advanced musically. When Keith Richards was first introduced to Johnson’s music by bandmate Brian Jones, he asked, “Who is the other guy playing with him?”, not realizing it was Johnson alone playing one guitar. “I was hearing two guitars, and it took a long time to actually realize he was doing it all by himself,” said Richards, who would later add “Robert Johnson was like an orchestra all by himself.”
z rj lfContemporaries described him as well mannered, soft spoken, and most often, indecipherable. As for his character, everyone seems to agree that, while he was pleasant and outgoing in public, in private he was reserved and liked to go his own way. Musicians who knew Johnson testified that he was a nice guy and fairly average—except, of course, for his musical talent, his weakness for whiskey and women, and his commitment to the road.
When Johnson arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. During these live performances Johnson did not focus on his dark and complex original compositions, but instead performed more well-known pop standards of the day to encourage bigger tips. Johnson had an uncanny ability to pick up a tune after hearing it just one time. Johnson had no trouble establishing a rapport with his audience and in every town he played, he established ties to the local community that would serve him well when he passed through again a month or a year later.
z 220px-Cross_Road_Blues_single_coverJohnson’s poorly documented life and shadowy death at age 27, fueled the Faustian myth that he sold his soul to the devil to achieve success. This self-perpetuating legend states that sometime in the early-1930s Johnson strolled down a Clarksdale, Mississippi county road and was stopped at the intersection of highways 61 and 49 by Lucifer himself. It was here that he sold his soul to become the best blues guitarist that ever lived. Robert Johnson actually recorded songs alluding to this legend of the devil’s crossroads, and his untimely death only fed the legend.
Several different accounts of what really happened in Mississippi can be found on the net: it happened in the graveyard in Beauregard; it happened at the intersection of highways 1 and 8 in Rosedale; it happened at the crossroads of Old Highway 8 and Dockery Road in Clarksdale. There are now tourist attractions claiming to be “The Crossroads” in both Clarksdale and Memphis, so locating the “official” signposts that commemorate the event can be a challenge.

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Purported death shack of Robert Johnson at “Three Forks.”

According to legend, as a young man living on a plantation in rural Mississippi, Robert Johnson developed a burning desire to become a great blues musician. He was “instructed” to take his guitar to a crossroad near Dockery Plantation at midnight. There he was met by a large black man (the Devil) who took the guitar and tuned it. The “Devil” played a few songs and then returned the guitar to Johnson, giving him mastery of the instrument. This was in effect, a deal with the Devil mirroring the legend of Faust. In exchange for his soul, Robert Johnson was able to create the blues for which he became famous. Another version places the meeting not at a crossroads but at midnight in a graveyard.
z 352168530590The capstone to Robert Johnson’s legend is cemented by the details of his early death at the age of 27. On the night of Saturday, August 13, 1938, Johnson was playing in a juke joint 15 miles outside of Greenwood, Mississippi when he was allegedly murdered by the jealous husband of a woman with whom he had flirted. In an account by fellow blues legend Sonny Boy Williamson, Johnson had been flirting with a married woman at a dance, where she gave him a bottle of whiskey poisoned (reportedly with strychnine or lye) by her husband. When Johnson took the bottle, Williamson knocked it out of his hand and advised him to never drink from a bottle that he had not personally seen opened. Johnson replied, “Don’t ever knock a bottle out of my hand.”
Soon after, he was offered another tainted bottle and accepted it. Johnson began feeling ill the next evening and had to be helped back to his room in Greenwood Mississippi in the early morning hours. Over the next three days his condition steadily worsened and witnesses reported that he died in a convulsive state of severe pain. Some say the poisoned whiskey killed him, other stories range from pneumonia to syphilis. Regardless of cause, by all accounts, Johnson’s death was a violent array of howling and convulsions.
As you might expect, the mystery of Johnson doesn’t end with his death. The biggest mystery of all might be his final resting place. Three graveyards claim the musical legend’s tombstone: Mount Zion Missionary Baptist Church near Morgan City; Payne Chapel near Quito Mississippi; and the Little Zion M.B. Church north of Greenwood. Visit any of the sites today, and you’ll see all kinds of memorabilia, liquor bottles and music-related trinkets left atop the headstones by adoring fans from around the globe.
z from-spirituals-500Ironically, 75 years ago this week, while Robert Johnson was thrashing back and forth in agony on his deathbed in 1938, Columbia Records producer John H. Hammond was frantically searching for Johnson to book him for the first “From Spirituals to Swing” concert at Carnegie Hall in New York. Robert Johnson’s “Big break” never reached him.

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So mysterious is Robert Johnson that he has three grave markers in three different cemeteries.

Assassinations, Black History, Criminals, Politics, Pop Culture, Presidents

Big Ben Parker: “one quick shift of his clenched fist…”

parker_james_benjamin
Big Ben Parker

Original publish date:  February 20, 2020

Recently, I wrote a two-part series on Carnation Day, the little known holiday created to honor our third assassinated President, William McKinley. While researching that story, I came across a man whose name should rightly echo through the halls of American heroism. Instead, his name is forgotten, his place in history supplanted and his whereabouts remain unknown.
William McKinley’s presence at the the 1901 Pan-American Exposition in Buffalo, New York was no accident. McKinley loved world’s fairs. The President referred to them as, “the timekeepers of progress. They record the world’s advancement.” He attended the Columbian Exposition in Chicago in 1893 and the Cotton States Exposition in Atlanta two years later. He did not want to miss the Buffalo Expo, planned for the summer of 1901, his first World’s Fair as President.
On September 6, 1901, President McKinley spent his final hours on earth acting like a regular tourist. He awoke early at 7:15 A.M., dressed for the day in his heavy black frock coat and black silk tophat, and stealthily dodged his Secret Service guards for a solitary stroll down Delaware Avenue. Later that morning, William and Ida McKinley boarded a train for Niagara Falls. They visited the falls, walked along the gorge, and toured the Niagara Falls Power Project, which the President referred to as “the marvel of the Electrical Age.” After returning to Buffalo, Mrs. McKinley went to the Milburn house to rest, the president to the exposition and his date with destiny.
z 58-484-25 2The president was scheduled to meet the thousands of people who, in spite of the oppressive heat, were waiting at the Temple of Music on the north side of the fairgrounds. In that line, no one stood out more than James “Big Ben” Parker, a six-foot six inch, 250 pound “Negro” waiter from Atlanta who has been laid off by the exposition’s Plaza Restaurant only days before. One could conclude that “Big Ben” was the angriest man in the room and the one the Secret Service should be watching. However, that sobriquet would belong to the man standing immediately in front of the gentle giant. A stoop-shouldered, nervous little man whose hand was wrapped in a handkerchief.
Parker had been waiting outside the temple all morning. He wanted to be at the head of the line to meet the president. At 4:00 P.M. the doors of the Temple of Music opened and hundreds of people formed an orderly, single-file line to the front of the auditorium. Once members of the public shook hands with McKinley, they would continue on to exit the building. An American flag was draped behind the President and several potted plants were arrayed around him to create an attractive scene. There President McKinley, flanked by his personal secretary George Cortelyou and Fair organizer John Milburn, stood waiting.
The pipe organ began to play “The Star-Spangled Banner”. The room was over ninety degrees. Everybody was carrying handkerchiefs to wipe their brows or to wave at the president. Anarchist Leon Czolgosz (pronounced “zoll-goss”), although sweating profusely, was doing neither. His handkerchief was wrapped around his right hand like a bandage held tightly to his chest. No one suspected there was a revolver hidden underneath. The usual rule enforced by the Secret Service was that all those who approached the President must do so with their hands open and empty. Likely due to the scorching heat inside the breezeless building, that rule was not being enforced as everyone seemed to be carrying handkerchiefs.
McKinley could shake hands with 50 people per minute by first gripping their hands then guiding them quickly past while preventing his fingers from being squeezed at the same time. McKinley, seeing Czolgosz’s bandaged right hand, instinctively reached for his left hand instead. At 4:07 pm, as the two men’s hands touched, the assassin raised the makeshift sling and fired his hidden .32 Iver Johnson revolver twice.
z mckinley-shotThe first bullet sheared a button off of McKinley’s vest, the second tore into the President’s abdomen. The handkerchief burst into flames and fell to the floor. McKinley lurched forward as Czolgosz took aim for a third shot. Within seconds after the second pistol shot, Big Ben Parker was grappling with the adrenaline charged assassin. Secret service special agent Samuel Ireland described the scene: “Parker struck the assassin in the neck with one hand and with the other reached for the revolver which had been discharged through the handkerchief and the shots had set fire to the linen. While on the floor Czolgosz again tried to discharge the revolver but before he got to the president the Negro knocked it from his hand.” A split second after Parker struck Czolgosz, so did Buffalo detective John Geary and one of the artillerymen, Francis O’Brien. Czolgosz disappeared beneath a pile of men, some of whom were punching or hitting him with rifle butts. The assassin cried out, “I done my duty.”
z tumblr_oe7ao4J07K1ufdl9oo1_400A Los Angeles Times story said that “with one quick shift of his clenched fist, he [Parker] knocked the pistol from the assassin’s hand. With another, he spun the man around like a top and with a third, he broke Czolgosz’s nose. A fourth split the assassin’s lip and knocked out several teeth.” In Parker’s own account, given to a newspaper reporter a few days later, he said, “I heard the shots. I did what every citizen of this country should have done. I am told that I broke his nose—I wish it had been his neck. I am sorry I did not see him four seconds before. I don’t say that I would have thrown myself before the bullets. But I do say that the life of the head of this country is worth more than that of an ordinary citizen and I should have caught the bullets in my body rather than the President should get them.” In a separate interview for the New York Journal, Parker remarked “just think, Father Abe freed me, and now I saved his successor from death, provided that bullet he got into the president don’t kill him.”

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Leon Czolgosz

Parker clearly prevented Czolgosz from firing a third time, thereby saving McKinley’s life. However, poor medical technique would ultimately cause McKinley’s death. The wound was closed without disinfecting (sterilization being a fairly new concept at the time) so McKinley died of gangrene on September 14, 1901. Prior to McKinley’s death, when his outlook for recovery appeared promising, the Savannah Tribune, an African-American newspaper, trumpeted of Parker “the life of our chief magistrate was saved by a Negro. No other class of citizens is more loyal to this country than the Negro.” A Sept. 12 , 1901 Buffalo Times article described “Big Ben” as a “plain, modest, gentlemanly person”.
Later, Parker told a slightly different version of his story to the Buffalo Times. “I went to the Temple of Music to hear what speeches might be made. I got in line and saw the President. I turned to go away as soon as I learned that there was to be only a handshaking. The crowd was so thick that I could not leave. I was startled by the shots. My fist shot out and I hit the man on the nose and fell upon him, grasping him about the throat. I believe that if he had not been suffering pain he would have shot again. I know that his revolver was close to my head. I did not think about that then though. Then came Mr. Foster, Mr. Ireland and Mr. Gallagher. There was that marine, too. I struck the man, threw up his arm and then went for his throat. It all happened so quickly I can hardly say what happened, except that the secret service man came right up.Czolgosz is very strong. I am glad that I am a strong man also or perhaps the result might not have been what it was.”

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James Benjamin “Big Ben” Parker

James Benjamin Parker, an American of African and Spanish descent, was born on July 31, 1857 in Atlanta, Georgia to enslaved parents. Educated in Atlanta schools, he also traveled as far north as Philadelphia, but returned south to live in Savannah. At one time he had been a salesman for the Southern Recorder newspaper. While in Savannah Parker was a well respected constable for a Negro magistrate. Big Ben had the reputation of never returning an unserved warrant. The citizens of the East Side of Savannah also knew that he was man of few words and a command to submit to arrest was always quietly obeyed. For a time, Big Ben lived in Chicago and worked as waiter in the Pullman Car organization. He returned to Atlanta in 1895. When he relocated to New York City, Ben had only one living relative, his mother in Savannah. Prior to coming to Buffalo, he was in Saratoga, New York and came to Buffalo only days before the assassination to work at the Exposition for the Bailey Catering Co.
According to a September 10, 1901 newspaper article, after the incident Parker appeared near the west gate of the Pan American Exposition Mall. As details of his heroism began to circulate through the crowd, a group of people surrounded him and asked the avenger to sell pieces of his waistcoat and other clothing. He recounted the story of the assassination and sold one button off his coat for $1.00 (equivalent to $30 today). After the shooting, Parker was approached with several commercial offers, including one from a company who wanted to sell his photograph. He was asked to work on the Midway at the Exposition recounting his story and signing autographs. He refused, telling the Sept. 13, 1901, Buffalo Commercial newspaper, “I happened to be in a position where I could aid in the capture of the man. I do not think that the American people would like me to make capital out of the unfortunate circumstances. I do not want to be exhibited in all kinds of shows. I am glad that I was able to be of service to the country.”
The Atlanta Constitution ran a story in the September 10 edition relating how the Negroes of Savannah were planning to set up a substantial testimonial for Parker. On September 13 another article ran titled “Negros Applaud Parker. Mass Meeting in Charleston Hears Booker Washington.” Booker T. Washington delivered an address to a mass meeting of 5,000 African Americans including a resolution denouncing the reckless deed of the “red handed anarchist” and rejoiced that a southern Negro “had saved the President McKinley from death.”
z ParkerHistorians agree that Czolgosz’s trial was a sham. Sadly, what should have been Big Ben Parker’s time to shine instead became his disappearing act. Prior to the trial, which began September 23, 1901, Parker was expected to be a major character in the assassination saga. Instead,the trial minimized Parker’s participation in the events of three weeks prior. Parker was never asked to testify and those few participants who did never identified Big Ben as the person who first subdued the assassin. Czolgosz’s sanity was never questioned and the case was closed twenty-four hours after it opened. Newspaper reports after the trial failed to mention Big Ben’s role and witnesses, including lawyers and Secret Service agents, began to enlarge their own roles in the tragedy by going as far as saying they “saw no Negro involved” whatsoever.
The African American community was outraged. Apparently, the Secret Service and the military were embarrassed that a private citizen, a black man at that, essentially brought the assassin down instead of them. When Parker was asked for comment, he said, ” I don’t say it was done with any intent to defraud, but it looks mighty funny, that’s all.” Parker remained humble, telling another reporter, “I am a Negro, and am glad that the Ethiopian race has what ever credit comes with what I did. If I did anything, the colored people should get the credit.”
The African American community of Buffalo held a ceremony to honor Parker at the Vine Street African Methodist Church on September 27, 1901. The church was packed to standing room only and the Buffalo News reported that the audience was incensed that no credit or recognition was given to Parker. The speaker, a church fellow named Shaw, delivered a short testimonial concluding by saying, “The evident attempt to discredit Parker is a sign of conspiracy and should we fail to emphatically resent it, I claim we are a disgrace to our race. ” When Big Ben entered the hall, he refused all demands to make a speech and sat down amidst cheers.

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Big Ben Parker

Methodist preacher Lena Doolin Mason wrote a poem praising Parker for his actions, “A Negro He Was In It”, casting Parker as the latest in a long line of African Americans who risked their lives in service to their country and admonishing white Americans to recognize that bravery with the cessation of lynchings. To quell the simmering pot of racial tension, the U.S. Government publicly promised a lifetime government job for Big Ben Parker, but no such job ever materialized. James A. Ross, the “colored mason”, Buffalo politician and publisher of the “Gazetteer and Guide” (a magazine for Negro railroad porters and hotel workers), supported Parker’s heroism by hiring him to be a traveling agent (magazine salesman) for his publication. With this, Parker left Buffalo after the trial and dropped from public view.
The April 4, 1908 edition of the Richmond (Virginia) Planet newspaper reported, “Before a class of students at the Jefferson Medical College the body of James B. Parker, colored, was placed upon the dissecting table Thursday. Parker was the man who beat Louis Czolgosz to the ground and disarmed him after the latter had fired two shots into the body of President McKinley at Buffalo on September 6,1901. At the time of the President’s assassination Parker was a Pullman car porter. Like many other heroes of the present day, Parker died penniless, his death came almost two weeks ago at the Philadelphia Hospital, where he was a patient in the insane department. He was moved to the West Philadelphia institution several months ago, after having been picked up by the police. As far as known he had no friends in this city at the time of his death and the body was turned over to the State Anatomical Board. In this way it came into possession of the college authorities. Parker was petted by thousands of persons in Buffalo. Everybody praised him, and it was thought for a time, that his act had saved the President’s life. Senator Mark Hanna, of Ohio, presented Parker with a check for $1,000 in appreciation of his bravery. Parker was well proportioned and was six feet four inches in height. In his earlier days he was employed as a letter carrier in Atlanta, Ga. More than a year ago he came to this city, and the last heard of him before his death was his arrest in West Philadelphia. In speaking of his tussle with Czolgosz, Parker said the assassin fought like a tiger and was one of the most powerful men he had ever tussled with. His brain will be examined by a noted alienist of the city within the next few weeks and it is expected that it will prove one of the most interesting studies ever made in Philadelphia.” His final resting place remains unknown.
z leonJust as Big Ben is the forgotten figure in the McKinley assassination saga, Leon Czolgosz is the least known of all presidential assassins. Prior to his execution Czolgosz met with two priests and said, “No. Damn them. Don’t send them here again. I don’t want them. And don’t you have any praying over me when I’m dead. I don’t want it. I don’t want any of their damned religion.” Czolgosz was electrocuted on October 29, 1901 at Auburn penitentiary. Initially, Czolgosz’s family wanted the body. The warden convinced them that it would be a bad idea, that relic hunters would disturb his grave, or worse, that unscrupulous carnival promoters would want to display the body in traveling sideshows.
z DoDprmvXUAAnGh_His family agreed that the prison should take care of the funeral arrangements by giving the assassin a decent burial within the protection of the prison grounds. When Leon Czolgosz was buried in the Auburn prison cemetery, yards away from where he was executed, unbeknownst to the family, the decision was made to have his body destroyed. The local crematorium refused to undertake the job. So the assassin’s body was placed in a rough pine box and lowered into the ground which had been coated with quicklime. The lid was removed and two barrels of quicklime powder was caked on top of the body. Then sulfuric acid was poured on top of that followed by another two layers of quicklime.
z Prison_card_of_Leon_CzolgoszTheir intention was to make the anarchist’s body dematerialize. What the prison officials did not know was that when quicklime (calcium oxide) and sulfuric acid are combined, a chemical reaction occurs which creates an exterior coating best compared to plaster of paris. Since the shell is insoluble in water, the coating acts as a protective layer thus preventing further attack on the corpse by the acid. It is entirely possible that the body of Czolgosz was preserved in perpetuity accidentally.

Black History, Criminals, Wild West

Bass Reeves: The Real Lone Ranger.

 

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Deputy US Marshal Bass Reeves.                                                                       The Real Lone Ranger.

Original publish date:  January 9, 2020

Nearly thirty years ago, I was cutting the grass on an ancient, unreliable Sears Craftsman riding lawn mower when my new bride came rushing out of the door of our first apartment excitedly waving her arms. Of course, I shut the mower off to see what was the matter. I was chagrined when Rhonda said, “You’ve got a phone call.” I should point out that it took me 45 minutes to get the mower started in the first place and I was not sure that I could replicate that action. “A phone call? Couldn’t you have taken a message for me to call them back?” I asked. “It’s Baretta,” she answered, “Robert Blake is on the phone…for you…Baretta’s on the phone.”

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Robert Blake as Baretta.

I was certain someone was pulling my leg as I walked inside and picked up the phone. “Alan, this is Robert Blake” the voice on the other end of the line responded. “I just found a letter you wrote me several years ago,” he said. “I have moved around a lot over the years and it got packed away in a box and forgotten. I have it now.” I was stunned. It really was Baretta! Turns out I had written a long forgotten fan letter to Mr. Blake years before, while still a teenager, asking him to sign a photo of the Our Gang crew. Blake (real name Mickey Gubitosi) had been part of the cast from 1939 to 1944 as well as Red Ryder’s sidekick “Little Beaver” from 1944 to 1947.

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Robert Blake (Center) in “Our Gang.”

“I wanted to ask a favor of you,” Mr Blake responded, “I have never seen this photo before. Could I swap you for it?” Well, uh yes, you can, you’re Baretta was my thought. “I’ll send it out today,” he said. “Here’s my phone number. Call me when you get it.” Sure enough, a week or so later, the package arrived and it was full of several photos of Blake as Mickey in Our Gang, from Red Ryder, from Baretta, from Electra Glide in Blue and there were a couple images of his character Perry Smith (playing the guitar) from the Truman Capote classic “In Cold Blood.” All hand signed and inscribed to me. I called him back to thank him for the photos and we talked for quite some time.

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Robert Blake as Little Beaver from the Red Ryder Serials.

Turns out, he was a collector of Lone Ranger memorabilia. “My folks never saved anything. My old man was a drunk. My mom stole all my money and sold all my stuff. I ran away at fourteen and never looked back.” Blake’s father ultimately killed himself and he cut off all ties with his mother. Turned out to be the first in a series of several phone conversations. So, from that time forward, anytime I went out “junkin” and found a Lone Ranger item, I’d send it to him. Posters, photos, adverts, movie programs, even one lobby card written entriely in Spanish. He would call and share some great Hollywood trivia. For instance, he informed me that he turned down the role of Little Joe on Bonanza, a role that made Michael Landon famous. He also turned down roles in The Godfather, The Wild Bunch, All That Jazz, Funny Lady and Ratso Rizzo in Midnight Cowboy. Over the years, we lost touch and, well, soon he had bigger issues to deal with.
z 1032402917.0He also shared stories of the Lone Ranger from movie, television and real life. “The closest I ever got to the part was in 1945 when I played Little Beaver with Wild Bill Elliott in the Red Ryder serial “Lone Texas Ranger.” Blake said, “I always modeled Little Beaver after Tonto you know.” Keep in mind, this was WAY before Google in an age when these tidbits were only known to the participants. It was Robert Blake who first told me the true story of the Lone Ranger.

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Bass Reeves.

The real Lone Ranger, it turns out, was based on an African American man named Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi River. Reeves worked mostly in Arkansas and the Oklahoma Indian Territory. During his long law enforcement career, he was credited with arresting more than 3,000 felons and he shot and killed 14 people (in self-defense of course). Although Reeves the man is mostly unrecognizable in much of the Lone Ranger legend, some of the basic aspects remain intact. Both were lawman hunting bad guys, both were accompanied by a Native American, both rode a white horse, and both gave away a silver trademark to people they encountered. Historians of the American West have, until recently, mostly ignored the fact that this man was African American, a free black man who headed West to find himself less subject to the racist structure of the established Eastern and Southern states.

z bass badgeReeves, born a slave in July of 1838, accompanied his “master” Arkansas state legislator William Steele Reeves’ son, Colonel George R. Reeves, as a personal servant when he went off to fight with the Confederate Army during the Civil War. Col. Reeves, of the CSA’s 11th Texas Cavalry Regiment, was a sheriff, tax collector, legislator, and a one-time Speaker of the Texas House of Representatives. During the Civil War, the Texas 11th Cavalry was involved in some 150 battles and skirmishes. Records are sketchy, but one report states that although 500 men served with the unit, less than 50 returned home at the end of the war.
It is unclear how, and exactly when, Bass Reeves gained his freedom during the Civil War. One account states that Bass Reeves and his owner had an altercation over a card game. Reeves severely beat his owner, and, knowing that there was no way he would be allowed to live if he stuck around, fled to the Indian Territory (today known as the state of Oklahoma). Here Bass lived harmoniously as a fugitive slave among the Cherokee, Creeks and Seminoles. Bass stayed in the Indian Territories, assimilating to their culture and learning their languages, until he was freed by the Thirteenth Amendment, which abolished slavery, on January 31, 1865.
Interestingly, like a plot from a Hollywood serial, in 1882, Bass Reeves “owner” Col. Reeves was bitten by a rabid dog while protecting a young child from danger. During his final days, Col. Reeves was placed in a wooden shed padded with mattresses to protect him from the potential self-inflicted violent tendencies associated with the disease. He died of hydrophobia in September of that year. During those intermittent years, his former slave, Bass Reeves, married and eventually fathered ten children (five boys and five girls) and tried his hand at farming.

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Judge Isaac Parker-The Hanging Judge.

Bass Reeves big break came when former Missouri Congressman Isaac Parker was appointed federal judge for the Indian Territory and Reeves was assigned as a deputy U.S. marshal for the Western District of Arkansas. Parker, known as the “Hanging Judge”, hired 200 deputy U.S. marshals and the Reeves hire was highly prized because he knew the Indian Territory and could speak several Indian languages. In 21 years on the federal bench, Judge Parker sentenced 160 people to death (out of 344 charges carrying the death penalty that came before him); 79 of them were executed. Many of these men were brought to justice by Deputy Marshal Bass Reeves.

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Bass Reeves.

Like the Lone Ranger, Reeves was a master of disguises. He often used these disguises to track down outlaws by dressing similarly and adopting their mannerisms to infiltrate the fugitive gangs, ultimately to identify and arrest them. Just like the Lone Ranger’s silver bullets, Bass Reeves always carried, and often gave out, silver coins as a personal trademark or calling card of sorts. Reeves handed out these valuable coins with a dual purpose; to ingratiate himself to the townspeople and as a future incentive for intel while collecting bounties. Thus insuring that a visit from Bass Reeves, the real Lone Ranger, brought only good fortune for the town by virtue of a criminal off the street and the gift of a lucky silver coin. Reeves was an expert with a gun who, according to legend, was barred from entering shooting competitions, not because of his race, but rather because no one could beat him. Reeves rode a white horse throughout his career, riding a light grey horse for a short while only. In addition to being a marksman with a rifle and pistol, Reeves developed superior detective skills during his long career, some of which are still in use by law enforcement today.

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Deputy US Marshal Grant Johnson.

And, like the Lone Ranger, Reeves worked with a Native American companion. Reeves’ “Tonto” was a capable Deputy U.S. Marshal in his own right named Grant Johnson. Johnson was an expert tracker and posse man who often accompanied Reeves into the Indian Territory in search of the most wanted outlaws hiding there. Johnson was a Native American Indian whose lineage included two tribes; his father was a Chickasaw, his mother a Creek. Born in north Texas during the Civil War, Johnson began his career as a Deputy U.S. Marshal in 1888 working out of Judge Parker’s court at Fort Smith, Arkansas where he teamed up with Bass Reeves. Judge Parker often cited both men as his best deputies ever to work for his court.
z Bass-Reeves-Statue-Plaque-PhotoIronically, Bass Reeves was himself once charged with murdering a posse cook. At his trial before Judge Parker, Reeves was represented by former United States Attorney W. H. H. Clayton, who had been his colleague and friend. Reeves was acquitted. On another instance, Reeves arrested his own son for murder. One of his sons, Bennie Reeves, was charged with the murder of his wife. Although understandably disturbed and shaken by the incident, Deputy Marshal Reeves nonetheless demanded the responsibility of bringing Bennie to justice. Bennie was eventually tracked and captured, tried, and convicted. He served his time in Fort Leavenworth in Kansas before being released, and reportedly lived the rest of his life as a responsible and model citizen.
Bass continued to serve as a U.S. Marshal in the Indian Territory until 1893. That year he transferred to the Eastern District of Texas in Paris, Texas. In 1897, he was transferred again, serving at the Muskogee Federal Court in the Indian Territory where he once again teamed with Grant Johnson. When Oklahoma became a state in 1907, 68-year-old Bass Reeves became an officer of the Muskogee Police Department. He served for two years before he became ill and retired. Reeves worked for 32 years as a federal peace officer in the Indian Territory, and during his career he brought in some of the most dangerous criminals of the time, but was never wounded, despite having his hat and belt shot off on separate occasions.

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Bass Reeves Monument- Fort Smith, Arkansas.

In 1909, Bass Reeves’ health began to fail, and he died of Bright’s disease (nephritis) on January 12, 1910. That day, a comet of almost unrivaled brilliance burst onto the celestial stage. Known historically as the “Great January Comet of 1910, it is most often referred to as the “Daylight Comet”. As Deputy Bass Reeves breathed his last, it was already visible to the naked eye. At its brightest, it outshone the planets Venus and Mercury, and was possibly the brightest comet of the 20th century. The comet’s approach had been slightly hidden by the daylight until its growing luster pierced the approaching dusk by unfurling a gossamer tail against a pure azure sky. One hundred and ten years ago this Sunday, the real Lone Ranger died as his silver Deputy star streaked brightly across the sky one last time.